I wasn’t the only one busy at Retreat. A lot of charity blocks and tops were made. People also worked on their own projects.
MassDrop gave the guild a bunch of fat quarter packs to use to make charity quilts. The group did not disappoint. Right there, at least 5 were made. There were only about 4 packs left at the end of the day on Sunday, so I think others are in process.
Gerre had taken my Yellow Donation quilt and quilted it. She was working on the binding on Friday at the Retreat. She finished it and, thus, finished the quilt at the Retreat. I was pleased that she had worked on the top I made. I always feel happy when Gerre and I collaborate, especially when she says nice things about my color combinations. 😉
Michelle S was working on, what I think of as, a map quilt. She had a different name for it, but I thought the blocks looks like a map or aerial photo.
I didn’t take as many photos as I expected to. I was focused on sewing and getting as much done as possible. There was a lot of moving around to shared cutting tables and ironing stations. People were also very chatty and interested in what other people were working on. It is always interesting to be in a Retreat situation because you get to see how other people work, what they are working on and how they interact with other.
I have discussed the Retreat in passing over and over, so finally decided that I should get around to writing about the retreat itself.
The Retreat started on Friday at 10am. Following along with our year long theme, Scrap Attack, the Retreat followed that them as well.
Before arriving at the Retreat, I went to the gym, ate breakfast and packed the car. I had two days at home alone (YM gone at school, DH on a NSGW trip) in the evenings during which I prepared and packed and organized. After leaving to go to the Retreat, we stopped at Always Quilting and The Granary. I wanted to find an open toe Acufeed foot for my Janome 6600. I planned to quilt the Thanksgiving tablemat and needed to see where I was going. The Acufeed foot that came with the machine is good, but not for seeing exactly where the foot is going or following a line. I didn’t get my hopes up for the foot to be available at Always Quilting and I wasn’t disappointed. I resolved to try to quilt the tablemat anyway.
We went to the Granary, because I like that store and SIL had never been there. I bought a couple of pieces of fabric, thinking I might make an extra Cell Phone Wallet with one of the pinks.
Then we headed the 8 or so blocks to the Wild Palms hotel and to sewing nirvana. We didn’t arrive until about noon, but we set up and got to work right away. Nirvana isn’t easy and setting up took some time.
Once I got set up, my first order of business was sewing together all seven Cell Phone Wallets I had cut out.
Lesson one for quilting retreat is prep your projects. Having several projects already cut out made my output much better than expected.
I had cut out seven Cell Phone Wallets from fabric leftover from dresses and tunics. I spent Friday making them. I didn’t think I would get as far as I did, but I was able to finish all except for weaving in the last two ends from top stitching. I was shocked that I even had time to turn the pieces. Turning these and poking out the ‘corners’ is not for the faint of heart. I rose to the challenge and got the job done. Now I am going to feel a lot more confident when wearing my dresses, skirts and tunics. I made all of these with D rings and will use the same chain for all of them. I also think I can use the black one with other black outfits.
Next, I started quilting the tablemat. 🙁 It didn’t work. I want to follow the lines of the leaves and other Thanksgiving motifs and I just couldn’t see where I was going. I ripped stitching out three times before I gave up. I would really like to get it done before Thanksgiving. Not only to I want to count the yardage as fabric used, I also want to have one less item on my to do list. I have ordered new feet from Sew Vac Direct, a suggestion from Gerre, so we will see.
No rest for the sad or wicked. I was determined to get as much done as possible. So, next up was the Poolside Tote. Not only had it been taking up horizontal surface space for a long time – ever since I cut it out at Scruffy Quilts back in May, but Tim and I had decided to work on ours together. Julie said she would make one as well, but she wasn’t at the retreat and I have only seen quilts coming out of her studio. You can read about the sewing, etc of this tote in the post from earlier in the week. I am not sure if I will make this tote again. I may need to as it is large and popular.
