I am not being a snob by spelling color as “colour”. That is how it is spelled on the app/website. You can try it out Year of Colour and find out what colors you post most.
I have been actively seeking out brightly colored images so my palettes would be virtually neutral free. The one from last week was too much fun to limit to one week. Also, I was busy and had to get on.
The blue led me to try an all pink palette. I threw in some very light purplish colors as well – Haze and Pearl Pink – before I got to all pink, because I thought they were pink circles. They, as I said, turned out to be very light purplish colors.
I did make it to an all pink palette. Very cheerful!
The pinks made me think of red. The palette above has some more pinky-reds/dusty rose colors – Coral and Melon – thrown in with the reds.
I tried an all green palette and couldn’t find/use enough greens. I barely use green in my quilts anymore. I had to add in the yellow so I didn’t have duplicates.
The pink and light purple palette from above made me think that there might still be possibilities, so I tried to go very light. Think this would make a lovely baby quilts.
As I said, I could have gone on forever, but I made one last orange palette for your quiltmaking pleasure. the oranges aren’t very bright, so the whole palette looks very Autumnal rather than Creamsicle
You might see this image again. I don’t think I even scratched the surface of this image. I think I can make many more palettes.
Last time I did a ColorPlay it was last year. HA! I was trying, again, to make a colorful palette and was moderately successful. This time I think I have done it!
I used one of the iterations of my Year of Colour report. I have no idea how so much beige got into the report, though I presume it is from my landscape and neighborhood photos. My neighborhood definitely needs more pink and turquoise houses.
Even the default is fabulous! I do like the Grellow paired with the Watermelon.
My first try was very fun and the result pleased me. I like the Coral, Melon and Bright pink combination. I think those colors would look great with the Grellow from above. I thought the Bright Pink would be more violet, a color I am enamoured with lately. Not so much, but I still like it.
I started from one edge to see what I could make. This image has the potential for a lot of palettes. Don’t worry, I won’t make you suffer through hundreds of iterations. 😉
My second try is even more fun. I would think it would be circusy, but it isn’t. I have to admit hunting around for the Papaya. I was actually looking for Grellow, as from above, but found the Papaya and really liked it with the various pinks.
Not sure what I was going for with n.3, but it is pleasing. It inspired me to try for an all blue palette.
I thought the all blue palette was too boring so I kept the Medium Pink. I like the combination, especially the Lagoon and the Medium Pink.
There are tons of opportunities for more from this image. I’ll post more next week.
I went shopping with a friend the other day. Mostly I did not buy, but I did take a load of pictures.
This photo was taken in a small grocery store and I loved the different colors of the team canisters. Aren’t they cheerful?
As we would all predict, the default palette came out quite neutral based. The program placed the dots almost as far away from the colored canisters as was computerly possible.
I was pleased to see that Kona Mocha again, which is a lovely color…for brown. The Kona Sand looks more like oyster to me.
For my first image – the one I controlled – I went straight for the colors. this is definitely a circus type palette, which, I think, is kept from being too kid-like with that green. The green looks a little like the green in Jadeite housewares and dishes. It is definitely not sweet. The Grellow helps as well. Looking at the colors, I would say that they are all a little off. The Peridot and the Grellow stand out the most.
On my second palette, I still wanted color, but not the same colors. The Grellow turned into Butterscotch, which is not an appealing color. The green, now called Leprechaun, still looks good, but the blue, now Kona Coal, does not look cheerful at all. Still, somewhat better than neutrals.
Unintentionally, I made a warm palette. Almost all of the colors were Fallish or Thankgiving-ish. The names of the colors are comforting names.
I especially like the name Roasted Pecan, though the color looks more like Baby Poop Brown. I don’t suppose the name Baby Poop Brown would be a good marketing choice. How about those red-oranges? Aren’t they great?
In an effort to embrace neutrals, I sought out neutrals for palette n.4. This is actually a nice palette, if you like neutrals. Kona Cinnamon is a great color, but I know that Chestnuts are definitely NOT that color.
I couldn’t resist adding some color, thus the purple, though it is called Crimson. I always thought of Crimson as more of a red, but who am I to argue with Robert Kaufman?
