26 Projects List – June 2017 Edition

Finished 2017 Quilt Projects

Still none yet. Still sad, though I am getting the Peacock back soon, which after binding, should put me back in the black in terms of fabric usage. I hope.  My fabric used list is still really suffering from frequent travel, tempting new quilt shops and fabulous fabrics.

Finished 2017 Non-Quilt Projects
While quilts are thin on the ground, I have been sewing and I have finished sewing a lot of small projects. I think that trend has mostly ended, but I expect to make a few more small projects this year.

Shockingly, the above along with donation blocks and tops is about 50 yards of fabric this year and I am not in the black in terms of usage.

Doing Good

In Process
The  ‘In Process’ is used to denote projects on which I am actively working or pretending to stitch. I try not to put away projects, because that will ensure I never work on them.

  • Carpenter’s Wheel blocks – I am almost finished putting the blocks together. I had a goal of Friday, but my quilter is going out of town before I can finish the top, back and binding, so I might be stalled again.
  • City Samplerblocks all made. Need to sash the blocks and finish putting the top together. I have the fabric I will use and I have no washed it, so nothing is stopping me from getting going.
  • English Paper Piecing Project– half hexies – I am still making stars. I am still using the big stack of fabrics I cut over Thanksgiving to make more stars. This piece is a weird shape otherwise I would just finish it and move on.
  • En Provence – I am well into the third clue clue is finished. I have sewn over 120 blue four patches and have about 40 to go. I have been focusing on the Carpenter’s Wheel, so am stalled on this once again. I am, however, cutting more pieces in between the Carpenter’s Wheel.
  • FOTY 2016 – I knew it was time to start arranging it and didn’t realize I was stalled until I saw Ellsworth Kelly’s Spectrum Colors Arranged by Chance, 1951-53. Now I am excited again about it, so it is closer to the top of the list. 6 months into the year and I need to get on it.
  • Lobster – I still have more stitching to do and then I need to quilt it.
  • Octagon 9 Patch: ready to put together. Not sure what I am waiting for. Another leaders/enders project or do I want to lay out the blocks more carefully?
  • Under the Sea: class project; like the design and am happier with the colors. I still haven’t worked on it since February.

Still WIPs
I still have WIPs. Who doesn’t, after all? A project in the ‘UFO’ category means I am stalled. A nicer way of saying UFO is a WIP. The list is a lot shorter and the projects are newer, for the most part.

    1. Aqua-Red Sampler – I need to lay the blocks out and put the piece together.
    2. The Tarts Come to Tea: I still haven’t worked on this since April 2011, though, I did bring it to the 2017 CQFA Retreat as a potential project. It is still in a prominent location so I have easy access.
    3. Pointillist Palette #4: Fourth is a series of 6 quilts; needs tiny square patches sewn together. No progress.
    4. Pies and Points from Victoria Findlay Wolfe class. No further progress. I did wash the background fabric I found when I went to Portland, so I am ready to cut. I need to focus on this and it is not up high enough on the list yet.
    5. Self Portrait: started in 2006 at a class at Quilting Adventures in Richmond, Virginia. My career counselor breathed new life into this project for me. She asked a simple question and the end result was inspiration for this piece, but I kind of lost steam again after printing images on paper to try out different designs. Lately, I have stopped feeling like I need to finish this piece. I am not ready to give up on it yet. I think it really needs major surgery.
    6. Serendipity Lady Quilt: no progress.
    7. Stepping Stones #2 – I am ready to make the border blocks , but haven’t gone beyond designing the blocks yet.
    8. Lozenge quilt – need to trim blocks.

Ready for Quilting

  • Nothing

In Quilting Process

  • Thanksgiving tablemat – I started quilting this piece at the 2017 CQFA Retreat. I made good progress, but it isn’t finished yet.
  • Theoretically, the Tarts Come to Tea is in the quilting process, though I haven’t worked on it in a while. It did come with me to Retreat and almost made it high enough on the list to get some love.


Peacock Quilt – finished quilting; have to pick up from my quilter, so I can bind.