I worked on this all day Saturday and a little bit on Sunday morning. Next on the list was the Mostly Manor Lozenge quilt. I had the blocks made so all I had to do was sew them together. Lucky for me, the raffle prizes had all been given away (I won a charm pack of grey Northcott solids-YAY), so I had a table right behind me to use as design surface space.
I sewed fast and got this top done in a couple of hours. I used the Terrain donation blocks as leaders and enders.
In between everything I made three donation blocks. We received kits for 3 donation blocks in our goody bags. I didn’t have a lot of leaders and enders opportunities, so I rushed at the end to get these done. The Committee gave extra raffle tickets for handing in donation blocks and charity quilts and tops.
I really didn’t want to leave and stayed until the bitter end. The Retreat Committee did a great job organizing everything and I was thrilled to get so much done.
The week is nearly upon us. My house looks like a bomb of tissue paper, decorative paper and ribbon went off in it. There are gifts and baskets everywhere. I haven’t even begun to inventory my clothes for the week yet. That will only add to the chaos.
In addition to the physical chaos, we also had some other chaos: our washer broke and is unfixable and one of the Grand Officers died so some of our precious prep time was, understandably, devoted to a rosary and a funeral.
My SILs, a friend and I spent Craft Night on Monday boxing and wrapping favors for the Ladies Luncheon. These soaps were made my my sister, owner of Wooden Heart Soaps (go buy some-they are awesome), the wallpaper from which we made the boxes was from FabMo and one of my SILs dug into her stash of gift bag ribbon for our use.
The soaps are Grapefruit Bellini scent. I wanted something that most people would like and was not too strong. Cross your fingers.
I also had to procure a number of thank you gifts for the people who helped with all of the events.
I decided to use handbags as the holders since they were nice and could be used later. I hope the committee likes them. If they don’t, I know they won’t say anything. 😉
Maureen designed the centerpieces and Carol took them and designed a tableau around Maureen’s work. The plate holder will be clear or white (I can’t remember); the one in the picture is just a sample. Carol designed the waves and put together enough for all the tables. She did a wonderful job, especially using the lace doily to add a bit of finish to work.
After organizing my clothes, I think I will be done. We’ll see whatever other crises fate throws in our way.
Yoder’s Department Store is the place that is the main fabric store for the Shipshewana Quilt Festival. I never thought I would go to this place. It’s in Indiana. Do you know how far it is from my house? 5 hours on a plane, 3 hours on a bus, assuming your plane isn’t late and you don’t miss the bus, and about an hour in a car. We went to this store right after Zinck‘s and only had about an hour to look around. I was slightly jetlagged, so I had enough time, but I could have spent weeks in that store and not seen everything.
The other thing I noticed was that the store was scrupulously clean. Where Zinck’s was a little dark and slightly grubby – not dirty, just very basic – Yoder’s was spotless and bright.
For those of you who have not been to Yoder’s, it is a giant building with a few different and separate areas: fabric and clothing, housewares, hardware and a few others. We went into the fabric and clothing section, which also had shoes, table linens, baby clothes, and a few other things. The fabric section took up about half of that space. There was so much fabric that it was difficult to take it all in.
Finally, I decided to do a circuit around the outside of the department to see what I saw. One of the first things I saw was some Tula Pink fabric.
This made me realize that I was in a different sort of store. The fabrics weren’t closeouts or remnants; they were the latest fabrics and a lot of them. I saw several lines of Thimbleblossoms fabrics, tons of Moda, all the American Made Brands solids, Kona solids, Bella solids.
I think I saw more of everything than I have ever seen anywhere. I think there was more fabric here than in Portland at the Fabric Depot. It would be close. If a person couldn’t take in all of the yardage and wanted to just pick some pre-cuts, the task would not be much easier. There were so many pre-cuts, I really couldn’t look at them all. Also, there were new ones. I saw Lulu Love by Cory Yoder (coincidence???) as well as Sunday Drive, which I had seen in Oregon and Washington.