Finally, I wanted to get back to the bright colors. These look very similar to the colors in Palette n.1, but are not the same. I particularly like Noble Purple. Very nice color. I really Kona would be dyed on better greige goods.
In honor of Thanksgiving, I chose a picture of my pumpkin pie filling in process. I make a maple pumpkin pie. I found the recipe in a Bon Appetit magazine when I first contributed to Thanksgiving about a zillion years ago. Nobody has complained so I keep making it that way.
We remodeled our kitchen in about 2007 and it has red accents. We are very strict about what color appliances and accessories come into the kitchen. As a result, I received this food processor as a gift one year. I use it for all holiday food prep and it works really well.
I found out very quickly that the tight composition of the shot made for a very limited palette. The default palette, as we have found over the year, has a lot of neutrals. However, I found this to be a very warm palette.
I wanted to try and get more reds, more different reds, so I tried again.
n.2 has more reds, so I succeeded in that way. I am not that fond of Kona Caramel on its own, but with the reds, it does add something – perhaps a place for the eyes to rest?
I was able to get even more red tones in.3. I also changed the Caramel to Kona Latte for a slightly different look. I might like Latte less than Caramel, but I haven’t decided. As with Caramel, it does add something to the heavy red palette.
I kept a red, but tried out a dark neutral palette. The buttons of the food processor are grey, so I was able to add in Kona Mocha, which I think might be off in terms of names, but it is a nice addition to the palette. Kona Ruby comes from my spoon rest (made by the YM) and I kept it in to keep the palette from becoming too neutral.
I tried an even more neutral palette for n.5, building on n.4. I, again, kept some red, but changed the specific red from Ruby to Kona Cotton Wine. I wouldn’t make a quilt from this palette, but can see it being used for a very chic house sale.
Finally, for the last palette, I went for broke with the reds. I was pleased to see a Kona Lipstick show up! I love the name of that fabric. In this palette, the grey (Kona Mushroom) is the only neutral, though the Kona Mahogany could go either way in terms of it being one of the reds or a neutral
I know the differences are subtle between the palettes above, but it is interesting to see the changes one can make by moving the circles around a picture. As I have said before this is a good exercise.
A few weeks ago, I went to a conference in Monterey. For many reasons, Monterey is one of my favorite places and October is a great time to visit. I was fortunate that the weather was fantastic and I took some beautiful photos. You might see more from this trip later.
I walk a lot and a path I was on gave me a great view of the pier and the Bay. I decided to use this for my next ColorPlay. What I expected was bright colorful palette.
As usual, the default palette was neutral. Might be a nice palette for a new house.
This one got a little better with the addition of the Cobblestone. I tried to doctor the palette with the addition of a more turquoise-y. Couldn’t do it. My photo just didn’t have the turquoise.
I decided to embrace the neutrals. This one is almost all grey with a blue-grey thrown in to liven things up.
The next neutral palette is a darker one. The Kona Spruce and Kona Stone is a really nice combination in the palette above.
The Kona Teal and Kona Everglade look similar, but are just a little bit different. Everglade is a tiny bit lighter. The gold adds a slightly different look. More like the day right after sunset.
I felt like I exhausted the options of this picture despite the promise, so I left the number of palettes at five.
The weather this week has been good. It has not been deathly hot and there have been some lovely clouds. I took a photo while out on a lunchtime walk, which I decided to use for this week’s ColorPlay.
We are using Bella Solids instead of Kona Solids this week.
I tried to click the shutter when there were few cars, but you can still see them through the trees. I liked the green in front with the hills in the back. I prefer green hills, but still thought this was a lovely view.
The default, as we have discovered is normal, was heavily neutral. This palette looks like a 1970s decorator showcase house palette.
I decided to try a monochromatic palette next. I was able to find six different blues in the photo. None of the colors are the bright turquoise I love, but the Little Boy Blue and Robin’s Egg aren’t bad.
I decided to see if I could create another monochromatic palette and was mostly successful with green. I find the greens to be good greens for nature, but not bright enough for my quiltmaking.
While really not my thing, I decided to try and make a palette with darks. I think I succeeded and I do like that dark blue. Otherwise, the palette looks more like the dresser of teenage boy than a palette I would use for a quilt.
