For a number of years (3-4), I took a picture of the Ferry Building in SF every day as I went to work. I had read an article about a guy who took a photograph of the same NY shop every day around the same time. Somewhere in the article the author (or, perhaps, the photographer) commented on the subtle differences that can me seen in such a project.
This sort of subtle project appealed to me. While I took photos from different angles, there are still differences. Periodically, when I am downtown near the Ferry Building, I will take a new photo for old times sake. Photos to use for my ColoPlay posts are getting thin so it seemed like a good time to dig out a Ferry Building photo.
The default effort actually turned out quite nicely. No nasty or ugly neutrals. I got a palette that would look great for a boy. I like the addition of Kona Blue Jay. Not because of the same, but because I think it reflects the color of the sky almost perfectly.
I do like the lighter blues shown in the example above.
The above palette tends more towards the greys and is very San Francisco-like. The Kona Shadow is particularly good for representing fog.
The photo really doesn’t have enough color data points to get very many palettes. All of them seem to have a variation on the same group of hues.
Cheryl was fortunate enough to grab the February spot and her piece was the second on which I worked. As I said Saturday, I had two pieces on which to work right off the bat. I missed the February meeting, but got my hands on the color sheet and made a piece.
For some reason I wanted to do something a bit more straight-laced and block-like. It couldn’t be too straight-laced, so decided on a checkerboard.
Kelly is next and I am curious to see what she comes up with as her colors.
I have making my own color sheet on my list. I have an idea in mind, but need to find a photo. I’ll wait a few months so I can see what other people bring to the meeting. I doubt my slot will come up before next year.
Karen, last year’s guild challenge coordinator is leading a new challenge. This challenge is in addition to whatever challenges the new challenge coordinator comes up with. I have decided to join the Color My World challenge.
As is her right, Karen was the first person to provide a color sheet for the challenge. As I join somewhat behind the rest of the group I had two to complete at once. I did Karen’s first and will talk about the other one tomorrow.
Karen used a landscape photo as the inspiration. I followed that idea and used curve strip piecing techniques to mimic the landscape idea. I am pleased with the way my piece came out.
Some things take time. I know that in our house, if something comes in it is difficult to dislodge it. This has a number of effects. Nothing temporary may come in. Temporary has no meaning in our house, so only things that we want to keep forever may come in.
As I work towards my ideal workroom, I have to work with this stricture. Thus when I walked by a new shop downtown and saw the sweets shop with the look and feel I wanted, I had to take a photo. Knowing the look and feel I want helps to weed out anything that doesn’t fit.
I decided to use this photo as our ColorPlay this week. What is the dominant color you see? And the secondary?
For me, I see a white domination with a turquoise, or, perhaps pink (salmon) secondary color.
I do NOT see a preponderance of neutrals! The above is the default palette. Are you kidding me? No white. No turquoise. This is a big failure to me. If we were matching up palettes with original pictures, nobody would pick this palette to go with my picture. Can you tell I am miffed?
My first attempt to stack the deck is not much better. The colors are slightly nicer, but still no white, pink or turquoise. I know this is because of the shadows, but I am still annoyed.
My second attempt is, at least, slightly more palatable (HA!). The colors are a bit lighter and a bit fresher. Still no white or turquoise.
Despite the fact that the Kona Emerald doesn’t look anything like any emeralds I have seen, this palette is slightly better. At least there is a pinky-red included.
I absolutely will not use any of these palettes for my workroom. If you haven’t tried the Palette Builder by Play-Crafts, go and try it — after you leave a comment ;-).
Available photos to use for the ColorPlay are feeling thin on the ground. I dug deep and chose a photo from our trip to Hawaii a few years ago and took it to the Palette Builder for some play. I can certainly get my blue fix from Hawaii, right?
The original photo is quite simple. I would guess not that interesting.
However, I found I was wrong. Even the default palette is interesting. It is a nice array of blues and even the grey of the lava fits right in.
There is not a lot to do with a simple photo primarily in monochromatic colors. Still, I made an effort and came up with a different palette that is similar, but a little different.
The third palette is only a slight variation. Some of the choices repeat, but the overall look is different than the other two.
I am only doing three today, because of the simplicity of the photo. All three give an excellent overview of the Kona blue variations available. As usual, let me know if you make anything from one of these palettes.
I know it is confusing to have two of these going at once.