As with most quilt stores, there were quilts hanging everywhere with kits available for all of them. I found many of them to be quite appealing. Everywhere I went I saw notions, as well.
There was a whole large area with Creative Grids rulers. They had everyone I have ever seen including my favorite the 4.5″ x 8.5″ and the one on my list, the 20.5″ square. I bought a cut loose project sheet from this area to make a scarf hanger using a coat hanger, fabric and large WonderClips. Stay tuned for more on that project.
Outside Yoder’s was a farm and there was a great view of the barn. I love this view and would, theoretically, love to have my own version. I probably wouldn’t like the work, though and would need a superb farm manager like Patrick in The Beekeeper’s Apprentice.
My friend said there were at least 20 fabric stores within an hour drive from her house. I think I’ll have to come back. I am going to try and get a contract at her university so I’ll have a reason. 😉
Yes, the past 2 or so weeks have been an embarrassment of riches in terms of fabric shops. Shockingly, I have just returned from Indiana. Despite being from California, I have lived to tell the tale. Everyone was actually very nice and nobody judged me for being a Californian. Of course, my friend, Natalie, didn’t let me out of her sight.
Zinck’s is housed in a former furniture store, so it is LARGE. They have all kinds of fabric including a large selection of quilting fabric. I saw fleece for $1.99/yard and thought of BAM‘s pet bed project. There were a large number of home dec fabrics for $5/$6 per yard with sale home dec fabrics at $1.99 a yard. Can you say Priced To Sell?
They had a large number of quilting cottons. I wasn’t overly impressed with the quality, so I stuck to fabrics that had a selvedge I could find and recognize. There were lots of different designs, many of which I did not recognize. Lots of calicos and ‘interesting’ novelty prints.
There were a large number of fat quarters at $1.50 each. I was determined to find some. When I went over to look, I found that a lot of them were the flat packs. Flat packs have a piece of cardboard inside and a sticker that says made in China. While there were some cut prints, I didn’t end up buying any. The fabric felt like Joann or Walmart fabric and I didn’t like the feel.
One interesting aspect of the shop was their flat fold quilting fabric. There were pieces laying on tables consisting of 2-6 yards of fabric. They would cut pieces off, so if you wanted only a half yard, you could get that. If you bought the whole piece, however, they would give you a dollar off PER YARD! If you need backs, this is the place to go.
The store had knits, flannels, various polyesters, suiting fabrics and basically anything any sewist would want. If you are on a budget, you should definitely visit.
On our way to the next store, we got a little Amish Country ambiance.
Amanda and I didn’t feel like we were quite done with our day of fabric-y goodness, so she suggested that we head to Vancouver. I always think of British Columbia when I hear Vancouver, but, of course, Amanda meant Washington. The shop we visited was called Fiddlesticks.
We actually stopped at another store first, but it was closed, though all signs, including Google, suggested that it should be open. Not closed forever; just closed that day. It didn’t matter, regardless of how much I would have liked to see another store. Fiddlesticks was a great stop. I bought a couple of items, specifically text fabric for the Carpenter’s Wheel backgrounds.
The store was light and airy. Some of the shelves were white, which is very appealing to me. I also liked it that the shop catered to a lot of different types of quilters. Modern Domestic was fantastic, but quiltmakers specializing in reproduction quilts would find nothing of interest there. There was a small area highlighting these types of quilts, catering to these quiltmakers at Fiddlesticks.
There were other areas that catered to specialty interests of quiltmakers.
As I said, the shop was open and airy. This came partially from large windows and white paintwork, but also from the apparently new building. The shop was in a strip mall, but not a nasty, low rent strip mall. It was a nice, clean brick building across from a lovely open green space (probably slated for redevelopment, but nice and green right now).
They had a lot of bright and cheerful fabric. I found lots of batiks and other current fabrics. There was a great catch-all area with charm packs, current tools and notions. Fat quarters, layer cakes and charm packs were everywhere.
