EBHQ Show Press Release

For Immediate Release:

Media Contact: Edith Beard Brady

Voices in Cloth 2016, Extraordinary Quilts by the Bay

Dates: Saturday, March 19 and Sunday, March 20, 2016
Hours: Saturday: 10:00 A.M. to 5:00 P.M.
Sunday: 10:00 A.M. to 4:00 P.M.

Admission: Two-day advance purchase tickets are $10 until February 29, 2016; tickets purchased at the door are $15 and children 12 and under are FREE.

Location: The Craneway Pavilion, 1414 Harbour Way South, in the Marina District of Richmond, California. With its huge windows, panoramic San Francisco Bay views and natural light, The Craneway Pavilion makes a spectacular venue for the vibrant quilts and fiber art that will be displayed at Voices in Cloth.

Website: http://www.ebhq.org/quilt-shows/vic2016

East Bay Heritage Quilters present Voices in Cloth 2016, Extraordinary Quilts by the Bay. Highlights of the two-day show include an exhibit of more than 200 new quilts and wearable art made by guild members; quilts by kids; a stellar lineup of 37 vendors, offering textile and eclectic wares; a Guild Marketplace of Fine Fiber Art; free demonstrations of quilt-making techniques including new ruler-free cutting techniques by Sherri Lynn Wood; bed turnings by the San Jose Museum of Quilts and Textiles showcasing quilts from the museum’s permanent collection; engaging activities for children and introducing new children’s titles from C&T Publishing; and great door prizes.

Voices in Cloth 2016 will as also feature two special exhibits:

“Off the Wall: Maverick Quilts from the Julie Silber** Collection”

Well- known and highly respected quilt authority, Julie Silber curates this special exhibit of 20 of her favorite quirky antique quilts. The pieces all have in common an unusual twist on the ordinary, a certain verve, and a gritty individuality rarely found in more studied and self-conscious quilts. These playful pieces demonstrate that all over America original works of art may be as close as the blankets under which we sleep. Julie Silber will lead a personal tour through the exhibit each day at 1 p.m.

 

**Julie Silber is best known locally as curator of the world-renowned Esprit Quilt Collection , which was on display at the Esprit Company headquarters in San Francisco in the 1980s. She is the owner of Julie Silber Quilts where she offers a wide range of antique and vintage quilts made between 1800 and 1950. She wrote Hearts and Hands: The Influence of Women & Quilts on American Society, and Amish: the Art of the Quilt.

 

“Tell Me a Story” A Cloth Doll Challenge

For the first time, Voices In Cloth presents a special exhibit of 36 cloth doll sculptures and their stories. The Challenge is curated by Sondra Von Burg, a local doll artist, teacher and lecturer on the Art of Cloth Doll Making. She states “Dolls traditionally were made to represent the human form in miniature. Contemporary dolls are moving closer to sculpture, but often continue to represent humans beyond just the form and all dolls have a story to tell.” Sondra will be demonstrating “Cloth Doll Finger Turning” during the show and has a vendor booth exhibiting her work.

East Bay Heritage Quilters is a non-profit, all-volunteer organization based in Albany, California. The guild focuses on preserving and continuing the traditions, culture, and history of quilting and textile arts. A significant contribution EBHQ makes to our community is the Deanna Davis Community Quilt Project, through which our members and outside volunteers make and distribute over a 1,000 quilts a year. Recent recipients include First Place for Youth (a home for aged-out foster teens), and survivors of the Lake County fires. In 2016, EBHQ will make monthly deliveries to a Neonatal Intensive Care facility.

There are two Opportunity Quilts that will be featured at the show. Winning tickets in the raffle will be drawn on Sunday, March 20, 2016. Photos and descriptions of Bay Windows and String Theory can also be found at http://www.ebhq.org/quilt-shows/vic2016/vic2016quilts.

Bay Windows

42 inches by 46 inches

Raffle Quilt designed by Nancy S. Brown

Appliqued by Nancy S. Brown, Meg Cupman, Cynthia Demidovich Winn, Linda Gavin, Sue Gragg, Linda Gruber, Andrea Hong, Jenny Kolbusz, Liisa Lyon, Lily Pang, Laurel Putnam, Melissa Quilter, Valerie Sopher, Katie Spangler, Carolyn Weil.