I had to clear off my ironing board in order to put a new cover on it. Mine had a big hole, which wasn’t really bothering me. However, my ironing board is a unique brand and I came across a cover in a store and snapped it up. In order to actually use the new ironing board, I had to move the pressed fabric waiting to be cut. The above picture shows some of it, but also fabric from a recent wash load.
The shape for 2017 is a 3 inch x 6 inch rectangle. I chose that because I want to play with a subway tile look. I think I have decided not to cut smaller pieces for used/in my closet fabric. So far I have only cut new fabrics, so I still have some time to decide. I think I will just make all of the patches the same size. I am also thinking I will stagger the rows like when a bathroom is tiled. This means I need something for the ends. At the moment I am thinking white Ta Dots on Grey. Stay tuned.
Tulips are, possibly, my favorite flower. I am pretty partial to spring flowers, such as daffodils, hyacinth and narcissus, so it is hard to say. One reason I like them is that florists don’t tend to pair tulips with baby’s breath. I sincerely dislike baby’s breath. I had white tulips for my wedding bouquet and DH often gives me white tulips when he wants to give me flowers. They are also delicate and simple.
The first palette is appealing. I like the Coral and Black combination with the other neutrals included.
Since I have to mess around with the palettes, I moved the little circles and came up with a slightly brighter palette. I love the addition of Kona Red and the Kona Snow to this option.
Fiddling further allowed me to add another warm hue, Kona Tangerine to the mix. This grouping is getting quite warm.
The Kona Snow and the Kona Coal seemed to want to stick to the palette. This palette has no more greens, but includes an icy blue called Frappe.
This final palette is probably my favorite. I was excited to be able to move the circles in such a way as to add Kona Carnation. I have been using Aurifil 2479, a lovely carnation-like pink for another project, and loving it. It was so nice to see a similar hue show up in this palette.
Let me know if you make anything with these palettes. Thanks to Anne over at Play-crafts for her tool.
Last weekend we went on another #politicalwifery trip for the Native Sons. We headed up to the North Coast. After, what seemed like, days of pouring rain, Saturday dawned beautifully clear. DH pointed out a gorgeous view so I am using that view, on our way back from Stitch in Ferndale as today’s ColorPlay.
You can see why I picked this. Last time I was trying to get a nice blue palette. Today, I’ll be hard pressed NOT to get a nice blue palette.
Today I remembered to save the ‘auto color’ image. The tool seems to cluster the images into the dark. It is interesting. This isn’t the perfect palette, but I do like the Kona Regatta and the Dresden Blue (top two).
This might be my favorite. I am not 100% sure, but it has Kona Niagra, which is close to Kona Jamaica, a sure favorite. There are also a sufficient balance between light and dark.
N.2 was my favorite until I saw n.3. Still no Jamaica, but the Lapis with the Niagra work really well together. The medium blues really make this subtle.
I added in the greens to see what would happen. they are more mossy than I like, but the balance works. I think n.4 is probably the most successful palette.
I have been thinking about my trip a lot lately, so I am back to one of my Austria photos. I wanted an image that was bright and cheerful. This is my friend’s bath. I have to say that one of the things I looked forward to on my trip was a deep soak in that tub. It is is easily 3 feet deep and after a 5 year California drought, a long soak in a tub filled to the brim with water seemed like a fantasy.
When the YM was about 4 we visited and I kept a strict eye on him in that tub in case of drowning. He was a good swimmer, but that tub holds a lot of water.
While I wouldn’t say that the yellow in the photo is neon, I would say that it is bright and dominates the room, thus you can imagine my shock when I saw the first iteration of the color palette for this post.
Talk about neutral!?!? This palette has no color! I can’t even think about whether this neutral palette is interesting or not. It needs pink and yellow.
My second attempt was marginally better. Kona Banana was the closest I could get to the yellow, which is decidedly not the color of a banana. The choice isn’t terrible and it is better than the Kona Caramel in my first attempt. I was pleased that the turquoise showed up as Kona Jamaica. The towel is no better than Kona Spice, which is not pink and I could get a nice white (chair and radiator) to save my life.
I made one more attempt. I made sure to keep the Kona Jamaica, but tried for a better yellow. Banana is probably the best as the only actual yellow alternative I could come up with was Kona Butterscotch, which is only marginally yellow in my mind. The Grass Green is a good addition.
I think, in general, the shadows in this photo obscure the true colors.
Let me know about your efforts as creating a palette.
Since we have been obsessing over the Peacock, I decided to use the Peacock piece, as is, for ColorPlay this week. Ok, I have been obsessing
I would have cropped out more of my design wall, but decided just to leave it in and see what happened.