I looked at the Lulu Love by Cory Yoder charm pack at several different stores, including this one. I didn’t end up buying it at this shop, but I did eventually buy it in Indiana (more on THAT later). The Lulu Love colors and Moda fabrics were very much in evidence at Fiddlesticks.
The other thing I liked about Fiddlesticks was that it was very clean. They seem to move their merchandise, which I can appreciate.
My favorite room was in the back. It had the Kaffe Fassett fabrics and the text prints. There was one Kaffe Fassett print that I almost bought for another tunic or a dress. I have a few pieces at home waiting to be sewn, so I held off. I was sorely tempted, however. I love those large flower prints!
I saw the Moda text prints that I originally got in mini-charm format for the first time as yardage on bolts. As weird as it sounds, it was interesting to see the various designs that way. Yes, I bought a few pieces for the Carpenter’s Wheel backgrounds.
The amazing thing about this shop was that they have 2, yes TWO longarm machines. It was interesting to see them in situ. One was working while we were there. I didn’t ask any details, but it looked like the machine was doing some kind of pantograph.
I liked this store and I would recommend a visit. It is an easy drive from Portland.
Last weekend I went to Portland to visit the YM and attend his last concert of the year.
As a college student, he is busy and was even busier last weekend, because he was working on the tech crew for a play. We slid in little visits here and there and had a good time when we could.
I could have spent time with him Friday afternoon, but instead I went fabric shopping with Amanda. She has recently moved to the Portland area and was free to tour me around. We were able to catch up, talk about books and had a great time.
I missed Modern Domestic on my last visit and had heard a lot of about it. I was very glad to get a chance to take a peek. The store was buzzing with activity. There were about four people working, a class or worktime going on in the back and a few customers.
I really liked the aesthetic of the shop. Very white walls, wood accents and lots of light and windows. There was a pleasing mix of old an new as well. The hop had an old fashioned mercantile type display case housing Bernina feet.
Everything was neat and orderly and the displays were simple, yet well done. I would let whoever designed the look and feel come and design my workroom. In fact, I would be happy to take over Modern Domestic as my workspace! The owner might have a problem with that and the commute would be daunting. 😉
Around the edges of the store was a wide variety of closely curated modern fabrics. When I say closely curated, I mean that they did not have ALL the modern types of fabrics, but the ones they did were excellent and definitely fit in with the overall aesthetic of the shop. One type of modern fabric I did not see was text fabrics. There were a few Carolyn Friedlander map fabrics (Architex??? line), but few, if any, text fabrics. I was looking for them for the Carpenter’s Wheel backgrounds.
Their solid of choice was Kona, though I did see a few Cloud9 bolts as well. No American Made Brands that I saw. Kona does have the most colors available. I just wish they would address the looseness of the weave. Don’t you love their display with heart balloons?
There were also quite a few fat quarters displayed. The shop had a handy cabinet that had to be made for the purpose (or the shop was VERY lucky). Each square could hold about 12 fat quarters.
While they had a lot of fat quarters, they looked like end of the bolt fat quarters. I didn’t see much of their new fabric in the fat quarter bins. I did notice a lot of FQ bundles around with current fabrics. I was tempted by one, but decided on a couple of cuts from favorite prints instead.
There were hanging notions and tools as well (see FQ photo, the section on the right). I liked the way they were displayed, because I could see them all without rummaging.
The shop sells Bernina sewing machines, so a lot of the floor space is taken up with various models. The inventory included a Bernina sit down midarm. They also rent longarm time on a different machine- a Gammil, I think, but I didn’t look closely.
They sold cabinets as well. Amanda and I stood and admired the one near the thread for awhile. The cabinet could hold one of the large throated Berninas, so the main part was quite large. It appeared to be all wood and slightly higher than a regular sit down cabinet. The chair was definitely bar stool height. We wondered if one could stand and sew at it? Also, we wondered where the foot pedal would be placed.