Quilted by Laura Lee Fritz.

Photography by C&T Publishing

 

 

String Theory

80 inches by 84 inches

Raffle Quilt by Barbara Ramsey

Quilted by New Pieces in honor of Deanna Davis

Photography by C&T Publishing
East Bay Heritage Quilters, P.O. Box 6223, Albany, CA 94706

EBHQ Show Press Release

For Immediate Release:

Media Contact: Edith Beard Brady

Voices in Cloth 2016, Extraordinary Quilts by the Bay

Dates: Saturday, March 19 and Sunday, March 20, 2016
Hours: Saturday: 10:00 A.M. to 5:00 P.M.
Sunday: 10:00 A.M. to 4:00 P.M.

Admission: Two-day advance purchase tickets are $10 until February 29, 2016; tickets purchased at the door are $15 and children 12 and under are FREE.

Location: The Craneway Pavilion, 1414 Harbour Way South, in the Marina District of Richmond, California. With its huge windows, panoramic San Francisco Bay views and natural light, The Craneway Pavilion makes a spectacular venue for the vibrant quilts and fiber art that will be displayed at Voices in Cloth.

Website: http://www.ebhq.org/quilt-shows/vic2016

East Bay Heritage Quilters present Voices in Cloth 2016, Extraordinary Quilts by the Bay. Highlights of the two-day show include an exhibit of more than 200 new quilts and wearable art made by guild members; quilts by kids; a stellar lineup of 37 vendors, offering textile and eclectic wares; a Guild Marketplace of Fine Fiber Art; free demonstrations of quilt-making techniques including new ruler-free cutting techniques by Sherri Lynn Wood; bed turnings by the San Jose Museum of Quilts and Textiles showcasing quilts from the museum’s permanent collection; engaging activities for children and introducing new children’s titles from C&T Publishing; and great door prizes.

Voices in Cloth 2016 will as also feature two special exhibits:

“Off the Wall: Maverick Quilts from the Julie Silber** Collection”

Well- known and highly respected quilt authority, Julie Silber curates this special exhibit of 20 of her favorite quirky antique quilts. The pieces all have in common an unusual twist on the ordinary, a certain verve, and a gritty individuality rarely found in more studied and self-conscious quilts. These playful pieces demonstrate that all over America original works of art may be as close as the blankets under which we sleep. Julie Silber will lead a personal tour through the exhibit each day at 1 p.m.

 

**Julie Silber is best known locally as curator of the world-renowned Esprit Quilt Collection , which was on display at the Esprit Company headquarters in San Francisco in the 1980s. She is the owner of Julie Silber Quilts where she offers a wide range of antique and vintage quilts made between 1800 and 1950. She wrote Hearts and Hands: The Influence of Women & Quilts on American Society, and Amish: the Art of the Quilt.

 

“Tell Me a Story” A Cloth Doll Challenge

For the first time, Voices In Cloth presents a special exhibit of 36 cloth doll sculptures and their stories. The Challenge is curated by Sondra Von Burg, a local doll artist, teacher and lecturer on the Art of Cloth Doll Making. She states “Dolls traditionally were made to represent the human form in miniature. Contemporary dolls are moving closer to sculpture, but often continue to represent humans beyond just the form and all dolls have a story to tell.” Sondra will be demonstrating “Cloth Doll Finger Turning” during the show and has a vendor booth exhibiting her work.

East Bay Heritage Quilters is a non-profit, all-volunteer organization based in Albany, California. The guild focuses on preserving and continuing the traditions, culture, and history of quilting and textile arts. A significant contribution EBHQ makes to our community is the Deanna Davis Community Quilt Project, through which our members and outside volunteers make and distribute over a 1,000 quilts a year. Recent recipients include First Place for Youth (a home for aged-out foster teens), and survivors of the Lake County fires. In 2016, EBHQ will make monthly deliveries to a Neonatal Intensive Care facility.

There are two Opportunity Quilts that will be featured at the show. Winning tickets in the raffle will be drawn on Sunday, March 20, 2016. Photos and descriptions of Bay Windows and String Theory can also be found at http://www.ebhq.org/quilt-shows/vic2016/vic2016quilts.