Hunting and Gathering

  • 30 Something: I am still cutting 1.5 inch squares. I am pretty sure I have the 800 I need, but I am not ready to sew these yet, so whenever I have a chance I cut more. It will give me choice when the time comes. I’ll have to think up a new name, too.
  • Blue Gradation Quilt: cutting 2.5 inch x 4.5 inch blue rectangles
  • Blue Lemonade: cutting blue, green, purple 2 inch squares. I used a lot of these squares for En Provence, so I will need to cut more.
  • Pink Gradation Quilt: cutting 2.5 inch x 4.5 inch pink rectangles
  • Spin Wheel: really not started, but supplies gathered. I probably have enough fabrics and just need to decide to start.
  • Windmill quilt: Still hunting and gathering. I am supposed to be cutting a variety of greys for the background. I bought a new template, so I should be able to get going again


  • Stepping Stones #3 using the Macaron pre-cuts from Hoffman. I have all the fabric in pre-cuts and am just waiting for space (and desire) in my schedule.

What’s on your list?

Following up on Ugly Fabrics Post

I was so pleased to get so many comments on my Ugly Fabric post! I really enjoy comments, so keep them coming. 😉

The comments you added were full of great ideas. There was also a string of comments on FB when someone posted a link to this post on a secret quiltmaking group in which I participate.

Jackie said “I’m using my “ugly” (no longer my style) fabrics for testing pattern ideas and donation quilts. I know someone will love them.” I thought this was a great idea, if you can do it. I can’t always work with fabrics I don’t like which is one reason the nieces and nephews don’t get a choice in which quilt design they get for their quilt. I do ask them their favorite color, but they don’t get to choose the shade. If they say something like dusty rose or forest green, they are usually out of luck. I haven’t had a quilt returned, so I guess it is ok.

Nonnie commented “I have a ton of fabrics that may or may not be ugly but definitely fall into the WHAT WAS I THINKING category. I have been dividing my stash into two sections. …. LOVE THE FABRIC, use for family quilts and WHAT WAS I THINKING, use in experiments and donation quilts. I often trial a block or technique in a quilt I later donate to various charities or organizations. I work hard to make them beautiful and desirable but I am happy to know … I WILL NEVER HAVE TO LOOK AT THEM AGAIN. ” (Nonnie likes her capitals 😉   ). I guess a ‘what was I thinking category’ could be added to my list of fabric categories as well. I do pick up fabrics from the depths of my fabric closet and really wonder what I was thinking when I bought it. Often these are fabrics with some kind of strange dot or bold pattern choice. I have taken to pinning a note on new fabrics when I have an idea for them. I have so many ideas flitting through my mind that they don’t stick unless I make a note somewhere.

The other thing I noted was that was that fabrics that look great in a shop don’t always look great in my house. I have figured out that this is for a lot of reasons:

  • I like colors that I never use
  • The other fabrics in the line don’t always come home with me.
  • The light in the shop made the colors look different than they do in my workroom
  • etc.

I have really begun to look at fabrics I am considering buying in order to think about how I would use them. I have thought about this with regard to Tula Pink fabrics.

TFQ asked “Now the question is, are you going to get rid of those napkins so you don’t have to risk having an ugly fabric reaction every time you see them?” This is a good question that cycles through my head as I unearth fabric. I have been picking out pieces and giving them to BAM when I don’t think I will use them anymore. The Charity girls cut the fabrics up into 2.5″ squares and my uglies, which may not be someone else’s uglies, get lost in the 16 patch blocks.

Napkins are another story. Despite the poor fabric choice, the napkins are actually really nice. They are thick and do a good job cleaning faces while hiding stains. My SIL volunteered to take them off my hands as the dusty pink goes with her Desert Rose china. We’ll see.

Peg commented “Why should spend my money or my time on something I do not like. But, we may not agree on “ugly.” ” Peg is a new quiltmaker, though an expert knitter so knows her way around textiles. She reiterated what I thought, which is don’t listen to those who say to add some ugly fabric to make your pretties stand out. My Scrapitude Carnivale quilt is all pretties and that is a gorgeous quilt, if I do say so myself.

Of course, we cannot agree on ugly. I like pink, but not dusty pink. I like bright clear colors which may come from living in an environment that has bright, bright sunlight alternated with grey foggy days. Both of these weather phenomenon require colors that can stand up to those kinds of light. I find that bright, clear colors do that. I would be interested to hear what colors you find you use a lot and why you think that is.

Various & Sundry 2017 #9

For Sale Items: Take a look at fabric, a design wall and more! Buying helps me get a new design wall.

Get some discounts on Craftsy.