Several BAMers have placed their machines so they can stand and sew. Some of them have health issues that make this a better options and others have space issues. I have been thinking of how my body would like standing at the machine.
I loved the way they showed the notions. I was sometimes confused on the pricing of fabrics and various items, but not the notions. Everything was clearly laid out and labeled, which was really a nice change. I didn’t realize how much I liked seeing the rotary cutters outside of the package or feeling the webbing.
I was also pleased to see that the shop went beyond the “standard offering” of notions that one sees in many shops. This area was closely curated as well.
Everything was very tidy as well. No piles of anything anywhere I could see.
I don’t remember seeing books and magazines, except for the first issue of Quiltfolk, which was on the counter. I am sure they had some and I just missed them.
I didn’t get the “quilt shop” feeling at this shop, whatever that means. I felt like I was in a working studio.
I was in a mood on Friday when we left for Grass Valley. DH said he wanted to leave mid-morning so we could avoid some of the Sacramento/ Friday night traffic. We left just before 1pm and sat in traffic. This just added to my ‘mood.’
Two good things came out of this. I worked on the Ends Donation Top while I waited and Saturday I woke up much happier.
Saturday is a big day for NSGW events, so we were up and at ’em on the early side. The dedication started at 10 and by 10:45, we were free to do our own thing until 1 or so. We off loaded our stuff at the hotel then went looking for the quilt shop. Everything was within walking distance of our hotel so we were able to get our steps in as well.
We found Sugar Pine Quilt Shop fairly easily, especially after I figured out the correct address. Yes, DH came with, so he cramped my style a little bit.
Still, the people were friendly and the shop was stuffed with fabric, patterns, fat quarters, tools, notions and everything quilty.
Customers walk up to a patio and walk into the shop through French Doors. To the right, when you walk in, is the cash register/payment station (on the left in the photo – white counter). A bunch of other rooms are off of that room. If you turn left, you can make a U-turn into the room with repros, batting and a lot of books and the cutting counters. If you turn, also to the left, but not as sharply, you go into a room with Kaffe prints, notions and non-kid novelty prints. I saw a lot of Frida Kahlo related prints, Dia de las Muertos prints and Hawaiian shirt prints.
They told me that they try to keep fat quarters of all their fabrics on hand, but if I couldn’t find one, they would be happy to cut one for me. FQs were stuck in between the fabric and the bolt in many cases, which was awkward when I tried to carry a bolt around. They kept flapping around. They didn’t fall out, though, so that was good.
In the main room, aside from the cashier, I saw a good number of Fig Tree prints.
Behind the main room were two more rooms connected by a large opening. I couldn’t tell if this building used to be a house and, if so, how the rooms would have been laid out.
The shop mostly had fabrics that wouldn’t fit on shelves in baskets on the floor rather than just on the floor. This kept the bolts corralled, but made them a little hard to look at.
The place was STUFFED with patterns. Everywhere I looked there were patterns. They had a large selection of books, as well, most of which I did not recognize. One of the books I saw was More Layer Cake, Jelly Roll and Charm Quilts by Pam and Nicki Lintott. I have to be sure and tell Frances. I didn’t look at it, sadly, because it was way up high on a shelf and DH was waiting… I’ll find it somewhere else.
That blue bag was full of walnuts. Not fabric walnuts, but real walnuts. Don’t ask me why, I didn’t ask and I don’t know. They might have been shelling them to make crushed walnuts for pincushion filling*?
There was a lot going on at this shop in terms of prep for sales. They were cutting kits for pattern packets, sorting patterns, putting away fabrics after cutting FQs. It was busy.
Not a ton of modern fabrics, but enough variety to keep me interested. I had never seen Marcus solids and had a chance to see them at Sugar Pine.
I would recommend a visit to Grass Valley. I took some time to look at the shops in their lively downtown streets. There are a lot of interesting shops that have things I might actually buy. It is a good place to visit in addition to having a quilt shop.