Bay Windows

42 inches by 46 inches

Raffle Quilt designed by Nancy S. Brown

Appliqued by Nancy S. Brown, Meg Cupman, Cynthia Demidovich Winn, Linda Gavin, Sue Gragg, Linda Gruber, Andrea Hong, Jenny Kolbusz, Liisa Lyon, Lily Pang, Laurel Putnam, Melissa Quilter, Valerie Sopher, Katie Spangler, Carolyn Weil.

Quilted by Laura Lee Fritz.

Photography by C&T Publishing

 

 

String Theory

80 inches by 84 inches

Raffle Quilt by Barbara Ramsey

Quilted by New Pieces in honor of Deanna Davis

Photography by C&T Publishing
East Bay Heritage Quilters, P.O. Box 6223, Albany, CA 94706

EBHQ Show Press Release

For Immediate Release:

Media Contact: Edith Beard Brady

Voices in Cloth 2016, Extraordinary Quilts by the Bay

Dates:            Saturday, March 19 and Sunday, March 20, 2016
Hours:           Saturday: 10:00 A.M. to 5:00 P.M.
Sunday:         10:00 A.M. to 4:00 P.M.

Admission:     Two-day advance purchase tickets are $10 until February 29, 2016; tickets purchased at the door are $15 and children 12 and under are FREE.

Location:       The Craneway Pavilion, 1414 Harbour Way South, in the Marina District of Richmond, California. With its huge windows, panoramic San Francisco Bay views and natural light, The Craneway Pavilion makes a spectacular venue for the vibrant quilts and fiber art that will be displayed at Voices in Cloth.

Website:         http://www.ebhq.org/quilt-shows/vic2016

East Bay Heritage Quilters present Voices in Cloth 2016, Extraordinary Quilts by the Bay. Highlights of the two-day show include an exhibit of more than 200 new quilts and wearable art made by guild members; quilts by kids; a stellar lineup of 37 vendors, offering textile and eclectic wares; a Guild Marketplace of Fine Fiber Art; free demonstrations of quilt-making techniques including new ruler-free cutting techniques by Sherri Lynn Wood; bed turnings by the San Jose Museum of Quilts and Textiles showcasing quilts from the museum’s permanent collection; engaging activities for children and introducing new children’s titles from C&T Publishing; and great door prizes.

Voices in Cloth 2016 will as also feature two special exhibits:

“Off the Wall: Maverick Quilts from the Julie Silber** Collection”

Well- known and highly respected quilt authority, Julie Silber curates this special exhibit of 20 of her favorite quirky antique quilts. The pieces all have in common an unusual twist on the ordinary, a certain verve, and a gritty individuality rarely found in more studied and self-conscious quilts. These playful pieces demonstrate that all over America original works of art may be as close as the blankets under which we sleep. Julie Silber will lead a personal tour through the exhibit each day at 1 p.m.

 

**Julie Silber is best known locally as curator of the world-renowned Esprit Quilt Collection , which was on display at the Esprit Company headquarters in San Francisco in the 1980s. She is the owner of Julie Silber Quilts where she offers a wide range of antique and vintage quilts made between 1800 and 1950. She wrote Hearts and Hands: The Influence of Women & Quilts on American Society, and Amish: the Art of the Quilt.

 

“Tell Me a Story” A Cloth Doll Challenge

For the first time, Voices In Cloth presents a special exhibit of 36 cloth doll sculptures and their stories.  The Challenge is curated by Sondra Von Burg, a local doll artist, teacher and lecturer on the Art of Cloth Doll Making. She states “Dolls traditionally were made to represent the human form in miniature.  Contemporary dolls are moving closer to sculpture, but often continue to represent humans beyond just the form and all dolls have a story to tell.”  Sondra will be demonstrating  “Cloth Doll Finger Turning” during the show and has a vendor booth exhibiting her work.

East Bay Heritage Quilters is a non-profit, all-volunteer organization based in Albany, California. The guild focuses on preserving and continuing the traditions, culture, and history of quilting and textile arts.   A significant contribution EBHQ makes to our community is the Deanna Davis Community Quilt Project, through which our members and outside volunteers make and distribute over a 1,000 quilts a year. Recent recipients include First Place for Youth (a home for aged-out foster teens), and survivors of the Lake County fires. In 2016, EBHQ will make monthly deliveries to a Neonatal Intensive Care facility.

