Frolic! Corner

Frolic! Corner
Frolic! Corner

I turned a corner on Frolic! the other day. Literally. I finally figured out how to piece the corner.  It was all about wrapping my head around what pieces I still needed to cut since I hadn’t following the directions. That should teach me, but it probably won’t.

I actually pieced one, too. I may have also figured out how to piece the half blocks, but I haven’t tried yet.

Sew Day Projects

I had great intentions to get the pockets of my Ultimate Carryall Bag made during Sew Day. I also wanted to set a good example by working on it and encourage people to get it done.

Best laid plans.

I forgot my mesh and the interfacing. In reality, I thought I had everything already cut and prepared. I hadn’t cut the mesh and the interfacing wasn’t adhered. People were very kind and tried to help me out, but I gave it up as not possible.

St. Patrick's Day Donation block
St. Patrick’s Day Donation block

I turned to charity work. I grabbed some packs of 2.5 inch squares, which Peggy always has available, and started to make some squares.

I didn’t want to waste bringing my machine. If I couldn’t work on my own projects the next best thing was to do community service work.

I sewed the squares into blocks. It is an easy mindless task, though I did pay attention to color and print placement. I was able to follow the conversation fairly easily and still sew. My plan was just to sew a bunch of blocks. It turned out that I was pretty fast. Mary helped after she finished her project, so we were able to finish a baby quilt. Mary took the top home and will put borders on, then bring it to the meeting.

St. Patrick's Day Donation Top
St Patrick’s Day Donation Top

I am sad I didn’t get to work on the bag. The quilt project wasn’t planned, but I am pleased that I didn’t drag my machine down for nothing.

More Gifts for Me

Officer Thank You Gifts
Officer Thank You Gifts

These are not birthday gifts or any sort of holiday gift; this bag was given to me by the officers in the guild for coordinating the thank you bags at the end of their terms. They made me a bag and it is fabulous.

The bag itself is a Poolside Tote and it is in perfect colors for me: turquoise and scarlet. The blocks, which fit perfectly are from a mystery quilt the guild did on my first retreat. My blocks were less than stellar and have long since been made into a donation top.

I received a number of pouches, some chocolates, candles, pens, a journal and a few other odds and ends.The fabrics chosen were fabulous and I think I will be able to use everything included in the gift.

I was completely surprised and somewhat mortified as I really don’t like to open gifts in front of people. Also, I don’t do things in the guild that I don’t enjoy. I feel very strongly that the officers should be thanked in a meaningful way and the bag idea is very fun. It leaves a lot of room for creativity. Everyone can contribute in the way that works for them. the officers don’t end up with an ugly quilt or a bunch of blocks.

Donation Block Updates

Blue donation blocks, February 2020
Blue donation blocks, February 2020
Here is a brief update of the blocks I am making for the blue version of the Color Strip quilts. This is also being sewn from scraps. I haven’t made many blocks, but there is no dent in my scrap drawer. Do you think they multiply in the night? More likely I have just not made a concentrated effort to deal with them.

 

Fortunately, there are a lot strips, so I have been able to make a number of strip sets that yield more than one block.

You can also see the in progress blocks as well.

Some New Donation Blocks

Since I started making the Color Strip and Improv donation quilts, I have not been making very many of the regular 16 patch donation blocks the guild collects.

However, they are really great for leaders and enders when I am not at home and don’t have my scrap bin handy. I forgot to bring them last Saturday to the mini-Retreat, but brought the bin Sunday and was able to churn out two blocks in between putting the new Running with Scissors Tote together.

January Donation Blocks
January Donation Blocks

I brought my bin to the Charity Sew Day yesterday and started some more, so there will be a few more for you to see later.

Finished Orange Strip Donation Quilt

Orange Strip Donation Quilt
Orange Strip Donation Quilt

The Orange Strip Donation Quilt is finished. Sue R. did the quilting and Rhonda finished the binding, so it was a real joint effort.

For once I took a photo of the back.

Orange Strip Donation Quilt back
Orange Strip Donation Quilt back

Now I have it at home and am waiting for the San Mateo County Fair to roll around.

Gift Post #8: Pillowcases

Shark Pillowcases
Shark Pillowcases

I started out making these for the YM. Then I decided that I would give them to my cousin (he is a few years older than the YM and more like a nephew) instead. I don’t usually get an acknowledgement of gifts I send, so I have no idea whether or not he liked them. *I* like them and that is what is important to me.

