Fabric Design Must-Haves

I have been thinking about fabric design a lot lately. I think it is something that I would love to do. Well, the finished product with my name on it would be great. After hearing Anna Maria Horner talk about the process, I am not sure if I am motivated enough to do all the work entailed for an actual fabric collection. If a fabric manufacturer came knocking, I would definitely find the motivation!!

One of the things I have been thinking about is must-have motifs in a collection. What parts of a collection do I always buy? Stripes and dots, definitely.

Eliza Stripe by Westminster
Eliza Stripe by Westminster

I like the above stripes, which I bought during my week away at Fabric Crush in Magnolia, because they are relatively bright and regularly spaced. I also like the ratio of white to color. In my regular fabric psychosis mind, I keep thinking “oh dear! I didn’t buy enough! I should have bought 2 yards!” despite the FACT that I haven’t used any of them and they were just washed over the weekend.

I also liked the stripes from P&B’s Pop Parade collection if the mythical fabric company wants some wonky stripes.

Ta Dot/Michael Miller & Emmalynn's Days of the Week
Ta Dot/Michael Miller & Emmalynn's Days of the Week

Above are a couple of the dot motifs that I like. Both are regularly spaced, but have slightly different sized dots.  The Emmalynn’s Days of the Week by Susan Osborne are on the top and the Ta Dot is below. There are some scatter kind of dots that I like as well. I find myself gravitating towards the regularly spaced dots lately. I think I need something to count on in my life lately. 😉

Perhaps in my mythical fabric collection I would have a couple of regularly spaced dots (smaller and larger??) as well as some scatter dots or spots.
Barbara Brackman brought a new thought in this vein to mind in a post where she talked about how paisleys were must have motifs in a certain era (Civil War??) of fabric design. I haven’t noticed many paisley type prints lately so I don’t know if they are modern enough to go along with the popular prints today. I haven’t been looking, so they could be out there. I have bought a few paisleys in the past as I recall. I definitely won’t be a designing fabrics in Civil War era colors! Still paisleys are an interesting shape and have a lot of opportunity for designexploration. I’ll have to play around with some paisleys and see what I come up with.

I’ll have to think about what else I would include. I am not sure if I would want a focus fabric as I have no idea what I would design for a focus fabric. Flowers? Trees? Snowflakes? I don’t know. A collection without a focus fabric may be a total non-starter for the mythical fabric company that comes knocking on my door, so I’ll have to think about it.

I have always thought that ‘basics’ collections were very appealing. You can buy a lot of them in many colorways (regular stream of income for the company!) and they are useful for a variety of projects. They tend to stick around in terms of being able to buy them, which is an added bonus for those of us who don’t manage to finish projects very quickly. 😉

I would love to see basics types collections be expanded upon rather than just dropped because the Color Council issues new colors. I think Moda Marbles are an excellent example of a successful basics collection. Not only do they have their basic tone-on-tone version, but they expanded out to the Moda Marble Dots and the Moda Marble Stars. Very clever of Patrick Lose to expand in that way. How about Moda Marble Stripe, Patrick?

P&B New Basics was fabulous as well. I have linked to their current colors, which are very dark and not as interesting to me as the previously issued brighter colors.

So, I wonder if I should include some tone-on-tones in my fabric collection? It might be easier to coordinate them with the Moda Marbles or another basics type collection? Hhhmmm…

So, you can see what wanders around in my head as I navigate the rest of my non-quiltmaking life. What do you think your must haves are when you consider purchasing a whole fabric collection?

A Dotty Bag

Dotted Multi-Tasker Tote
Dotted Multi-Tasker Tote

Here is my latest Multi-tasker tote. As usual, I made it from the Anna Maria Horner pattern. The more MTTs I make, the easier this pattern gets. Will this be my new tote bag pattern of choice?

I bought the laminated cotton (oilcloth) at the Quilting Loft in Seattle on my week away. As I mentioned, it poured rain part of the time I was there and the regular cotton Julie MTT got wet. When I saw the  dotted laminated cotton, I thought it would be a great winter bag. I made it big, even though I still need to make the Mini Multi to see if it is a better size for my height and shape and the amount of space I usually have on public transport. I had a lot of stuff I was hauling around from cafe’ to cafe’ that week.

