I Took a Class (QuiltCon Day 2)

This will be another quick post about my adventures at QuiltCon.

Quintessential Pasadena
Quintessential Pasadena

Today I was in class with Julie and Kathleen all day. We were pleased Leona was there as well. We took a class called Pies & Points from Victoria Findlay Wolfe.

Short version: she is a great teacher, I learned a lot want to buy a Sizzix Big Shot Pro. πŸ™‚

Longer version

The class was called Pies & Points and is an updated version of a variation on the Drunkard’s Path. This pattern was popular several years ago and was called Snails Trails or something like that. I’ll look it up when I get home (if I remember). I have always wanted to make a quilt like this, so it was the perfect opportunity.

Victoria Findlay Wolfe is a great teacher and if you have the opportunity take a class from her. She was very clear. She was supportive and didn’t try to have us accomplish too much in one day. She was available, was walking around the room offering assistance and seam ripping services. VFW was also accessible and made the project accessible. She was pleasant and funny and very human. I liked her very much and want to be her BFF. She also wore leather capri pants, which were super cool.

I am not a project class person. This class kind of bordered on that type of class, but was full enough of technique that I could apply to other projects that the class worked for me. I could work within certain boundaries, but still spread my wings.

She gave a little bit of information and the Sizzix people passed out the Pies and Points die to us. We each got our own!!! I didn’t know that was going to happen and it was useful as well as exciting.

About this time, one of the QuiltCon people came in and announced that Victoria’s quilt, Mr. Swirly Bones, won Judge’s choice! We all clapped and she was very excited.

VFW showed us how to cut using the Sizzix and then how to sew the curved seams and then we got busy cutting and sewing. You can cut a lot of pieces at once, but there is still prep time for using the Sizzix. Without my normal setup, it took time to get the pieces cut.

I had a bunch of pieces cut and ready to sew, but wasn’t able to sew much before lunch. Right before lunch, I was able to sew one seam and that made me feel better.

Lunch was two hours. Very civilized IMO. We brought our lunch so wolfed it down and then went to check out the vendors and some of the quilts. There were not as many vendors as I expected, but there were manufacturers at the show giving away prizes and showing off stuff, but not selling.

The whole feeling of the show area is so light and airy. Everyone seems cheerful and there is very good energy. People seem excited to be there. I love that.

We looked at the vendors – more getting the lay of the land than shopping – and started to look at the quilts. After 1.75 hours it was time to head back to class and to sewing.

Sewing Pie Points
Sewing Pie Points

I got right down to business and started sewing. I had a lot of little pieces to sew together, but the first seams to get the middle arc were all straight seams. Once I got a few of the arcs done, I started making quarter blocks.

The class was supplied with Sizzix machines, rotary mats, rulers and cutters, irons and sewing machines. The sewing machine I was using was a Juki electronic machine. I wrote down the model, but am too lazy to go look for it. I’ll post about it later. It is a little disconcerting to use a different machine. This one kept lifting the presser foot every time I stopped the machine. It made it really hard to line up the edges of the curved seams. There was a Juki lady, Chris, who was there to help with machines and she changed a setting so I didn’t have to deal with that. I could probably learn to use that feature, but for one day I didn’t want to deal with it.

Without too much pain and suffering I made a whole block. I planned to put them together in her Snail Trails arrangement.

Whole block
Whole block

After working on the one block and looking at the options I had chosen for myself, I decided to make some of the other parts and mix it up a bit. No photos of that to share yet, but soon.

I want to work some more on this piece. I may add some different backgrounds to add interest (my idea turned out to be more boring than cool looking) and because I only have about a yard left and I’d like to make a larger quilt than a wall hanging. I also have the Sizzix problem. I do not have a Sizzix. There a few reasons I am not buying one, but the most important is that I have no place to put it. It is a desktop model and it stays out on a table (desk, worktop, etc). This is problematic since I have to cut more pieces for the quilt. I hope one of the local shops has one to rent and, perhaps, I will buy one at some point. I can also make templates and cut the pieces that way, though …. bleah.

Julie rested after the class and I walked around the show a little bit more. we went to a Brazilian steakhouse for dinner. They bring all different kinds of meat around and you can take what you want. It was a little bit on the pricey side, but extremely tasty. I was a little protein deficient, so it was just what the doctor ordered.

One of the projects was posted on Instagram. I didn’t take a lot of pictures of other students work πŸ™ , but I did take a few.

Stacy's pieces
Stacy’s pieces

You can see some of the options available in the above blocks. My latest block has the pieced center like Stacy’s bottom block.