I put the cuff on the wrong way on one of the pillowcases. I had no idea there was a right way and a wrong way on that shark fabric, so he probably won’t notice.

The Friday Creativity posts will return soon.

Gift Post #7, Apron n.5

Dee's Apron - Christmas 2018
Dee’s Apron – Christmas 2018

This is the last apron I made from the marathon of cutting I did at Sew Day way back in August.

It took me time to make them all, but repetition is good for projects like this.

SIL #1 is also a Cal fan and a Cal graduate who attends football games regularly. She got the last of my Cal fabric.

Dee's Apron, front - Christmas 2018
Dee’s Apron, front – Christmas 2018

I learned that the pattern prevents the maker from laying out directional fabric in a certain orientation, but I am ok with the logo being on the diagonal when it is worn.

The front looks good and I hope it won’t show the dirt.

Gift Post #6: Apron n.4

May's Apron - Christmas 2018
May’s Apron – Christmas 2018

I was pleased to finish the last apron well in advance of Christmas. I didn’t work on any of them in a particular order. I picked one up and went to work finishing it and they were all done in time for Christmas.

May's Apron, reverse - Christmas 2018
May’s Apron, reverse – Christmas 2018

The flowers on this one are really vibrant and I hope SIL #3 likes it. The reverse side is more her style.

Pet Bed Testing

Pet Bed Testing
Pet Bed Testing

I have never seen a pet bed in actual use. I was thrilled to see BAM mascot (in my mind anyway), Cricket, trying one out the other day.

As you can see, they fit a smallish, but not tiny, dog very well. I think Cricket is on the small side, but could be considered a small-medium dog.

Check out the pattern and make some pet beds for your local shelter.

Book Review: All Points Patchwork

All Points Patchwork: A Complete Guide to English Paper Piecing Quilting Techniques for Making Perfect Hexagons, Diamonds, Octagons, and Other ShapesAll Points Patchwork: A Complete Guide to English Paper Piecing Quilting Techniques for Making Perfect Hexagons, Diamonds, Octagons, and Other Shapes by Diane Gilleland

Buy this book if you have any interest in English Paper Piecing (EPP). It is a very comprehensive work. From drafting blocks to sewing, everything is included. You will go from zero to expert after reading this book and testing out the techniques. The projects are doable as tests or giant projects depending on how you feel. The images are gorgeous from from to back covers. If you want to know all aspects of how English Paper Piecing works, then this is your book.

This is more of a resource book than a project book, though, as mentioned, there are some projects. The book starts out with an introduction called Hello EPP! (pg.9). Isn’t that cheerful sounding? She explains the concept of this as an idea book vs. a project book. I love this type of format, because they encourage my imagination. “Sometimes I find that being presented with specific project instructions can be somewhat limiting” (pg.10). Also, if I never buy another book, I won’t have enough time to make all of the quilts I want to make from the books I have. This type of inspiration book will give me enough information to incorporate EPP into projects from other books. The author covers pillows, tote bags and how to incorporate EPP into other types of projects -not just quilts. The reader will get plenty of inspiration for projects of his/her own from this book just not the step-by-step instructions. Ms. Gilleland reminds us that we probably have plenty of books with patterns that would “welcome some EPP touches” (pg.10) and, of course, there is the Internet. You need this book if you have any interest in EPP.

There is a short section the history of EPP (pg.11-13) with few dates. It is a very surface overview. The overview does mention Godey’s Lady’s Book, which makes me want to go and look that magazine. I have wanted to find a copy for awhile, but have never gotten around to it. This section also discusses the benefit of the EPP technique (pg. 13) and includes a comparison of EPP vs. foundation piecing (pg. 12). The bottomline is that makers can create more complex and impressive looking designs that would be extremely difficult by normal/regular machine piecing. This a great technique to know because you can use it to create your vision when no other technique works.

Chapter 1 (pg.15-27) covers tools and materials. Diane discusses different types of templates, choosing fabric and tools (pg. 15). In this section she covers “EPP in a Nutshell,” (pg.16), which is a great because it tells the reader where the author is going. It satisfies a bit of curiosity and makes the reader settle down to read and wait. At least, this is what happened to me.

Templates are important and the author goes into the various types in great detail (pg.17-20). She talks about the pros and cons of different types, how to make them and whether they can be reused. This section’s tone reminded me of a friend introducing to me to a new technique. I learned EPP on my own and have been doing it for awhile, but I learned a lot in this section.

When talking about fabric, Ms. Gilleland makes a lot of good points about aspects I never thought about: weave of the fabric, how the fabric creases and pre-washing (pg.20). Pattern and scale also make an important appearance with very illustrative and helpful examples (pg. 21-22).