Dotty MTT, inside detail
Dotty MTT, inside detail

Aside from the laminated cotton, the inside is an old, but still fun and fresh and bright Marimekko print, and the pocket panels are some random turquoise that I had. I am not happy with the outcome of this bag. I am not happy with the pocket panel fabric I chose (the turquoise). It goes well with the other fabrics, theoretically. Made up it just looks wrong. I wish I had used a stripe. I may make another one and use this one for a gift or something else. I have more of the dotted fabric.

One great thing about this project was that I was able to utilize a skill I learned during my week away to add a cell phone pocket to the inside. Apparently, cell phone pockets have a little pleat in them (do they all??). While I don’t know if I would put my cell phone in this bag, I might if my jacket pockets are full of other things. The pocket might also be useful for a Nano, or other small electronic devices. It is definitely a pocket I will use in other bags, mostly because it is cool to make and I feel proud of myself for learning to do it.

After I made this bag and looked at the seven (yes, SEVEN) hanging on my workroom door, I started to wonder if I was giving up quilts and moving on to other accessories? I don’t think so, but the speed with which I can churn out a bag is very attractive and very fulfilling. I will have to put some block making on my agenda for the rest of this long weekend.

More Catch Up Monday

Yes, I know. You want to know why all of my post titles have ‘catch up’ in them? I suppose that I am entering the time of the year when I am perpetually behind. It started early this year. Anyway, I hope these posts don’t bore you to tears or prevent you from posting comments. I love your comments.

Quilt World News

I listened to Annie Smith catch up podcast on Friday and heard that Mark Lipinski is giving up both his QNNTV show AND Mark Lipinski’s Quilter’s Home magazine. apparently, the current issue is his last. Huh?

I went and looked at Mark’s blog post from a few days ago – actually, September 24 – and all of this is true, sadly. Subsequent posts have his Aurifil thread collection and his new fabric collection featured, but nothing else. Stay tuned, I guess.

New blogs

Three Kitchen Fairies – I don’t know how I found this blog – some link from somewhere. I really like it and was particularly enamored with her ‘Pay it Forward’ concept. She details it in her post and button. She writes about getting a gift and her resolve to Pay it Forward. I love this idea. We have a lot of bridges here in the Bay Area so sometimes I pay for people crossing the bridge behind me. Stay tuned for something quilt related along these lines here at Artquiltmaker blog. Perhaps you will consider paying it forward?

Ginger Monkey: I found this blog via 3 Kitchen Fairies blog. Somehow Ginger Monkey is also connected to the quilt Pay It Forward concept, but I am not sure how. I still like this blog based on the bit of exploring I have done. I like the look, the colors. She has a tutorial for a Spiderweb quilt, which reminds me that I also have a Spiderweb quilt in progress. I think she has more than one in progress or has made more than one. In any case, I like that pattern, and Ginger Monkey’s color sense. I like some of the buttons she has. I think buttons give people a sense of who the writer is and some idea of their quilt values. Hers look friendly and kind to me, after a quick glance.

Red Pepper Quilts has a lot of really cool, bright and cheerful quilts. Her Flickr stream has a lot of wonderful photos.

Ask and You Shall Receive

Sometime, in the not too distant past, I talked a bit about sewing oilcloth, or laminated cotton, as I have learned it is really called.  Kathy, over at Pink Chalk Studio, wrote a long blog post about using laminated cottons and shows her impeccable photos to display the finished product. Also, the comments posted to her blog are very helpful.

Inspiration

I saw this cool scrap buster quilt on Flickr from Red Pepper Quilts . Very cheerful, don’t you think?

Holiday Crafts

As if you didn’t need more to do as you gear up for Thanksgiving and the December craziness, my friend Kathy of Everyday Bliss, found this link to making individual paper envelopes. They look really fun and would be great for gift certificates or other flat gifts. You might remember Kathy from Creative Prompt #35, where we did a joint special prompt posting to link our two projects together.

Other Patterns

Here is a Wagon Wheel tutorial. This is another great pattern that would be great for a scrap quilt.

Using Oilcloth

Most of you have probably heard about oilcloth recently.  Anna Maria Horner has some as does Michael Miller and many other designers. While on my week away, I bought some dotted oilcloth designed/produced by Michael Miller from the Quilting Loft.