Projects, Exhibits & Shows

New Zealand creatives are hosting a 100 day paper cutting project. which started on May 22. I saw it on Ms. Lottie’s blog. She and her daughter are participating and each have their own pages to show the results of that day’s cutting. I like seeing each day’s work all together.

I am sure you have heard about the EPP Party going on around Pat Bravo. Today’s Quilter published an “Essential Guide to EPP” on their blog. Take a look.

Patterns, Fabric, Supplies & Tools

As you know, I am a huge fan of Judy Martin’s patterns and techniques. She operates a small business in Iowa and has a wonderful newsletter that reads like a friend is sharing news with you. You may have heard (did I mention it?) that Judy Martin has launched a new eBook venture called Judy Martin eBooks. While I am an Amazon Affiliate, I have rebuffed all other offers to become affiliates with other ventures. I am delighted however to be a new Judy Martin Affiliate. I love her patterns and books and, most importantly, her sound quiltmaking techniques. I have a goal to take a class with her sometime. This means that I will probably have to travel to Iowa since she rarely teaches outside the area anymore. Anyway, she already has some of her eBooks up on her site. I encourage you to look through her offerings and purchase some. Yes, I will get a cut if you click on the links listed, but you will also be directly supporting her hardworking family. Links:

  • July Fireworks: this is the first e-pattern I saw as a sample. I was blown away. I love the innovation in the layout
  • Star Happy Quilts is an e-book, originally published in 2001. The patterns are comprised of 3 different star blocks, which are arranged and resized in different ways. The books gives you the design practice to create tons of star quilt designs!
  • Celtic Squares Deluxe is a new-to-me pattern and very modern. The interlocking squares make my mind dance with ideas for gradations of color.
  • Patchwork Among Friends is not just a pattern e-book, but is a resource guide for getting people together to sew. There are 10 patterns, recipes for potluck dishes and ideas for getting quiltmakers together.
  • Starry Night Log Cabin is a pattern from her book Extraordinary Log Cabins for you log cabin fans. Judy has some different techniques for making log cabins that improve accuracy. It is also free!
  • Scraps is an e-book of one of Martin’s classics. There are 16 original designs presented in 3 different sizes to help you customize for your needs. The instructions contain a choice of accurate rotary cutting instructions or templates. Fat quarter requirements and yardage are listed for each quilt in every size. Color diagrams show piecing instructions. There are also ratings for each pattern to tell you ease of cutting, ease of sewing, and ease of thinking.  ;-0

Hints, Tips & Tricks

We all need some help in the measuring department. Riley Blake and Sew4Home are there for you. Riley Blake tweeted out a link to Sew4Home’s post about deciphering measurements on a measuring tape. This can be used as a guide for other measuring tools also. The post comes with printables for your wall. For you enlightened users of the metric system, there is a conversion chart from fractions to metric as well. If you aren’t following Riley Blake on Twitter, it is well worth the follow. They have clever quips and tweets that entertain me.

Charlotte of The Slightly Mad Quilt Lady has been working on her sewing space. Her most recent blog post talks about her new pressing station. She has ‘made do” with some things she had around the house (or boat, in her case). The thing that impressed me most was her testing. She used a folding table with a plastic top. Melting plastic could be a problem. Her tips for testing to see if the plastic would melt were helpful. She links out to a post on her cutting station rebuild and her new studio (few months old now), so you might want to check those posts out as well.


Frances has a series of posts on process. One things she says, which is absolutely true is “One of the things I enjoy about the creative process is the serendipitous moment.” I find I really have to play around with pieces (making visual decisions visually) to get to where the quilt should be. I am very interested in process and I like the way she has put all the pieces of the process together into a couple of posts. This is different from me where I post what is currently going on in my projects and don’t usually put them together. I’ll have to perhaps do something about that. At least I’ll think about it. In meantime go read Frances’ posts.

Poolside Tote in Process

Poolside Tote in pieces
Poolside Tote in pieces

I thought I would be able to sew the Poolside Tote together over the weekend, but no such luck. The project is still waiting for me to have time.

I was engrossed in En Provence and the Carpenter’s Wheel, as you know.

While the pieces laid on my floor (all horizontal surfaces are fair game for storage), I noticed that the random letters, in certain cases actually made words.


Poolside Tote in pieces, annotated
Poolside Tote in pieces, annotated

I am not sure how I feel about that. I have pointed out some of the words I see.

The text fabric will be on the inside of the tote, so they won’t be very prominent. Making up stories using the words is a challenge.