Sugar Pine Quilt Shop
452 S Auburn St
Grass Valley, CA 95945
*Due to potential nut allergies, I use plastic pellets to give some heft to pincushions. I have never seen them at quilt shops, so I buy them at Beverly’s.
This post will make a lot more sense if you go and read part 1 first. That post has pretty pictures as well.
Down the street from the Humboldt Parlor Hall is the Clark Historical Museum. It is housed in an old Bank of Eureka/Crocker Bank building, which was purchased by Cecile Clark for her collection of items related to the area. The museum is small, but very well done. They had a special exhibit of 1960s fashion when we visited.
The museum also has one of the largest collections of Native American baskets in the US. I thought the designs on some of the baskets shared similarities with quiltmaking.
The museum also had a suite of rooms depicting a Victorian parlor and bedroom. Several vintage sewing machines were displayed along with a couple of quilts – two crazy quilts and a beautiful log cabin. I am concerned about the scrunched up display of the crazy quilts and hope they are replicas.
Eureka is a very nice city and there is a lot to do, wonderful restaurants and many historical sites. It is well worth a trip.
The trip did not rest on my visits to Stitch and Bunny Hop. Eureka and the surrounding is beautiful. I found it to be especially beautiful on this trip because we have had enough rain to make the hills green and everything seem clean and fresh. Aside from the quilt shops, there is a lot of history and they have done a nice job making the downtown appealing, so it is well worth a visit.
The drive up (about 6 hours) was beautiful after we crossed the Golden Gate Bridge with blue sky and green hills. We were pleased and a bit relieved to see some blue sky after the crazy hard rain we had on Thursday. We stopped in Willits for lunch and then it rained on and off the rest of the way to Fortuna. The rain clouds make for some beautiful sky photos.
I thought the blue of the sky in the first photo (right, above) looked like a particularly good watercolor.
The area was known for logging at one time. There are tons of Redwoods that have grown back or been preserved. These trees with their mist also made for some nice views as well. As mentioned, the weather was rainy on Thursday at our house and the highway did not escape the pounding. there were a couple of places where we had to detour off the main highway to get around work being done.
On Saturday, DH dedicated Fire Station #6 on J Street. It is now a fire museum and the Friends are working on restoring the building and preserving fire equipment. It was a very nice ceremony, one of the best I have attended. Humboldt Parlor did a great job organizing the event and even had a TV reporter along side newspaper photographers.
After the dedication we were invited for lunch at the Parlor’s hall, which is in downtown Eureka. I always wish DH’s Parlor had a hall, but there are a lot of issues with owning property, not the least of which is buying it.
One of the things I noticed was the artistry of the doorknob plate. This could be a quilt design with a little reworking.
I love this kind of detail and, though I wouldn’t want this exact doorknob assembly, I do think the plate would be fabulous.
We walked around a little bit on Saturday after the dedication and I saw various details that made my brain spin with ideas. The photo left is an interesting version of a spiral. It is one of many that decorated one part of the building. It made me think of Friend Julie, as she is my spiral girl.
I am not sure what it is made of, but it looks somewhat soft, in terms of stone being soft.
It really was a beautiful day on Saturday, but that meant that my poor phone was having trouble taking photos – lots of glare.
Bunny Hop is located in an old Victorian. The inside does not appear to have been modified much, including the kitchen, which looked freshly painted and was decorated with a cherry theme. They made the inside work, which pleased me. I dislike it when historic buildings are chopped up without sensitivity. Eureka, Ferndale and Fortuna have some great Victorians.
In contrast to Stitch, this shop’s decor was in keeping with the Victorian style of the house. They had a fair amount of 1930s repros but they also had other bright and cheerful fabrics that I wouldn’t categorize as repro, but not Modern either. The fabric they had was similar to Scruffy Quilts (normal??). The decor definitely tended towards repro.