There are two Opportunity Quilts that will be featured at the show. Winning tickets in the raffle will be drawn on Sunday, March 20, 2016. Photos and descriptions of Bay Windows and String Theory can also be found at http://www.ebhq.org/quilt-shows/vic2016/vic2016quilts.

Bay Windows

42 inches by 46 inches

Raffle Quilt designed by Nancy S. Brown

Appliqued by Nancy S. Brown, Meg Cupman, Cynthia Demidovich Winn, Linda Gavin, Sue Gragg, Linda Gruber, Andrea Hong, Jenny Kolbusz, Liisa Lyon, Lily Pang, Laurel Putnam, Melissa Quilter, Valerie Sopher, Katie Spangler, Carolyn Weil.

Quilted by Laura Lee Fritz.

Photography by C&T Publishing

 

 

String Theory

80 inches by 84 inches

Raffle Quilt by Barbara Ramsey

Quilted by New Pieces in honor of Deanna Davis

Photography by C&T Publishing
East Bay Heritage Quilters, P.O. Box 6223, Albany, CA 94706

EBHQ Show

I spent the day Sunday at the East Bay Heritage Quilters Biennial Show. Again it was held at Craneway Pavillion. This year there were a number of special exhibits including one featuring Rosie the Riveter in conjunction with the Rosie the Riveter Museum in Richmond.

Craneway Pavillion
Craneway Pavillion

The first time I saw this space was at the EBHQ Show in 2012. This space used to be a Ford Assembly plant – the largest on the West Coast. It is now part of the Rosie the Riveter/WWII National Historic Park and is a beautiful location. The views of the Bay are wonderful and today’s views were exceptional, because the sky was blue and there was no rain (a sad thing in itself, but good to enjoy the space). I was reminded how much I would love a quilt space with the windows in this venue.

I went by myself as TFQ was working in her garden and Friend Julie is back in China after three weeks at home. It was nice after the intense people day I had on Saturday. I was quickly over it and met up with Kelly and Angela there. We looked at vendors (saw Colleen) and their gorgeous fabric. I was also inspired to make the box or bucket on my To Do list when I saw a sample at a booth.

The quilts, of course, were great! The quilts in an EBHQ show have such a different look. Often there are classic patterns, but with a twist, or the fabric adds a twist. I was trying to describe the look of an EBHQ show, but I couldn’t. It is clear from the quilts that there is a lot of creativity in that group and the creativity of everyone spurs everyone else on to be creative. Wonderful.

Glad you Joined Our Patchwork Nation by Kate Murphy, EBHQ Show 2014
Glad you Joined Our Patchwork Nation by Kate Murphy, EBHQ Show 2014

I am always surprised at what catches my attention at these shows.

“Glad you Joined Our Patchwork Nation” by Kate Murphy caught my attention. It is definitely not my colors, but the ladder effect made me stop and take a longer look. There are some interesting fabrics, but I really liked the idea of using this block (1 large triangle, 2 small triangles and a square) to make donation quilts. I think the possibilities are what caught my attention. I can imagine one element (the square or the large triangle being constant, the small triangles being background and the other parts bright and cheerful. I like the simplicity of the unit and the possibilities for complexity when you make more. I also thought the border was interesting. Different.

Untitled by Angie Woolman
Untitled by Angie Woolman

This quilt by Angie Woolman (Untitled) is one of my favorites. I liked the variety of fabrics (some Marimekko, I think), the different sizes of the motifs and the way the quilting fit with the piecing.

My World by Anne Grundler
My World by Anne Grundler

Kelly made me post this one for her. The photo shows it to be a little darker. The quilting is really nice and makes me want to practice my free motion quilting.

I really had a nice time and am glad I made the effort to attend the show.

 

 

 

EBHQ Show

Craneway Pavillion
Craneway Pavillion

On Saturday (National Quilting Day!), I went to the Voices in Cloth Show, which is put on every 2 years by one of my guilds, the East Bay Heritage Quilters. Friend Julie of High Fiber Content, Mom of Mary’s Art Musings and TFQ of No Scrap too Small made up my carpool.

It was a great show! I would say that the overarching theme that I saw was color: GLORIOUS color and not just in the Kaffe Fassett way. The colors of the show were colors that I use and I realized that it must be the light in our area. The bright colors can stand up to the bright light we get.

