After hearing Karen talk about her quilt, I decided that I would do more of a strip piece for Amy, so she would have some pieces she could use to connect other pieces. I tried to keep the pieces long and thin-ish.
Partway through the process, as I mentioned, I took out the piece and took a look at it.
I was trying very hard to adhere to the spirit of the words, but color balance kept creeping in to my work. In the case of color balance, left, of the in process piece, I thought it needed more blue towards the top.
After working through all of my thoughts and feelings, I am pleased with the way this came out. I worked on it over the course of several weeks in between other things until I ran out of time. I also focused on the placement of the color rather than the width of the strips, etc. I did try to keep the strips from getting to wide, though I really wanted it to be long, so some are quite wide.
I wanted to make it about a foot longer, but ran out of time. I am pleased and hope Amy will be, too.
I decided to use this photo again and try to make palettes with Kona colors and see the differences. Obviously, I am going to try to put the dots in the same place.
You can see my first effort, from last week. I used Bella Solids on last week’s post. It was an accident. I meant to use Kona, but Bella was turned on so I went with it.
The default palette is very similar to last week’s default. I guess if there are no neutral colored areas in the uploaded image, it goes with similar colors or as close to neutral as possible.
I do like that very dark, Kona Espresso as an addition to the pinks. I think I would swap out the Crimson, though it looks more purple than crimson to me, to allow the Espresso to shine more.
The obvious differences in my first palette are the first red is darker and pink is more blush than grape. The first three colors (from left) are the stars as they were in the first Bella palette.
Kona Pool is such a great color and the yellow, Kona Wasabi, though looking much brighter on the bottom is a nice addition. I am not fond of the sand, but I am sure it would be a good unobtrusive hue to help the others shine.
I gave up doing a scientific experiment and just had some fun. The next palette had a circus feel.
The colors are not pure primaries, so I don’t think it looks kid-like. I think it looks very cheerful. The Baby Pink as well as the Tomato keep the whole palette from being too much like a young child’s playroom.
I tried for another cheerful palette and got one similar to the circus palette above, but with greyer hues. Not completely, because Pool and the Citrus are VERY cheerful. I am not sure I have seen citrus show up in a palette before (it must have and I didn’t notice). The Ultramarine and Grass Green make this palette into one that the parents of the children above could use.
The blues stood out to me. Since I can resist them I made a palette with blues and greens – towards the darker, tending towards neutral.
The plum was an unexpected addition. I can’t pretend it just happened, because I put the circles in place. I was surprised at how well it went with the greens, especially the Celadon.
I guess the neutrals have gotten to me, because I couldn’t finish the exercise without a neutral palette.
One thing I noticed is that I have to really notice all the colors when I made so many palettes. I didn’t notice the dark brown, actually Cocoa, when I started on this exercise last week. The Kona Pepper looks more dark blue to me than black, but it adds a tinge of optimism to the palette.
The Pepper with its blue tinges sent me off to make one more blue palette.
The Ivy, which isn’t a favorite allows the Oasis and the Holly colors to shine. This might be might favorite palette, but I am also partial to n.2 above.
It is really a lot more fun to use a photo with many colors. I’ll have to find some others to use and do it again.
Rhonda brought my BAMQG Round Robin back to me when we met at the CQFA meeting. I had to hunt around the blog for which challenge it came as I couldn’t remember. I also wanted to see the changes. I remembered that Kathleen worked on it and Kelly had it, but I couldn’t remember anything else about it. 🙁 Kelly had it for a long time and since she is much more into quilting than piecing, I wasn’t surprised to see no changes.
The piecing is really good. I have asked for some other volunteers to work on the piece. We’ll see if anyone volunteers. If not, I will finish it and give it to a kid I know, I think. I don’t think I am really interested in working on it anymore.
Today, I decided to try a photo that was super colorful. This is a leaded glass window I saw in a house on Guerrero Street. It is an AirBnB and my friend stayed there. I saw it when I dropped her off. the female shape in front of it is a statue. I am going to focus on the glass.
Apparently, I chose Bella Solids this time.