Since the colors are all cool colors, I thought I might finally develop the calm palette I have been seeking.
Using the Palette builder tool is always interesting. I am fascinated by the tool’s initial selections of locations on the photo. There are always circles on the edge. The choices the tool made tends towards darks and neutrals, in my opinion. If I were given the palette and then shown this quilt and asked if it was the palette for the quilt I am not sure I would say yes. There are only 1 each of green and blue.
Fortunately, we can move the circles around. This palette is almost the perfect palette. It might actually be the perfect palette. While not complete, I do think it reflects the colors of the piece. I particularly like the addition of the green – Kona Blue Grass on the bottom of the list. The fabric I used was not that manufacturer, but it is a good match. I might need to use Kona Blue Grass if I run out of the solid that I have been using.
Of course, it is impossible for me to leave well enough alone. I moved the circles around again.
This is similar to the number 2 above, but tending more to the neutrals again. I wanted to get the lavender in the palette to see what that would add. Despite the Kona Blue Grass, I don’t like this palette as much.
I had to fix it, try to make it less depressing, so I tried again. The palette is still somewhat tending towards neutrals, but the Lapis, Holly and Stratosphere balance out the Kona Coal and Graphite.
It isn’t the perfect palette, but I am rather partial to Stratosphere and Lapis. They make great additions to almost any palette.
There is a gold color in some parts of the fabric and I wanted to try and get that into the palette and see what it did sitting alongside the other colors. I worked on trying to get it from the area with the greens. It shows up there in the original panel. The closest I could get with that strategy was Kona Peridot (second from the right on the bottom). Between the Peridot and Coal, the palette is starting to look depressing again.
Distracted from the gold for a minute, I moved more circles to try and get back to the first palette.
The palette I came up with is different than the first palette, but still quite pleasing. The addition of Kona Leaf (second from the right bottom) and Candy Blue (far left bottom) are wonderful. This looks like a very restful palette.
I got back to trying to capture that gold. It was a lot easier when I realized there was a gold center in one of the hexies towards the bottom. The fabric chosen by the tool is Kona Gold. It is fairly brown and I am not sure I like it.
It occurred to me, as I assessed these different palettes that each palette is very limited. I always use many more fabrics when making a quilt. The Peacock is actually one of the most limited in terms of fabrics, but I still have 7-10 different fabrics. It looks like more because of the way I cut up the Peacock panels. Combining all the different colors from the various palettes might be the way to go in making a quilt.
I took this photo on one of my walks. It was late in the afternoon so the sun was going down. One of the beautiful things about this time of year is the way the sun tinges the clouds with pink at about 4:45 or 5pm. I love it. Of course, the clouds help and they have been dumping rain on us. We don’t complain about the rain, but I will complain about the cold. It has been bitter for a place that doesn’t get snow regularly. I have been wearing so many layers!
My first iteration of a color palette has all of the circles clustered around the upper left hand corner. I am not sure why. However, this is almost a monochromatic palette with a serious number of blues. I see more colors, including a tinge of yellow in this picture, but I do think that the tool has got it mostly right.
For the second palette, I wanted to try and keep the monochromatic look, but add some contrast. I wanted the contrast to be light so I tried to find areas that might be in the white-cream-light grey realm. The Kona cream and ivory chosen by the tool both have a tinge of pink, which I think is a good choice.
I moved the circles around a little again for the third palette. I wanted to try and capture the yellow. I wasn’t really able to find that yellow in the photograph. I guess that is one reason we should take care of our eyes: they can see things our camera can’t. Still, the palette is pleasing and would make a very calming quilt.
Nobody died, but I did have a slightly stressful week, which you can see on Instagram and Twitter, if you are interested. I post more about my life there. No quilt related emergencies. thus, the late posting of ColorPlay and little other posting this week. I also haven’t sewed much.
This is an old photo from a prior Thanksgiving dinner, but I thought it would make a nice themed ColorPlay this week.
The first color palette is the default. It is what the tool gave me out of the gate; I didn’t make any changes. I really like it, mostly because I got two in the red area right off. I also like the neutrals.
I fooled around with the dots a bit on the second option, keeping the reds, but changing up the neutrals. I also added some additional greens, which, though present in the first palette, were not representative of the theme of the tablecloth.
Finally, this is my masterpiece. I really like this color palette. I like the various greens – they are brighter – in combination with the two reds and only one neutral and think it would make a great quilt.