I don’t have a very strong garment sewing background and part of my tote bag adventure is learning to construct 3D objects. As a result, I have never used anything like oilcloth before, except for the tablecloth vinyl. Some issues I ran into were:

  1. What scissors to use: if used my good sewing scissors, would the oilcloth dull the blades?
  2. What foot do I use? Will I need the roller foot?
  3. The directions I found said press on low heat. What is low heat? Testing required, I suppose.
  4. What thread should I use?
  5. Will the oilcloth play nicely with the regular cotton?

_______________________________________________________________

As I may have mentioned I have wanted to try the oilcloth after carrying the Julie Bag around in the rain and trying to keep my stuff from getting soaked. The bag is complete, as you can see and here is what I found.

I used my medium scissors – not my good Ginghers, but not paper scissors either. They still seem sharp.

Using a regular foot was fine. The machine had no problems feeding the oilcloth.

Pressing the oilcloth was not an option. I used the very lowest setting on my iron and the oilcloth just curled up. After I found that out, I just finger pressed. Not as good as a nice crisp seam, but it worked. When I put the floor into the bag, I pressed from the lining side.

I used regular Aurifil thread and had no issues

The cotton and the oilcloth were nice to each other. The oilcloth was not too slippery. I think I sewed mostly with the flannel-ish side against the bed of the machine, which probably helped.

Being Away

Today is another travel day for me. I am heading home after a week away. I have sewn and relaxed and been allowed to just be. All of my normal stuff is on hold until  tonight or tomorrow or whenever it calls loud enough for me to pay attention.

This is my last trip of the year and my last trip for awhile. Now I get to settle in at home and try to enjoy the holidays.

TFQ's Sherbet Hexagons
TFQ's Hexagons

TFQ is working on two hexagon projects. The one above looks like sorbet or sherbet. It is so wonderful to look at. She is also working on a 1930s hexagon project, which is her main focus right now.

She works in a similar manner to me in that she explores the process and technique thoroughly as she works on it.

QL Fabric, Nov. 2009
QL Fabric, Nov. 2009

Above is some additional fabric I bought at the Quilting Loft in Ballard and at the new shop in Magnolia called Fabric Crush. The dot fabric is an oilcloth and I plan to make a Multi-tasker tote in the original size whether or not I decide to abandon that  pattern completely. In carrying around the Julie tote in the rain, I found that something with a waterproof bottom would be very nice. I am missing my clear tote bag.

Fabric Crush had a fresh look and feel. They are still stocking their store, but everything was fresh and new and wonderfully displayed. It is worth a look. I went into a bookstore as well and saw some restaurants nearby also.

I bought the black and white print for some other bag, but am thinking it would make a nice skirt as well. My SIL once explained to our husbands that we didn’t see masses of fabric in the quilt store, but finished projects and possibilities. So true. Now I just need to make some of those dreams a reality.

Visiting the Back Porch

While in Monterey last week, I stopped in at the Back Porch quilt shop. They don’t allow photos inside, so no photos of the shop, the light filled space, the huge amount of books or the exhibit of  Gwen Marston and Freddy Moran quilts that were on display.

I have written about this shop before. Each time I go is a different experience. I always find something that I like and this time was no exception. There were a lot of books I wanted to snap up, new and fresh fabrics to fondle and different tools to consider.

Collaborate Again
Collaborate Again

Back Porch usually has an exhibit up in the back of their shop. This time I was fortunate to hit the quilts from Freddy Moran and Gwen Marston from their new-ish book, Collaborate Again.  The quilts I saw were bright, cheerful, full of checkerboards and dots. They look like Freddy and Gwen really had a good time making them. The exhibit brightened up an already airy and light space. The quilts which were shown had elements of Gwen Marston’s liberated quiltmaking techniques incorporated in them. They also include chickens, flowers, baskets and houses. The thing about the quilts which were on display is that the elements aren’t difficult. Any quiltmaker can make a house block or a basket block. The key to what made this exhibit special (and the book as well) is the combinations of fabrics and the fabric choices.

Late October 2009
Late October 2009

Yes, more fabrics. The dots (3rd from left, top row) are destined to be a bag, perhaps even this week. The pink and green leafy floral (5th from the left, top row) will also be a bag. The blacks and whites in the second and third rows towards the left are already mostly a bag. I worked on another  Multi-tasker tote yesterday for a friend from those fabrics. One thing I learned was that you can almost make a Multi-tasker tote from a fat quarter pack. I did it, but needed to piece some of the fabrics together in order to have a large enough enough piece to cut out the pattern piece.  I also brought a Jane Sassaman half yard with me and cut the straps from that fabric. Anna Maria Horner never claims you can make the tote from an FQ pack. A friend admired them and her birthday is coming so I thought I would make her a tote.  Pictures to follow.