The location was new and I was reluctant to go, but I couldn’t back out after promising to drive 3 other people I would drive them. I am glad I went. I wasn’t able to take the train, which was a big downside, but aside from the quilts being gorgeous, the space was wonderful! There were huge windows and lots of natural light that made for a pleasant viewing experience and showed off the quilts to their best advantage.

View towards the City
View towards the City

We had a respite from the rain, which poured down in buckets yesterday. I was glad, because although I could have taken our heavier car, I didn’t really want to. I don’t drive it much so am not as comfortable driving it in heavy traffic. I am glad I had the option.

The clouds were still dark and looking like they would let loose anytime. The clouds made for beautiful views out the windows. I could see at least two bridges and some of the islands.

One of the first things I did was drop the Food Quilt off to my quilter. She had a booth at the show and I was so glad to see her. She is down until at least April 18, so I have time to bring two more quilts over. I have FOTY 2011 and the Stepping Stones in the queue. Also, perhaps, with any luck, I can finish The Renewed Jelly Roll Race and bring that one to her, too. That is a lot of quilting in a month!

In a Pickle by Carolyn Brien
In a Pickle by Carolyn Brien

I am not sure if this quilt by Carolyn Brien is my favorite of the whole show, but it does epitomize the color and vibrancy of the show.

This is a great, classic pattern. Carolyn said that she was inspired by the cover of Kaffe Fassett’s book, Quilt Romance.

The food situation was a little dicey. For me, I always bring something, because I never know if there will be food I can eat. In this case there was a restaurant next door to the venue. They supplied the box lunches, but we went into the restaurant to sit down for awhile. It was over an hour from the time we walked in the door until the time we had food set in front of us. Some of my companions were about to start gnawing on their own limbs by the time the food arrived. I wasn’t really very hungry and there was very little on the menu I could eat, so I wasn’t terribly enthusiastic about the meal anyway. The restaurant near the venue is a great idea, but they just did not have enough tables and waitstaff to accommodate the crush of quiltmakers. I think next time they should arrange for the gourmet food trucks to come. That would be awesome!

One thing I was asked to do was a beading/embellishment demo.I am not sure why they pegged me for beading (perhaps someone saw Kissy Fish?), but it was fun. It lasted about half an hour. I showed them what I do, which is VERY basic, answered questions and then was done. I am embarrassed to say that I did very little preparation. I got out the Garden quilt and decided to use that as an example. I meant to quilt it, but just didn’t take the time, so I went ahead with the demo without the quilting. I did tell them to machine quilt it before beading is usually the best route. It was fun and I was glad to have recently completed Kissy Fish, so the process was fresh in my mind.

Fabric - EBHQ March 2012
Fabric - EBHQ March 2012

I also did a bit of fabric damage and bought some beads. I actually have some ideas for some of the pieces. I seem to be falling into the grey fad. I bought a large piece of a background grey on spec (lower left corner). TFQ bought some as well. She will test the pattern I am writing with it and some Bali Pops Tonga treats.

All in all it was a good day. I am glad I went.

Quilting at the DeYoung

Children's Quilt Project Quilt
Children's Quilt Project Quilt

I volunteered to go and help demonstrate quilting at the deYoung Museum in San Francisco last Friday with the East Bay Heritage Quilters. I took the Chocolate Box with me so I could show how quilts are finished. I had done this “stunt quilting” at the museum before – when the Esprit collection was being displayed at the museum. That experience was wonderful. This experience was MUCH better.

BackStage Pass
BackStage Pass

Renee and her staff treated us like glitterati. I was greeted at the door and immediately given the above pass. There was a performer’s area away from the hubbub of the event where we could rest, partake of food and drink, and chat.

Children's Quilt Project Quilt detail
Children's Quilt Project Quilt detail

One of the things some of the ladies did was work on the CQP quilts. This one was tied with the help of some interested visitors. CQP is project where the guild makes quilts to donate to children in need.

Sewing CQP Blocks
Sewing CQP Blocks

A couple of the ladies worked with visitors to lay out blocks and then sew them. Some of the children were very interested in this aspect of the work and helped quite a bit.

Cutting
Cutting

We demonstrated all aspects of the quilting process, including cutting. Many, many people had never seen a rotary cutter and were quite fascinated.