The first palette, always the default, is very grape heavy. It isn’t unpleasant at all. I am struck at the similarities in the colors chosen by the program. Although, the hues provided tend to be somewhat dusky, the Bella Off-White seems have a pink tone when put next to the grapes and pink fabrics.
My first palette looks very circus-y. The Bella Sunflower next to the Little Boy Blue looks very cheerful. I got the red – actually Mango – by moving the dot very slightly up on the same piece of glass.
The Bella Sprout really makes the second of my palettes. I wanted something different than the yellow, but was concerned about that Longhorn (gold-yellow). with the other colors, I think it works. This palette is probably my favorite.
My immediate reaction to the third of my palettes was that I didn’t like it. However, I looked again and while I have concerns about the Bella Avocado, I think, overall, it works.
The colors come from one flower and I know the light affected the colors appeared.
I might do this exercise again with Konas just to see the difference.
I decided that I would start work on Amy’s Color My Quilt piece right away. I used it as leaders and enders while I sewed fabric pieces that didn’t require a 1/4″ foot. It was a good plan as I have made enough progress to hand it in today even if I do nothing else.
Don’t get the idea that I was doing a shoddy job. I was eyeballing a seam allowance rather than using the 1/4″ foot guide so I could make progress, but not being shoddy. If anything most of the seam allowances are larger than 1/4″.
Of course, I want to do more. I think it needs more blue. If I don’t do anymore, I’ll be happy and not embarrassed to give what I have to Amy.
The BAMQG meeting was….sometime in the recent past. I have a lot going on and can’t quite remember.
Anyway, one fabulous thing that happened was that Karen M brought her finished ‘Color My Quilt’ piece. I thought it looked fabulous. She talked quite a bit about how she put it together and where she added strips and bits and pieces.
Keeping the colors in the same family with a bit of spark really made this quilt come together.
Karen was asked to do a workshop on teaching people to put their own pieces together. She may do a hands on tutorial at the next meeting.
The Color My Quilt project reared it’s lovely head again and I got busy making something for Michelle. My goal was to use my scraps, though I was determined not to skimp and paw through the fabric closet if there were no appropriate scraps.
One of Michelle’s words was shiny and I found some fabric that had a lot of shine, so I grabbed that. I also found some perfect purples. I was embroiled very hard in another project and this little piece allowed me to play a bit.
Bloomston got an assignment from an art professor to go and make a secret piece. The class was to do it and not tell anyone. They weren’t to turn it in or ever talk about it. Having and keeping the secret was the assignment. Having a secret doesn’t mean going and destroying some public property and then never telling anyone because of the guilt. Guilt is not involved. Having a secret in this context means finding that the “reward is inside us” (pg.70). If you are doing your art to get attention or to post on Facebook, then this spark is for you. Don’t make things because you think they will sell; make things that come from your heart.
I decided at some point that I would create this blog for myself 1) as a chronicle of my quiltmaking work and 2) as tool for practicing my writing. It isn’t a secret since, presumably, you are reading it. While I adore comments and interactions with my readers, if I only wrote the blog for you, I would have stopped a long time ago. I don’t get enough comments to get motivated to keep writing. I do refer back to old posts often enough to make it worth it for me. My blog isn’t a secret, but I have gained the benefit of the secret status because I really do write it for me.
There is something about having a secret project to work on. “Your own creative voice can get a bit clouded by all the other voices you hear from peers and teachers. It can become confusing and difficult to listen to your own voice.” (pg.70). No Instagram comments saying followers “LOVE IT”. Nobody has to get it. Just you.
Journals are often very private. My husband knows I keep one, but he has never read it. He can read them all when I am dead.
Nota bene: we are working through Carrie Bloomston’s book, The Little Spark. Buy it. Support the artist. There is a lot more to each spark than what I am writing and the original chapters will help you. Go buy Carrie Bloomston’s book, so you get the full benefit of her fabulousness! You can see my book review, which is what started this flight of fancy.
I went to Craft Night with dark blues and text fabrics in hand. The event was at SIL’s and she has the Peaky & Spike die. I planned to cut up the Peaky and Spikes I needed for the next step in the En Provence quilt.