The two bottom rows of fabric are all from Lonni Rossi’s new collection. I really like a lot of them. I have the ones I have, because they were in FQ packs and I was too lazy to have my friend, Jean, who works there, cut half yards. Now I wish I had bought some half yards. Perhaps I’ll see the ones I really like somewhere else.

The shop had some Philip Jacobs fabrics. His fabrics, by Westminster, are bright and cheerful florals. TFQ was madly choosing fabrics to make Jane Market totes last night and it occured to me that the Philip Jacobs fabrics would make fabulous Market totes.  The tote pattern is by Alicia Paulson and reasonably priced at $6. She also provides instant gratification with an instant download! TFQ is going to make sets of these totes as Christmas gifts. I imagine a day when everyone in the grocery store is carrying around a tote made from gorgeous quiltmaking fabric!

Finally, the book selection at Back Porch is fabulous! They have tons of books, many of which I had never seen at a quilt shop. First, there was the New Handmade by Cassie Barden. This book reminds me of the Lexis Barnes book, Sew What bags that I wrote about. Really great bags to make, including one that is similar to my handbag. I also found a new book by Sandra Meech, Connecting Art to Stitch.

Art to Stitch, Meech
Art to Stitch, Meech

I have always liked Sandra Meech’s books. They are not just about a step by step technique process. She talks about design and inspiration and all the things that take quiltmaking to the next level. I like her writing style as well. I don’t yet have this book, but will put it on my Amazon list.

I didn’t think there were great books out there, but recently I have found a number that I can’t wait to add to my collection.

I was shocked to find that Back Porch is offering a class in the Flowering Snowball pattern! They had a sample on the wall done exactly the way mine will be finished – using the self bordering technique. Sigh. I guess I am not so unique, after all.

Last time I went to Back Porch, I left with a bad taste in my mouth. I went back anyway, because I had heard a podcast interview with the owner, Gail Abeloe and they have a nice shop with great fabric. One thing I admired about Gail was her firm grasp that a quilt shop is a business.  Her philosophy is that you have to keep your stock fresh and your customers interested and that you have to sell fabric. As a former small business owner, I can appreciate that attitude.

Newest FOTY 2009 Blocks

FOTY 2009, Oct. 2009
FOTY 2009, Oct. 2009

I took a small hiatus from putting together the FOTY 2009 blocks (Zanzibar from Bill Kerr and Weeks Ringle) for a number of reasons. First, the 9k was in the shop and I wanted to use the same machine to sew them. Second, I didn’t have the right fabrics to combine. Third, I was working on other projects. Etc.

Here are the latest iteration of this simple block. I did a bunch of fabric laundry and am nearly done, so now it is on to the pressing, cutting and sewing. I have only 2.5 more months to get the fabrics taken care of as I am planning on putting this quilt together at the CQFA retreat in January.

PIQF 2009: Day 2

Glitter Inspiration
Glitter Inspiration

We spent the whole day that show again. The BoNash booth had these tubes of glitter. I have no idea what they were doing, but I loved the colors. The stack of color was wonderful.

I have decided that, while there aren’t a lot of murky colors, murky colors are coming back. (NOTE: Dear Color Council, please do not add any murky colors to your list of the most popular colors of the year for any of the next 50 years. Thank you!) There were a lot of fabrics with grey and brown in them. In terms of quilts on display, there were lot that we saw today that had different browns in them. Usually they weren’t the nice rich chocolate brown, but more in the beige and taupe range. Note to readers: please make cheerful quilts.

Glitter Inspiration, detail
Glitter Inspiration, detail

I am physically and mentally unable to buy murky fabrics. . I bought the following:

Fabric, PIQF, pt.1
Fabric, PIQF, pt.1

The bottom left fabric will be a bag, perhaps the inside of a bag.

Fabric, PIQF 2009, pt.2
Fabric, PIQF 2009, pt.2

There is another bag and a half in the photo above. I need to get going on bags as I have a lot of fabric for bags in the hopper.