They had some precuts – mostly charm packs and mini-charms. On the ironing board were some Uppercase charm packs, which tempted me. I resisted. They had a great selection of dots and had they placed together. There were patterns and notions and samples everywhere. I realize now that I didn’t really get a good look at some of the notions they had away from the cash register (DH was waiting in the car).
The rooms were on the large side – or well laid out so the place didn’t feel crowded. The shop owner seemed to have a good FQ policy and they were placed near the like fabric on the bolt. I bought a couple of text fabric FQs for the Carpenter’s Wheel and one of the Studio E blue to which I am attracted.
They also had a nice selection of white on whites, which made me think of TFQ. I bought one called gingham for a background. It had a white printed (a la Blueberry Park) grid on it. Not sure what quilt I will use it for, but there is no shortage of options. Bright white is something that I find goes well with the bright colors I use.
The main room was also where they had notions, including a nice selection of scissors, Renaissance Ribbons and their blue fabrics.
The project on the wall of their workroom was appealing. I couldn’t get a closeup view. It was 16 patches set with lozenges so it looked like the 16 patches were Sawtooth Stars.
The photo, left, was taken in the same room as the dots (above). They had some kids prints along with the repros in this room.
In, probably what used to be, the Service Porch Bunny Hop had their interfacings, fusibles and a lot of Sullivan embroidery floss. The floss was mostly in hanks rather than spools like the recent Sue Spargo and Aurifil purchases I have made. There were some in balls. I haven’t heard of this company and didn’t buy any. Isn’t that a GREAT cabinet?
Finally, of course, throughout the shop, they had samples and projects. This area was particularly cheerful. You can see the red, yellow, green and white theme they had going. This was another area with a number of books and patterns, which I did not take the time to explore in depth. 🙁
There was a pincushion made from selvedges in a small bread loaf tin (second shelf under the bag and to the left) that was fun. I am not sure how it would be to put pins in, but it would make a cute decoration for someone who enjoys selvedge projects. It is also another way to use up those selvedges.
I enjoyed this shop, not only because it was new, but because of the cheerful quality of the projects and the fabric. I was also pleased when the cashier told me about Stitch. It is well worth a visit, especially if you are in town visiting a number of quilt shops.
Visit Bunny Hop Quilt Shop
Address: 1809 Albee Street, Eureka, CA 95501
This is a fantastic shop. I wanted everything and bought more than I had planned. I am so glad I went and wish this shop was in my neighborhood. I am probably lucky it isn’t.
I was directed to Stitch by the kind lady at Bunny Hop Quilt Shop, another shop I missed last year. Stitch opened in January 2016 and I didn’t visit last year. DH reminded me that we spent the day wandering around Fortuna trying to get a library card. I don’t remember anything about quilt shops last year and I can’t find anything on the blog so perhaps I didn’t visit quilt shops last year? I must not have been feeling well. 😉
The outside of the building isn’t anything to write home about. It needs a good coat of paint and some glossy white trim. The inside of the quilt shop is a paradise. It is small, but has a great feel, wonderful fabric, lovely displays and a general air of things happening. The fabrics were all modern and current. I never liked light blue, but after seeing it on the walls of this shop, I might change my mind. The shop had the feel I want for my bedroom.
While I was there two ladies were in the small classroom making modern Dresden Plate type blocks that made me want to sit down and make one as well. The owner was calling out encouragement to them while she helped me.
The shop is compromised of one large room (photos left and above) along with a small room behind the cutting counter that had a design wall with interesting blocks on it. As mentioned, there was also a small classroom. In the classroom was a wall of sale fabrics.
The displays were also wonderful. Why didn’t I ever think of using a border print for an apron? Genius.
The whole front corner made me think of Friend Julie as it was grey and yellow themed. In addition to the tea toweling, of course. The apron pattern is the Church Ladies apron that I made, but shorter. And better looking. The fabric is great.
Also in that corner was a display that included a tote bag and a Sew Together Bag. The kits are for the quilt on the wall in the photo above.