On another note, the text fabric is VERY loosely woven and frays quite a bit. I might stitch the edge like I would a quilt with no border. I am just worried that another layer of stitching will make it hard to sew a bunch of layers together.

Ellsworth Kelly at the SFMOMA

Monday was a day of outings. Friend Julie came up on Sunday night to stay. She, DH and I headed off to the SFMOMA at the crack of dawn (ok, 9:30, but it was a holiday) for our appointment to see the Diebenkorn/Matisse exhibit that was closing that day.

We had a 10:30 appointment to get into the exhibit and arrived at the museum before the galleries opened. We had about 20 minutes to look at the other galleries on the 4th floor before our entrance time. One of the artists at which I looked was Ellsworth Kelly.

Kelly has a long history with the SFMOMA. The Fishers (founders of the Gap) bought many of his works and donated (or loaned) them to the museum. The SFMOMA has also bought pieces of his.

I have a checkered history with Kelly. A number of his works I have seen in the past were “color fields,” a canvas of one color. I am sure critics and art historians have a lot of positive things to say about such work, but I have never liked them. No matter how famous the artist I see these types of work as works they made phoning it in. This view comes from a very limited knowledge.

Spectrum I, 1953 by Ellsworth Kelly
Spectrum I, 1953 by Ellsworth Kelly

There were different works on the walls by Kelly this time. There were two that I particularly liked. One was Spectrum I from 1953.

As you can see, Kelly gradates the color from yellow to yellow. The information said that the yellow is the same on both sides. It doesn’t look like it because of hte influence of the green on one side and the light orange on the other. I also like the series of violets in the middles -an indigo with a touch of violet, a violet and a red violet. The canvas looks like it bows in the middle, which is an added bonus.

Spectrum Colors Arranged by Chance, 1951-53 by Ellsworth Kelly
Spectrum Colors Arranged by Chance, 1951-53 by Ellsworth Kelly

Second, was a piece called Spectrum Colors Arranged by Chance, 1951-53. He did not phone this one in and I don’t think that blue tape was available at the time (though I really have no idea) to help keep the lines straight. DH found it hard to look at, but I found it inspiring.

You might have noticed that June is nearly upon us and I have not sewn FOTY 2016 together yet. I wasn’t feeling the love. After seeing “Spectrum Colors” I feel a renewed sense of purpose. I am seriously thinking of putting charcoal (not black) in between the colors, but doing it like he has done so there is some interaction between the colors. He uses solids and not all of my fabrics are solids. Still, I think using a solid charcoal or even the cool grey of which I bought about 1000 yards might make an interesting piece.

There are some issues:

  1. Another quilt with a gazillion pieces. Sigh. What has gotten into me.
  2. The squares I cut are 3″. Doubling the number I have might lead to a quilt sized large enough to cover my house. I could cut the squares and might do that. I’ll have to try out a bit and see.
  3. I don’t want to completely depart from the color gradation idea, so I might gradate the colors within the design field even though a solid might be in between some of the colors.

This is why it is good to go to art museums or see exhibits outside of your field. You never know when you will get inspired by an artist or piece of art.

Sewing a Gazillion Squares

Carpenter's Wheel - Section 1 & 2 sewn together
Carpenter’s Wheel – Section 1 & 2 sewn together

I had such a nice weekend. I was able to, essentially, spend two days sewing after really missing it during all of my #politicalwifery over the past few weeks. As I mentioned, I had to cut a lot. I just didn’t have enough variety of text squares to make much progress on the Carpenter’s Wheel. I see to sew this piece in fits and starts.

After sewing the cut squares together into 4 patches, I began to assemble the blocks. It takes 64-2.5′ squares to make a block. As you have seen in other posts, I do put a larger square in to the blocks to add interest, so I don’t always have to sew 64 squares together. Still 60 squares or 56 squares, because I usually don’t sew more than 2 large squares into one block, is a lot.

Carpenter's Wheel -almost last row, section 2
Carpenter’s Wheel -almost last row, section 2
Carpenter's Wheel -almost last row, section 3 - in process
Carpenter’s Wheel -almost last row, section 3 – in process

The section above will fit on to the bottom of the two sections I already sewed together, shown above.

I was able to finish one whole section and make a good start on the last section, shown right. I really enjoy making progress on this quilt. I only have about 10 seams to have these four blocks sewn together. I do need to make two more text blocks (like the lower right) in order to finish the section.

Definitely progress.