Finished! Done! Complete! (FOTY 2008)

FOTY 2008
FOTY 2008

Yes, this baby is complete. I can chalk another finished project up on the list. I quilted it a long time ago and only had to do the facing and the sleeve. I really don’t know why I waited until the last minute. I did and ended up with some unsewing that needed to be done. When I sewed the facing on, I kept sewing through all three layers quilt. Duh! I don’t know what that was about. I ended up clipping the threads from the front and sewing the back, very carefully the second time, shut again. It was sent off with the Nosegay on Wednesday and should have arrived today. We’ll see.

I get to go and visit it next week.

Tarts Cream Drips

Tarts, Small Drip
Tarts, Small Drip

This is the piece of pie and whipped cream, which you have seen four dozen times. I am forced to continue to show it to you until you scream for mercy. Only because you asked for it. 😉

Okay! Okay! I am not so mean. This is actually a slightly larger drip than before. I took your advice and decided to make the drip a little larger. I don’t think it is large enough here. When I stand back, it still looks like a speck. I don’t want people to think I made a big boo-boo on the applique’.

Tarts, Big Drip
Tarts, Big Drip

Here is the big drip. It looks like something! I used the same shape; just made it a bit bigger. I like it and it will probably be sewed down this weekend.

Sewing it down would be very nice, because then I can get it off of my design wall and put something else up.

Oh. The back. I still have to make the back. Sigh.

Whipped Cream Drama

I know you thought I forgot about the Tarts. Or, perhaps, you thought I abandoned the piece for another 3 years?

Oh ye of little faith!

Non quilt parts of my life have been busier than usual. I have still taken the time to diligently test your ideas for the whipped cream on the second piece of pie after I posted some thoughts in a previous blog post. I thought it would be easy and fast. HA! When will I ever learn?

Another issue is that the 9K is back in the shop. It is fixed now, but I won’t be able to pick it up (80+ mile round trip) until Friday since I am going out of town on Tuesday and the shop is closed on Monday. I tested an approximation of a satin stitch on the Jem. The Jem is a great machine, but the satin stitch it makes doesn’t compare to the 9K’s satin stitch. I need to wait until the 9K returns from his/her vacation. I’ll get everything ready, however.

Below are the candidates:

Whipped Cream #3
Whipped Cream #3

I liked this one, but didn’t think it was enough. I thought it needed more of something. Someone mentioned a drip in a comment, so I started working on that.

Whipped Cream #4
Whipped Cream #4

The drip above is too small. I want it to stand out a bit more against the plate.

Whipped Cream Test #5
Whipped Cream Test #5

The one above is pretty good in terms of having more than just an element on the top. However, the indentation in the top of the dripped whipped cream on the plate looks strange. It may be realistic, but it doesn’t look fun or interesting.

Whipped Cream #6
Whipped Cream #6

The one above is the option I have decided to use. I like the more engaged shape of the drip. I don’t think that is how drips really look, but this quilt isn’t reality.

As you can see, I take Lorraine Torrence’s admonishment to “make visual decisions visually” to heart.

Indulgence / Retail Therapy

SoCal fabric and supplies, Sept. 2009
SoCal fabric and supplies, Sept. 2009

I spent last week in SoCal doing a little bit of Grama wrangling/triage with my mom. If it isn’t abundantly clear, I was away from my sewing machine. The only fiber work I did was work on a bit of the hand stitching of Beach Town. After thinking about it, I may pull out what I did and redo it. We’ll see.

I was able to visit two quilt shops and a Borders. I don’t usually buy the Where Women Create magazine, but I am a Mary Engelbreit sucker and love her stuff, so I couldn’t resist. The editor’s note in this issue is WONDERFUL! I am going to send a copy to some of my good friends. I think they will appreciate it. I also really liked the quotes included with each artists’ piece.

Usually I prefer to buy magazines at local shops, but Borders really does have the BEST selection I have seen lately. I was able to look through 5-7 quilt magazines there as well as a plethora of other art and craft related magazines. I wasn’t enamored with the current Quilts and More mag, sadly. Very dull colors and uninspiring projects.

I also found that the two quilt shops I visited no longer carried magazines. Both owners said magazines just weren’t selling there. Sad. I would like it if Amazon sold just issues of mags rather than subscriptions. I would buy an issue or two of various mags once in a while if it weren’t such a pain to do so. I am thinking I need a subscription to a house magazine. I really mis House and Garden. House Beautiful seems to have improved somewhat.