Next, I looked at combining the two monochromatic palettes to see if I could get something that I might actually use in a quilt. This is a nice palette. I really like the Dark Teal color. That makes this palette for me. I am still not much of a fan of the Avocado. The Leaf color is ok, though it takes on some of the qualities of the Avocado when sitting next to it.
Finally, I wanted to see what I could do with the hills that wouldn’t produce a deadly beige palette. There is that Dove, which looks more beige than grey to me. This might make a nice soft boy baby quilt. It doesn’t have the contrast that people insist babies want/need, however.
Have you made any interesting palettes lately? Please share.
The image I chose comes from the detail of a painting by Frida Kahlo called The Bride Who Becomes Frightened When She Sees Life Opened. You can find more of the interpretation of this painting on the FridaKahlo.org website. I saw this painting at the Heard Museum in Phoenix. It was one of an exhibit that was only making one other stop in the US.
The default was very brown. I think it would make a good palette for a house. Someone else’s house – not mine, but the neutrals are appealing in some way. Perhaps I am getting used to them or am starting to be able to appreciate their value in the scheme of hues and tones.
I moved the circles around to any colors just to get some colors. There is a sherbet/sorbet feel to the first palette I made. I like the Kona Amber, though I think it looks more like a perfectly ripe apricot.
This example clearly plays off of number 1. Where the hues in n.1 blend more, this one shows more contrast. Not tons, but some. the Kona Earth looks much different that the Kona Honey above.
I made some changes to the circles to try to get some brighter colors and the pink kind of fulfilled that dream. I do think that the colors Rivera and Kahlo use are a bit on the dull side – not horrible, but not as bright as I was looking for. Still, the Deep Rose and Gold look great together.
Another detail I took was of this little owl. The fruit behind him/her makes it look like s/he has a big yellow beak, but I think the beak is actually small. I was fascinated by the feathers. I also liked the shape of his body. I don’t know if it is real or mythological owl (creature), but s/he is cute.
After hearing Karen talk about her quilt, I decided that I would do more of a strip piece for Amy, so she would have some pieces she could use to connect other pieces. I tried to keep the pieces long and thin-ish.
Partway through the process, as I mentioned, I took out the piece and took a look at it.
I was trying very hard to adhere to the spirit of the words, but color balance kept creeping in to my work. In the case of color balance, left, of the in process piece, I thought it needed more blue towards the top.
After working through all of my thoughts and feelings, I am pleased with the way this came out. I worked on it over the course of several weeks in between other things until I ran out of time. I also focused on the placement of the color rather than the width of the strips, etc. I did try to keep the strips from getting to wide, though I really wanted it to be long, so some are quite wide.
I wanted to make it about a foot longer, but ran out of time. I am pleased and hope Amy will be, too.
I decided to use this photo again and try to make palettes with Kona colors and see the differences. Obviously, I am going to try to put the dots in the same place.
You can see my first effort, from last week. I used Bella Solids on last week’s post. It was an accident. I meant to use Kona, but Bella was turned on so I went with it.
The default palette is very similar to last week’s default. I guess if there are no neutral colored areas in the uploaded image, it goes with similar colors or as close to neutral as possible.
I do like that very dark, Kona Espresso as an addition to the pinks. I think I would swap out the Crimson, though it looks more purple than crimson to me, to allow the Espresso to shine more.
The obvious differences in my first palette are the first red is darker and pink is more blush than grape. The first three colors (from left) are the stars as they were in the first Bella palette.
Kona Pool is such a great color and the yellow, Kona Wasabi, though looking much brighter on the bottom is a nice addition. I am not fond of the sand, but I am sure it would be a good unobtrusive hue to help the others shine.
I gave up doing a scientific experiment and just had some fun. The next palette had a circus feel.
The colors are not pure primaries, so I don’t think it looks kid-like. I think it looks very cheerful. The Baby Pink as well as the Tomato keep the whole palette from being too much like a young child’s playroom.
I tried for another cheerful palette and got one similar to the circus palette above, but with greyer hues. Not completely, because Pool and the Citrus are VERY cheerful. I am not sure I have seen citrus show up in a palette before (it must have and I didn’t notice). The Ultramarine and Grass Green make this palette into one that the parents of the children above could use.