Working Towards a Gazillion Squares


I had to bite the bullet over the weekend and just cut like crazy. I can’t finish any more of the Carpenter’s Wheel sections until I cut some more background patches. As I have said 3,000 times, I desperately want to finish a quilt top and so certain tasks must be accomplished.

I can’t finish the 4 patches for Step 3 of the En Provence Mystery Quilt until I cut more blues.

I have had some bits of times to cut and have made some progress, but I really went at it on Saturday and spent nearly the whole day cutting both blues and the text fabrics. It was kind of crazy, actually, because I really cut a lot of squares.

I should have used my Accuquilt for the 2.5″ squares, but the blades on my die have never worked quite right. The pieces I cut last time were more trouble than they were worth. I have to get a new die. In the meantime, I am going through rotary cutter blades.

Fabric Usage

I first mentioned tracking my fabric usage formally on a V&S post a few months ago. Peg recently asked about it, so I thought I would write more about it.

First, if you are a beginner, stop reading and go sew. You are too young a quiltmaker to be worrying about fabric usage.

Second, if you are prone to anxiety, stop reading. Fabric usage is not something you need to add to your list of anxieties. Go sew and enjoy your quiltmaking.

Everyone else may continue reading with the understanding that this tracking system is not to judge, but to understand how much fabric my projects actually take and my fabric usage over the course of a year.

I have been tracking my fabric usage since 2015. I did it all last year as well. Having more of a handle on how to use the spreadsheet helped me to understand what fabrics I was using and how much. I made much better choices about fabric purchases and continue to do so. I am not perfect, but getting better and fabric is so yummy that sometimes it is hard to resist. 😉

I use a spreadsheet that I originally got from Pam of Hip to Be a Square podcast. I have modified to suit my needs. Pam has a blank copy of her fabric usage spreadsheet available on a post from a few years back. It is a good way to start tracking your usage as long as there is no guilt involved. Cheryl, a BAMer, wrote a great post about her spreadsheet for the BAM blog. She talks about her theories around it, why she does it and how she does it.

While there is no shortage of fabric at my house, this spreadsheet is not intended to keep me from buying fabric. That would be a effort in futility and acknowledging that fact feels like a victory. I started so I would know how much fabric I am using per year as well as how much I am adding to my collection. I have a good idea of how many different fabrics I purchase in a year based on the Fabric of the Year quilts, but quantities were always a mystery.

Knowing that I used:

2015: 107.16 yards
2016: 181.34 yards
2017: 62.48 (YTD)

There is no adjustment for how much fabric I have purchased and that changes the numbers a lot. The numbers above are gross, not net. I have to say that knowing how much fabric I used in 2015 spurred me on to sew more in 2016. Using a 100 yards is not out of the realm of possibility and if I made goals like that, that would be my goal. Less than halfway through the year, I am already well on my way.

I find the statistics interesting, but I don’t think you should track your fabric usage unless there is no guilt involved.

Ugly Fabrics

Women's Work Valentine's Day Napkin
Women’s Work Valentine’s Day Napkin

After putting the used napkins from last week in the wash I pulled out new ones. I had rearranged the napkin drawer in order to circulate in some that hadn’t been used in awhile. One was folded back to front and I immediately had an ugly fabric reaction. It really isn’t hideous fabric, but not my colors. The print is interesting. It is a classic design. I don’t think this particular shade of pink has really ever been my color, but I bought it at some point in the past so I must have liked it or had a use for it.

This napkin brought out a whole slew of ugly fabric feelings and thoughts. I was especially reminded of things I had heard I must do.

-Buy a little ugly fabric.

-Put a piece of ugly fabric in your quilts so your nice fabrics will look better.

-Sew ugly fabrics as backs.

You know how well musts work with most people.

I went through about 5 seconds of buying ugly fabric. Then I decided that, for me, that is a seriously dumb idea. I am not spending my hard earned money on ugly fabric when there is so much great fabric out there. I don’t have enough money to buy the fabric I love (bolts of Philip Jacobs prints, please). I also don’t want to devote precious space to ugly fabrics.

The other thing is that ‘ugly’ is relative. My ugly fabric might be your favorite color. I am not here to tell you what you should or shouldn’t like. Ugly for me will be different than your ugly. Buy your favorites.