I accomplished my goal. These are supposed to be purple, but I am not using purple in this quilt. I find purple to be a depressing color when I use a lot of it in a quilt, so I tend to shy away from it.I don’t hate it, I just have other favorites. Since I used blues in the recent 4patches, I am using a dark blue to go with those pieces
I had to dig through a lot of my fabric to find these dark blues. I used up most of the my dark blues on the Stars for San Bruno quilts. I don’t use dark blue that much, but I am finding that it comes in handy periodically. Not all of these blues are super dark. They are, however, different and darker than the blues used in the four patches.
I have started to sew the Peakys to the Spikes, but haven’t gotten very far. Small accomplishments.
As I implied yesterday, I was part of a group making the Tula quilt. The group, I think, really struggled with what blocks to make. I don’t think people were reluctant to make the blocks. I think we were just having a hard time getting inspired. If there had been a theme, like stars or Flying Geese or something, it might have been easier. Still we all came through with flying colors! There was some cohesion in the blocks that were contributed, which was fabulous. Of course, the Tula fabric help make them all hang together.
Amanda and Gerre worked on the layout, but I think the block makers feeding off of each other made it easier. The large Flying Geese type panels can certainly bookend any other layout. Cheryl’s castle is a great center.
Back in the Spring, I received an email about contributing to a lovey quilt for a friend moving to Scotland. She is a Tula Pink devotee and that would be the theme. Of course I wanted to participate, but I am not a Tula devotee and I only had one Tula fabric as far as I knew.
I went online and bought a couple of pieces. I didn’t want to buy a lot as it isn’t really fabric I generally use. I was pleased to find a fat quarter pack of Tula solids. I knew I would use those, so I scooped them up with a couple of the more Tula-esque prints and started thinking about a design.
This was to be a modern quilt from Tula fabric and I really was at a loss about what to make. I would normally default to Sawtooth Stars for a lovey block as they are great all around and work well with fussy cutting. They didn’t seem right for this piece.
I needed to get busy as the deadline was approaching and my work travel + Grand Parlor were all coming up quickly. I decided on a modern house block a la the Clerestory quilt.
I wasn’t really excited about the house block and hadn’t started yet when I saw another member of the group working on hers at a Sew Day. She was making a Pineapple block. This made me think that a house block would be hard to fit in, so I decided that a wonky log cabin would work better. I am not a huge log cabin fan and wonky log cabins are worse. However, I could fussy cut the special motifs and work around them in a way that would really scream ‘TULA’. That is what I did. I am pretty pleased with the blocks. They didn’t come out exactly as intended, but they look nice and people seemed to like them.
I finished Gerre’s piece on Sunday. I was almost done on Saturday, but had a bit more to do.
This did not come out as I envisioned, but I still like it. I saw that butterfly and it made me think of Gerre.
On both pieces, I had blocks on the mind. I really didn’t feel Improv in my piecing plan this time, so blocks it was. I had some leftover bits that I didn’t use, so I included them with the packet as well.
I know I am crowing about the tiniest of progress, but I have to take finishes, even semi-finishes, where I can get them.
I finished Clue 3, which was a surprise, because I thought I would have to cut more 2″ squares to finish more four patches. I thought I had about 40 more to make. They were done and I didn’t figure it out until Sunday when I counted all the 4 patches up and came up with 171. That means I have 3 extra.
I am pleased, but I know the joy will be short-lived since I have to make more Peaky and Spikes next similar to the ones I made before.
I spent most of the day with my in laws cleaning my MIL’s house. She is 91 and lives alone, but needs some extra help now and again. I spent my time cleaning her fridge and running errands for her upstairs. Everyone else worked on the garden except YM who scrubbed her outside stairs and the tunnel to her front door.
The first thing I did when I got home was to take a shower, but after that I had several hours to sew. I decided to leave Sunday all free for something new and to try to cross some to dos off my list.
I had an idea for the Color My Quilt pieces I owe Gerre and Annemarie, so I decided to work on those.
They didn’t go completely as planned. However, I ended up with something I think will work with the other pieces. Annemarie received pieces at the June meeting, which I missed, so I really don’t know what Annemarie’s shards looked like. I hope the apricot I added gave her the look of southwest without the coyotes and saguaros feel of kitschy Southwest.