I saw the crab fabric on the Hawthorne Threads site and almost bought it. I think it is interesting, but, after seeing it, am glad I didn’t.
Finally, they had an example of the Noodlehead Poolside Tote (sorry, slightly blurry). I LOVE the grey dot straps and the bold print. I bought some of that grey and am thinking of making something similar with one of my man Phil’s (Philip Jacobs) flower prints. I think a larger bag might be better, but we will see. I need another tote (and project, for that matter) like I need another hole in my head. Still, the idea of using that grey with a bold print is very appealing. I really, REALLY need some serious sewing time.
The cherry on top of the ice cream sundae was the Sue Spargo AND Auriful embroidery threads. They didn’t have as much Sue Spargo as Thistle Dew, but they had enough to keep me happy.
I really wish this shop well. I also wish it were in San Francisco. It is an incentive for me to go to this Native Sons event again.
385 Main St
Ferndale, CA 95540
I didn’t take photos the second time around. I think I got distracted, so these photos are from my first visit, which was last Fall for the Admission Day Celebration. The skies were bluer and the air warmer.
I went to look for the Hansel and Gretel kit, which I have decided to make for my little niece to keep Red and Coral company. The very nice shop ladies were successful in selling me a multitude of fabrics (for dresses, probably) and a charm pack of Poppy Mae by Robin Pickens for Moda. Yes, Moda fabrics. I loved the motifs too much to think about the fraying I would have to worry about.
The shop is light and airy and clean, though it is also stuffed to the gills and there is plenty to look at. I also think they have a nice variety of fabrics that suit many desires. They do only have a small section of repros, e.g. Civil War. I didn’t notice whether they had any 1930s prints. The wide variety of other fabrics from tone-on-tones to modern was really pleasing. They had a lot of pre-cuts, especially charm packs, though they were all packaged to it was hard to look at all the prints. I was able to look at the mini-charms to get an idea of what the Poppy Mae looked like and that worked for me.
I also liked their section of embroidery patterns and supplies. There were tea towel type projects as well as wool felt designs and patterns.
The people at this shop are very friendly and helpful, though they don’t hover. Between this shop and Thistle Dew, it is worth a trip to Sacramento. The other shops I have visited make it a quiltmaking haven and a weekend’s good quilt fun.
As mentioned briefly yesterday I was on Retreat over the weekend. CQFA had their annual retreat in Half Moon Bay. My big huge accomplishment was that I finished the last 41 blocks for the City Sampler.
I started in on them on Friday right after I arrived. I worked until about 9pm with breaks for food and water. Then I worked on them all day until 10pm Saturday with breaks for food and water, but no breaks for other projects. I finished the last block after 10. Angela stayed and kept me company for the last few minutes so I wouldn’t be alone, which was really sweet of her.
I had the idea that I would photograph each block as I finished, but the quantity was too great and after the first few, I gave up and focused on my work. I have cleared off my small design wall and will put the blocks up there and take a photo. The one shown (left) is number 59 and one of the few I think have potential in a larger quilt.
I feel like this is a real achievement and coupled with the finished Peacock top is good work towards getting me over the slog through the quilt mire I have been in. After thinking about this project for awhile, I have decided that I wouldn’t do it again if I had a do-over. I was coming off of the excitement of the A-B-C Challenge when I started this one. I thought this one would be a similar experience, but it didn’t turn out to be as collaborative. Also, the blocks are fiddly and, in most cases, not terribly interesting. As a group, I think they will be interesting, but singly, with very few exceptions, they are uninteresting and, as I said, fiddly. If I do such a project again, I will look more carefully at the blocks before I start.
It wasn’t all peaches and roses, though, I as I am really having trouble with the seam allowance on both machines. ERRGH!!! I can deal with putting different sized blocks together. I don’t want to be seen as an amateur or a poor quiltmaker when I work on collaborative projects (like the donation blocks). The DC5100 is going to the shop. I have to figure this out so I don’t worry about it.