Also, what I think is ugly today might not have been ugly to me 10 years ago. Tastes evolve. Also, as a new quiltmaker, you might be trying out different styles to find what suits you. You might also mix what you like. I don’t buy many repro prints, even the cheerful 1930s prints. They just aren’t for me. However, there is a blue in the Civil War arena that I love and periodically I will buy an FQ of one print. I am careful, though to make sure it is more blue than beige.

I worked on a quilt called Thoughts on Dots when I was having a big, fat creative block. This quilt was so painful to make, because I was forcing myself to sew. I was forcing myself to work through the creative block.I had a small child who was going through some stuff. DH was going through some stuff. It was a tough time. I moved around 6.5″ squares for weeks. I finished the quilt top and decided to use some ugly fabric for the back. To be thrifty, I decided to use fabric I wasn’t going to use for a front. The ‘ugly’ fabric isn’t hideously ugly, though it is beige. I interspersed the beige with leftover squares, so the back isn’t completely beige and hideous.

We act like we will never see the back so backs can be a dumping ground for ugly fabrics. Thoughts on Dots is on our bed, so I do see the back pretty often and I sincerely dislike it every time I see it. This is why I have used small pieces of beige for donation blocks. I don’t want beige in my fabric closet. This quilt is nearly the sole reason I use a lot of Philip Jacobs prints for my backs. I have decided I want to enjoy backs as much as my fronts. It doesn’t mean that I buy special fabric for the backs. It means I use fabrics I like from my fabric closet. Those Philip Jacobs prints are so well displayed on a back that I can’t possibly NOT use them now.

I also should have realized that being thrifty didn’t mean I had to use that beige fabric. It isn’t as though there has been a shortage of fabric at my house in a while.

My final thought is that everyone should just use the good stuff immediately. Don’t buy it and save it for some other day. That day is today and you will love whatever you make even more if you can see your new favorite fabric immediately.

Remember the Poolside Tote?

Not long ago, I talked about assembling the fabrics, etc to make the Poolside Tote. I know you thought it would be forever until I made it. Angela inspired me to get off my duff and said she would offer advice. Then Tim (both BAMers) said he wanted to make one as well. Julie also said she is going to make one. I might be leaving my two pals in the dust, however, or inspiring them to get off their duffs.

Poolside Tote: outside bag (tote 1)
Poolside Tote: outside bag (tote 1)

I went to a Sewcial on Thursday and cut out one version of the Poolside Tote. I used all the linen I bought and the AGF text print. It was a three hour Sewcial at Scruffy Quilts and I was able to cut out an  entire bag except for the Soft and Stable.

I was kind of shocked at how much fabric this bag took. I don’t remember using up so much fabric. Well, I don’t remember using almost the same amount of fabric that the pattern demanded.

Poolside Tote: lining bag fabric (tote 1)
Poolside Tote: lining bag fabric (tote 1)

The other thing that was a surprise was how loosely woven the AGF text fabric was. It was actually kind of a pain to cut because it kept shifting because of how loosely the fabric turned out to be.

Still, I got the whole thing cut out. I just focused and did it. I started to think I could do a second one, then I realized I probably didn’t have enough handle fabric and I had forgotten to cut the handles out anyway!

ColorPlay: Flowers

ColorPlay May 26, 2017
ColorPlay May 26, 2017

I spent a BBQ in a walled garden last week at Grand Parlor. In addition to the walls keeping the wind out and the cozy nature of the gathering, it was so gorgeous I could have stayed there all day.

There was a whole slew of different flowers. They were all different. I chose this one because of the cropping, to be honest. As I went through the Palette Builder options, I found that this picture came up with a lot of different color options.

ColorPlay May 26 n.1
ColorPlay May 26 n.1

The default again was very neutral with reddish overtones. I am sort of interested in the top color, Kona Cotton Earth. It reminds me more of chocolate than earth.

Again, there are lots of browns and other darks. The Kona Cotton Earth and the Kona Cotton Cobblestone are the two significantly beige-y ones.

Two interesting color options came up while I was playing, neither of them having much to do with purple: dark and light.

I continually find it interesting and entertaining that such differences can be made in the same photograph. To make it even more entertaining, the color palettes above have very little to do with purple, which I see as the dominate color.

ColorPlay May 26 n.2
ColorPlay May 26 n.2

The first palette that I made after the default was more purple, but still reddish and some neutrals.

It is interesting to me how Orchid and Pansy look so similar. Even I can tell they are not exact duplicates, but I like it that Kona feels that two so similar colors are worth making. It warms my heart.