Hand quilting
Hand quilting

Two ladies brought their hand quilting projects. Jean, working on the attic window quilt, brought several of her quilts. Many of them were a lovely combination of purples, blues and greens.

Tie quilt
Tie quilt

This is another of Jean’s quilts in a lovely group of purples, blues and greens. She made this quilt from ties. I think it is one of the best uses of tie fabric I have ever seen. I like the combination of colors and patterns. I also like the block layout.

Godzilla &  Mothra
Godzilla & Mothra

Edi does gorgeous applique’. She had several in progress pieces with animals, which intrigued the children. The Godzilla quilt was a birthday gift for her husband, Jay (we were both a bit confused when we met!). He designed the quilt, Edi appliqued and then it was quilted with different Tokyo motifs by Laura Lee Fritz. This quilt drew in a lot of people in. Edi and Jay told the story of the quilt dozens of times. It was definitely a lot more interesting than my binding!

Hand quilting
Hand quilting

This evening was one of the most fun experiences I have had in a long time. My mouth hurt from smiling when I got home. Two readers/friends stopped by: Kathy from Everyday Bliss and Lisa from LisaLizaLou. Some people who talked with me wanted to buy quilts, others wanted to commission quilts. Some were genuinely interested in the process. I even told someone my process for washing a quilt (toss in washer with Dreft and then toss in dryer on very low setting). There were a few people who were really interested in my quilt and the binding. Chocolate Box was, actually, a good quilt to bring with me. It is a pretty modern looking quilt and lots of young people were interested in the fabric and the design.

EBHQ Show 2010

Saturday I attended the East Bay Heritage Quilters Show. As usual, this show was impeccably set up and organized. In general, I thought the quilts were a lot more interesting than the last show in 2008. Much less brown as well.

Evening Star by Karin Lusnak
Evening Star by Karin Lusnak

It is hard to decide what my favorite quilt of the show was, but I think it was probably Evening Star by Karin Lusnak. The thing I like about it is that there is a lot of movement and interest.

Evening Star by Karin Lusnak
Evening Star by Karin Lusnak

She did the same thing I have done using the mosaic quiltmaking technique of Shannon Williams. It looks like she made fabric using her scraps and then cut the patches for the Evening Star from that new fabric.

Model Homes by Karen Flamme
Model Homes by Karen Flamme

I love the angles of the houses in this quilt. The colors are also fresh and clear.

Posies by Carolyn Weil
Posies by Carolyn Weil

The turquoise/aqua and red combination are one that has been attracting me lately. I also thought the flower designs were quite cheerful. These flowers may be from a Piece ‘O Cake or Pat Sloan pattern. I have always liked the layered circles motif, which can be seen in the border of this quilt.

Imagine by Anita Kaplan
Imagine by Anita Kaplan

There are a lot of things I like about this quilt. The artist does a nice job not exactly reproducing the photograph which was the inspiration. The blue and green are abstract enough to evoke a feeling of nature without exactly duplicating the photo. The main part I like in this quilt is the technical details of the border. I don’t much like uneven borders, because they often floop down when hanging. Ms. Kaplan has resolved this issue with the white border. Her uneven border accents the quilt and adds movement without causing a hanging problem. Nice work!

Circles by Corless Smith
Circles by Corless Smith

Corless Smith did a great job with these circles. The layers of fabric and the blanket stitch are very appealing. It has a vintage look even though a number of the fabrics are modern.

Circles (detail) by Corless Smith
Circles (detail) by Corless Smith

The small circles also add interest. The scallop type border could be a hanging problem but isn’t, which I appreciate.

Pedestrian Friendly by Pat Dicker
Pedestrian Friendly by Pat Dicker

The artist, Pat Dicker, writes about this quilt “Sue Garman’s charming Block fo the Month appealed to me, but rather than use the browns, olives and grays as suggested, I turned to my bright ‘dot’ drawer and found inspiration. I also chose to exclude the cars of the pattern and create a ‘Pedestrian Friendly’ community. ” All good choices IMO! You would not be looking at this quilt if she had made it in “browns, olives and grays.” This is a wonderful quilt in the dots and brights. I also like it that she changed the pattern to suit her vision. How do you like the whale?