One of my favorite shops is called Treasure Hunt in Carpinteria. It is located at 919 Maple Ave in a little house. The decorations are fun, cheerful and adorable. They have fun and cheerful fabric, a nice staff and other craft related items, like Collage Pauge from Traci Bautista. They have a room full of yarn for you knitting types, kid craft items (more Crayola brand stuff than I have ever seen in my life!) and a room of supplies needed to finish your works like frames, etc.

The red dot fabric and the cherry fabric with the yellow background will be an Anna Maria Horner Multi-tasker tote.  I plan to do a trial run with some Denyse Schmidt Flea Market Fancy fabric first, though. I want to see how the pattern works before I use my precious combo. If the pattern doesn’t work for me, I will make another one of the Eco Market totes. Stay tuned for that project.

Return of Flea Market Fancy?

Not sure how I found this blog.
It is interesting to see how one person can generate interest in an effort to get a fabric or fabric group reprinted. Perhaps I should do that with the turquoise (Botanical Pop from Baum Textile Mills/Windham Fabrics) fabric I need. There are a lot of steps to join this project, so I haven’t done it yet. It would be nice to get some more that blue!I have enough now, thanks to Julie, but you never know!
clipped from sewtakeahike.typepad.com

clipped from sewtakeahike.typepad.com

Calling all Flea Market Fancy lovers

I love it, you love it, we ALL love it!   Flea Market Fancy by Denyse Schmidt seems to be one of the most sought after fabrics out there.  And it’s oh so hard to find!
These dire circumstances have inspired me to start this blog as a sort of petition to see if we can raise an eyebrow (or two!) at  Free Spirit Fabric to do another run of Flea Market Fancy (FMF).
blog it

Quilt Sorbet

Last year I found a quote in Judy Martin’s newsletter by a reader who talked about projects classified as mind sorbet, which I recounted in a post. After the Tarts Come to Tea, I really feel like I need some mind sorbet, something that I don’t have to think about much. The Tarts was a real design challenge: worth it, but a challenge. Now I need a break.

Fabric Selection, August 2009
Fabric Selection, August 2009

These are the fabrics I have been collecting for the past little while with the idea of making this quilt. There are an abundance of dots, but hopefully enough other designs and scale to make it interesting.

I scanned back over some of the posts showing fabrics that I bought with this project in mind. I don’t see them in the picture above, so I will need to look at them and see if they fit in with the idea I have in my mind.

This quilt was inspired by a pattern by Terri Atkinson called Yellow Brick Road, which I wrote about in a post called Avoidance Issues. The idea was further encouraged by a trip to Texas in April. For once I sat in a window seat and was able to look at the regular patterns created by lots and fences, etc. After that trip, I had a lot of ideas and went crazy putting my own designs “on paper”. EQ6 makes such an exercise really easy. The project is really all about the fabric, though.

Sorbet, August 2009
Sorbet, August 2009

This image looks a little weird because it is exported from EQ6. I haven’t colored all of the blocks, but this should give you a bit of an idea of the next project.

I made two blocks today. They took me about 5 minutes each, which is exactly what I wanted.

2 Sorbet Blocks, August 2009
2 Sorbet Blocks, August 2009

In order to get the variation, I need to print the rotary cutting directions for the rest of the blocks. We’ll see what we get.

FOTY 2009 Progresses

FOTY blocks, August 2009
FOTY blocks, August 2009

Slowly, but surely the FOTY 2009 blocks are stacking up. I doubt that FOTY 2009 will be as large as FOTY 2008, however I consider it to be more complex so smaller is better. I know I know, sewing in addition to cutting is part of the quiltmaking process and doesn’t necessarily constitute ‘complex.’

😉 I just like to see if you are paying attention sometimes.

As I said before, these blocks make great warm up blocks before a serious bout of sewing, so that is what I did on Saturday after getting the 9K set up again.  If you look at the photo in Sunday’s post, you can see one of the green blocks under the feed dogs.

I decided not to combine the two Ginger Blossom prints that I used in the Striped Tote with Flowers and the Flowered Tote with Stripes. They already had enough cavorting and will get some more time to do so when I make the quilt for which I have been collecting fabric. I really like the effect of the dots with the flowers.

FOTY detail pink
FOTY detail pink

I had some hot pink dots that I hadn’t yet made into a block, so I used that with the flower print. Haven’t done anything with the stripes. I need to press some more fabric and then we’ll see what transpires.

I do really like that pink Gigner Blossom flower print for some reason. It makes me feel happy.