Again, Kona Cotton Cobblestone and Kona Cotton Taupe are more towards the brown and beige tones. I don’t know why they show up so much.

ColorPlay May 26 n.3
ColorPlay May 26 n.3

I tried to get more of the purples in a palette and I pretty much succeeded. Kona Cotton Sienna is the only one that looks out of place in this palette.  If I were using this palette for a quilt, I would remove the Sienna, maybe replace it with something else and maybe not.

The light colors are interesting. On the bottom, the second one looks like a blush pink, but it is actually Orchid.

ColorPlay May 26 n.6
ColorPlay May 26 n.6

I tried again to find a purple palette that excluded that Sienna. I went a little lighter (working my way to the very light one above), but got mostly purple tones.

I thought the Violet and Dahlia were very similar and I like the gradations between those and the Orchid.

I screwed up, though and Oyster is in there twice. Oops. I tried to avoid that .

ColorPlay May 26 n.4
ColorPlay May 26 n.4

I did a green palette as well just to do it. I thought the greens were a nice variety. I don’t know if Kona Ash is a green or not, though it looks green with the other greens.

So, go out and play with the Palette Builder. See if you can make something awesome.


Winner Winner Chicken Dinner

I probably shouldn’t have gone to BAMaQG on Saturday because I was still hacking up a lung. After Grand Parlor, however, I needed to see my peeps and get reconnected with some quiltmaking. Despite leaving my lungs everywhere, I enjoyed myself and was pleased to be able to talk to people I care about. This is Kelly’s last meeting before she moves, so I was especially glad to see her. It also got me back in the mood to sew and I sewed a lot on Sunday.

As usual, the group has a door prize drawing. Right before they announced the name, I thought “I am going to win”. Then Gerre announced my name. I couldn’t believe it. I am really not psychic and I am very distrustful of my intuition*, so it was very strange.

May BAMaQG Door Prize
May BAMaQG Door Prize

The prizes included fabric. Yay Fabric! Ugh Fabric! I only say UGH Fabric because I am keeping track of my usage and I am in the hole.

Still, it is fun to win a prize.

May BAMaQG Door Prize
May BAMaQG Door Prize

The fabric colors aren’t really ‘my’ colors (except the lime), but the little packet of peaches is kind of growing on me. I can definitely use them for this month’s Color My Quilt. I also have the idea to make something small out of them. A small bag or journal cover or another gift grouping. I’d love to find a pattern that used the exact amount of fabric I have.










* After being certain I was having a girl and getting the YM, my intuition has been suspect.

Emerald Philip Jacobs Cell Phone Wallet

Emerald P.J. Cell Phone Wallet - open
Emerald P.J. Cell Phone Wallet – open

This was another almost finish that I finally did finish. I need these cell phone wallets to wear with dresses that have not pockets. This means that I had to finish a few of them before Grand Parlor. I knew I would be wearing the dresses and tunics, so I had to get sewing. You know I finished the Red Dot Cell Phone Wallet and the Habitat Cell Phone Wallet. Just before we left I finished the Emerald P. J. Cell Phone Wallet as well.

Emerald P.J. Cell Phone Wallet - closed
Emerald P.J. Cell Phone Wallet – closed

I find it hard to determine where the fabric will end up when I use the pattern. On this one, I really wanted to the flowers you see to end up on the outside, but they ended up on the inside.

The leaf that did end up on the outside is nice looking, but it isn’t the flower that I wanted.

The pattern calls for a snap on the flap (photo above right), but I haven’t put one on any of the pieces yet. I don’t feel like I need one.

Emerald P.J. Cell Phone Wallet - closed with phone
Emerald P.J. Cell Phone Wallet – closed with phone

These bags are so helpful when I am at an event and don’t want or need a full purse. I keep my phone and hotel key in it. I can also put a few other small things in each one. I try not to stuff them too full so they stay flat-ish.

The last photo shows my phone in it. The design is such that I don’t have to open the flap to get my phone out.

92 Four Patches

En Provence 4 Patches
En Provence 4 Patches

I am back from Grand Parlor and finally had some time to sew yesterday. I started cutting out a new quilt. More on that later. I also made 92 four patches for the En Provence quilt. This is clue 3. I am using blues rather than purples.

I had some blues that could be mediums or darks. I had to make really make sure that I wasn’t using medium blues as darks and lights in the same block.

I have 74 left to make.