The blues stood out to me. Since I can resist them I made a palette with blues and greens – towards the darker, tending towards neutral.
The plum was an unexpected addition. I can’t pretend it just happened, because I put the circles in place. I was surprised at how well it went with the greens, especially the Celadon.
I guess the neutrals have gotten to me, because I couldn’t finish the exercise without a neutral palette.
One thing I noticed is that I have to really notice all the colors when I made so many palettes. I didn’t notice the dark brown, actually Cocoa, when I started on this exercise last week. The Kona Pepper looks more dark blue to me than black, but it adds a tinge of optimism to the palette.
The Pepper with its blue tinges sent me off to make one more blue palette.
The Ivy, which isn’t a favorite allows the Oasis and the Holly colors to shine. This might be might favorite palette, but I am also partial to n.2 above.
It is really a lot more fun to use a photo with many colors. I’ll have to find some others to use and do it again.
Today, I decided to try a photo that was super colorful. This is a leaded glass window I saw in a house on Guerrero Street. It is an AirBnB and my friend stayed there. I saw it when I dropped her off. the female shape in front of it is a statue. I am going to focus on the glass.
Apparently, I chose Bella Solids this time.
The first palette, always the default, is very grape heavy. It isn’t unpleasant at all. I am struck at the similarities in the colors chosen by the program. Although, the hues provided tend to be somewhat dusky, the Bella Off-White seems have a pink tone when put next to the grapes and pink fabrics.
My first palette looks very circus-y. The Bella Sunflower next to the Little Boy Blue looks very cheerful. I got the red – actually Mango – by moving the dot very slightly up on the same piece of glass.
The Bella Sprout really makes the second of my palettes. I wanted something different than the yellow, but was concerned about that Longhorn (gold-yellow). with the other colors, I think it works. This palette is probably my favorite.
My immediate reaction to the third of my palettes was that I didn’t like it. However, I looked again and while I have concerns about the Bella Avocado, I think, overall, it works.
The colors come from one flower and I know the light affected the colors appeared.
I might do this exercise again with Konas just to see the difference.
I totally forgot to do ColorPlay last week. I had a photo picked out and I completely forgot.
I took this photo from a plane window as I flew to Portland to see my broken YM. It was a gorgeous, gorgeous day in the Bay Area and all the way to Portland AND in Portland as well. There was no fog and no rain. For once, I sat by the window and took a bunch of photos. I was able to see my house from the plane window!
Out of the gate, I got a fabulous default. I really have no complaints and am tempted just to finish up here with this one palette and move on with my life.
The colors are limited. No pinks, no yellows. I did a second palette anyway and I got a similar palette as the default, but different as well. This is definitely a monochromatic palette that would only be suitable for a two color (not two fabric) quilt, but not a quilt with a lot of complicated piecing.
I ended up with a palette of slightly lighter blues. Still blues, but different. I thought I wouldn’t be able to get another blue, monochromatic palette.
I did one last palette. I am getting a lot of same colors, so this is the last.
I decided that I would start work on Amy’s Color My Quilt piece right away. I used it as leaders and enders while I sewed fabric pieces that didn’t require a 1/4″ foot. It was a good plan as I have made enough progress to hand it in today even if I do nothing else.
Don’t get the idea that I was doing a shoddy job. I was eyeballing a seam allowance rather than using the 1/4″ foot guide so I could make progress, but not being shoddy. If anything most of the seam allowances are larger than 1/4″.
Of course, I want to do more. I think it needs more blue. If I don’t do anymore, I’ll be happy and not embarrassed to give what I have to Amy.
The BAMQG meeting was….sometime in the recent past. I have a lot going on and can’t quite remember.
Anyway, one fabulous thing that happened was that Karen M brought her finished ‘Color My Quilt’ piece. I thought it looked fabulous. She talked quite a bit about how she put it together and where she added strips and bits and pieces.
Keeping the colors in the same family with a bit of spark really made this quilt come together.
Karen was asked to do a workshop on teaching people to put their own pieces together. She may do a hands on tutorial at the next meeting.