More torture for you for the sake of color. This is an example of a standard sundae you can order at almost any Austrian cafe. I indulged several times with different sundaes while I was in Austria. I had this one in Steiermark near GroB St. Florian. I didn’t think much about what I was eating while I was there, though I didn’t stuff myself either.
This one is called Pfirsich Melba, I think, meaning Peach Melba. I’d give a lot for another one in Austria just now.
The first one, the standard made by the tool, has a load of neutrals as the others in previous editions had. I kind of like the coffee colors and the combination, but would probably never make a quilt with these colors. I get depressed using dark purple fabric in the winter. No pink; I’d get depressed and never finish it or toss it or give it to the Charity Girls. If I ever go live in Hawaii I’ll think about trying a neutral quilt.
I made some changes to the location of the circles to get some color.
I got some red and a kind of gold Kona calls Yarrow. I wanted to keep some of the neutrals to see how it would look.
More color. I needed more color. I didn’t have much with which to work.
The third time I put all the circles on the colored areas. Lots of red, mauve dusty rose, which are really called Cayenne, Sienna and Deep Rose in the Kona world. Yarrow is back as well.
One thing that this exercise does is it makes me look – really LOOK – at the photos. After trying to get more pink or color, I finally saw the blue towards the base of the dish. The blue looks lighter to me than the Palette Builder determined.
Kona Everglade was added to the mix. As usual, the work paid off and this is the best of the lot.
Have you made something with one of the palettes. Let me see it.
The Winter Extravaganza Palooza swap was yesterday at the BAM meeting. Being the blog editor, I had compiled a giant list of tutorials and patterns a few months ago for inspiration. It is an impressive list, so take a look. 😉
My swap partner wanted a bag, so I pulled out one of the bag patterns I have had sitting around and tried it out. I know I could have used one of the tutorials I just crowed about, but I didn’t. I wanted to plow through some of the bag patterns I have purchased and this was the perfect opportunity.
I wasn’t hopeful that this bag would be successful (unlike me, I know!), so I was pleasantly surprised to find that this bag came out pretty well. The flap is a great opportunity to do some machine embroidery or applique’ or other type of embellishment. I chose some interesting, if black, modern fabrics for the outside, so it wouldn’t show the dirt.
The pattern is Flip Flap bag from Totes by Sandy. The pattern is not 100% clearly written, though the interpretation could have been my problem. I had some trouble with some of the steps, but it all came out in the end. I would have made the lining section much smaller. I did make it a little smaller, knowing from past experience that it didn’t need to be the same size as the outside. I didn’t make it small enough and the inside sags a little. 🙁 I don’t know what the normal reduction is for linings – half inch? a whole inch? I could experiment, but probably won’t.
I made the inside light so my partner could see her stuff.
I am thinking about making this again, as I think it is a good size. I wonder about adding more pockets. The handbag I use now has a section at the front for cards, lipstick, etc and I wonder if that could be incorporated into this design. Perhaps not with the asymmetrical flap.
These dishes caught my attention when I was in Franziskanerplatz in Graz. Later I saw a set of four cups in an antique shop and I thought of buying them as a thank you gift for one of my friends. Unfortunately, the cups were 25 Euros each, which was out of my budget right at that moment. If I had a vacation house, I would buy a set for it. However, a person can only use so many dishes and I have enough at the moment. They are so bright and cheerful, though not clunky and chunky like some other colorful styles. I especially like the purple.
This was an appropriate photo for this week since I, and my house, are still recovering from Thanksgiving. The colors are cheerful and springlike.
I had fun with the palettes. I was shocked at the default palette that the tool came up with. Can you believe all the browns and neutrals. It is as though the tool is design to select from the edges of the image. I was really shocked at this palette considering the bright colors of the dishes.
Of course, I got busy and moved the bubbles around. I wanted to try and get all those gorgeous springy colors. One thing I noticed was that within the colorful areas, it was possible to get different versions of the colors we see. For example, at one point Kona Maize was part of the palette instead of Kona Sunflower. There are shadows that are difficult to see in the photo and that affects the palette.
I tried again, still going for the bright colors and made a slightly different palette. Kona Maize is back instead of Sunflower and Kona Peach is in place of Kona Salmon. I forgot to move one bubble off the window frame, so Kona Juniper is also included.
It just occurred to me (DUH!) that there are tone-on-tones that I could match to this palette instead of going to buy the solids. Not sure why that leap of inspiration didn’t occur to me before.