EBHQ Show Press Release

For Immediate Release:

Media Contact: Edith Beard Brady

Voices in Cloth 2016, Extraordinary Quilts by the Bay

Dates: Saturday, March 19 and Sunday, March 20, 2016
Hours: Saturday: 10:00 A.M. to 5:00 P.M.
Sunday: 10:00 A.M. to 4:00 P.M.

Admission: Two-day advance purchase tickets are $10 until February 29, 2016; tickets purchased at the door are $15 and children 12 and under are FREE.

Location: The Craneway Pavilion, 1414 Harbour Way South, in the Marina District of Richmond, California. With its huge windows, panoramic San Francisco Bay views and natural light, The Craneway Pavilion makes a spectacular venue for the vibrant quilts and fiber art that will be displayed at Voices in Cloth.

Website: http://www.ebhq.org/quilt-shows/vic2016

East Bay Heritage Quilters present Voices in Cloth 2016, Extraordinary Quilts by the Bay. Highlights of the two-day show include an exhibit of more than 200 new quilts and wearable art made by guild members; quilts by kids; a stellar lineup of 37 vendors, offering textile and eclectic wares; a Guild Marketplace of Fine Fiber Art; free demonstrations of quilt-making techniques including new ruler-free cutting techniques by Sherri Lynn Wood; bed turnings by the San Jose Museum of Quilts and Textiles showcasing quilts from the museum’s permanent collection; engaging activities for children and introducing new children’s titles from C&T Publishing; and great door prizes.

Voices in Cloth 2016 will as also feature two special exhibits:

“Off the Wall: Maverick Quilts from the Julie Silber** Collection”

Well- known and highly respected quilt authority, Julie Silber curates this special exhibit of 20 of her favorite quirky antique quilts. The pieces all have in common an unusual twist on the ordinary, a certain verve, and a gritty individuality rarely found in more studied and self-conscious quilts. These playful pieces demonstrate that all over America original works of art may be as close as the blankets under which we sleep. Julie Silber will lead a personal tour through the exhibit each day at 1 p.m.

 

**Julie Silber is best known locally as curator of the world-renowned Esprit Quilt Collection , which was on display at the Esprit Company headquarters in San Francisco in the 1980s. She is the owner of Julie Silber Quilts where she offers a wide range of antique and vintage quilts made between 1800 and 1950. She wrote Hearts and Hands: The Influence of Women & Quilts on American Society, and Amish: the Art of the Quilt.

 

“Tell Me a Story” A Cloth Doll Challenge

For the first time, Voices In Cloth presents a special exhibit of 36 cloth doll sculptures and their stories. The Challenge is curated by Sondra Von Burg, a local doll artist, teacher and lecturer on the Art of Cloth Doll Making. She states “Dolls traditionally were made to represent the human form in miniature. Contemporary dolls are moving closer to sculpture, but often continue to represent humans beyond just the form and all dolls have a story to tell.” Sondra will be demonstrating “Cloth Doll Finger Turning” during the show and has a vendor booth exhibiting her work.

East Bay Heritage Quilters is a non-profit, all-volunteer organization based in Albany, California. The guild focuses on preserving and continuing the traditions, culture, and history of quilting and textile arts. A significant contribution EBHQ makes to our community is the Deanna Davis Community Quilt Project, through which our members and outside volunteers make and distribute over a 1,000 quilts a year. Recent recipients include First Place for Youth (a home for aged-out foster teens), and survivors of the Lake County fires. In 2016, EBHQ will make monthly deliveries to a Neonatal Intensive Care facility.

There are two Opportunity Quilts that will be featured at the show. Winning tickets in the raffle will be drawn on Sunday, March 20, 2016. Photos and descriptions of Bay Windows and String Theory can also be found at http://www.ebhq.org/quilt-shows/vic2016/vic2016quilts.

Bay Windows

42 inches by 46 inches

Raffle Quilt designed by Nancy S. Brown

Appliqued by Nancy S. Brown, Meg Cupman, Cynthia Demidovich Winn, Linda Gavin, Sue Gragg, Linda Gruber, Andrea Hong, Jenny Kolbusz, Liisa Lyon, Lily Pang, Laurel Putnam, Melissa Quilter, Valerie Sopher, Katie Spangler, Carolyn Weil.

Quilted by Laura Lee Fritz.

Photography by C&T Publishing

 

 

String Theory

80 inches by 84 inches

Raffle Quilt by Barbara Ramsey

Quilted by New Pieces in honor of Deanna Davis

Photography by C&T Publishing
East Bay Heritage Quilters, P.O. Box 6223, Albany, CA 94706