“Your EPP Toolkit” (pg.21-22) is a section that talks about all the tools you’ll need to be successful. She goes into thread in great detail and has a paragraph on each item. You’ll have most of the tools suggested in your workroom already. Unusual items were a standard hole punch (you may have to go hunting in your disused office supplies drawer), a crochet hook (pg.26), binder clips (pg. 27) in addition to WonderClips (pg.27). I don’t use removal ink fabric pens for any purpose in my quiltmaking. Other writing implements and chalk will work for the same purpose. I like Sewline pencils and Sewline Chalk pencils.

Chapter 2 covers basic techniques, walking the reader through the entire EPP process (pg.29). Diane talks about the fabric grain (pg. 30) in a straightforward way that can also help in regular quiltmaking. Orienting fabric prints (pg.32), cutting fabric (pg.33-36) is covered comprehensively. The section includes tracing (pg.35), fussy cutting (pg.36) and using acrylic templates (pg.35), which is my preferred method.

Throughout the book the author anticipates the excitement of a new technique and refer the reader to other pages in the book. The basting section includes threading a needle and basic basting stitches (pg.38), how to make a wrapped knot (pg.39), how to make a quilter’s knot (pg.40) and how to make a tack stitch (pg.41). The author also includes a page on basting vs. tacking (pg.43). Reading this section will familiarize the reader  with all kinds of basting so s/he will feel confident moving forward with any shape. Diane also shows a variety of methods for performing each step.

Joining is also covered very thoroughly, including how to end a seam securely. She prefers the whipstitch while I prefer the ladder stitch. All methods are explained, have illustrative images and pros and cons.

Keeping the project organized is a challenge as the project gets larger. Making a star or basting a few hexies is one thing, but once you start putting your shapes together that soon-to-be bed sized top can become unwieldy. Ms. Gilleland has the reader covered (pg.54-55) by talking about strategies for managing the top as it grows and parsing your work. She also discusses finishing EPP, which is different than in regular quilts (pg. 57-58).

Using EPP in a project is covered thoroughly and includes appliqueing EPP shapes to another piece for added interest and using an EPP panel as fabric.

The instructions for those techniques cover machine applique’ (pg.60-61) as well as fusible applique’ (pg.62) and hand applique’ (pg.63-64). I found the directions to be complete as well as practical.

I plan to put a plain fabric border on to my half hexie star piece. I paid careful attention to the “Establishing a Straight Edge” section (pg.66-67). Since my edge is already pretty straight, I am not sure these directions will help me completely. Still, something is better than nothing. Obviously preparing the edge (pg.66 n.1) will help as will straightening up the edge (pg.66 n.3). I’ll have to try it out. I’m a little nervous about ruining the edge.

EPP can also be used as fabric. Makers can sew a small piece of EPP and then cut shapes using templates out of it (pg.67) just as with fabric.

One gem of this book is chapter 3, “Building Your Own EPP Patterns” (pg.73- ). I like this type of section because it gives the readers skills rather than just patterns. If I can incorporate a technique into my repertoire, I can use if for more than just one pattern or when I run into a tricky idea.

Chapter 3 is arranged sensibly. It starts with inspiration (pg.74), moves on to one patch EPP designs (shapes) and playing with graph paper to create designs (pg.75). The power is combining shapes to make more interesting and unique designs (pg.76). There is a section on using computer tools, including fee tools and functions included on your computer.  Pay-per-view software (pg.78-80) is also discussed. This section will go out of date quickly, but readers will be able to extrapolate out.

Hand drawing EPP patterns also covers an entire section. The chapter starts out explaining tools (pg.81-82) and moves on to drafting (pg.83). Many readers who are not confident mathematicians maybe tempted to skip over this section. Don’t! The author is gentle and explains the steps clearly so the exercises come across as play.

I never thought of using EPP as a background, but Diane covers that (pg.86-87) topic as well.

Hand drafting comes up, too (pg.88). Again, don’t run away screaming. “Knowing how shapes are constructed gives you a deeper understanding of the many possibilities for fitting them together into patterns” (pg.88). Just like making templates for patchwork, makers get depper insight into the process.

Ms. Gilleland provides a list, with explanation of things to watch out for as well as tips and tricks to make the piecing go faster (pg.89).

Subsequent chapters (4-8) discuss all relevant things about working with one shape. The first is hexagons and all of the ‘shape’ chapters follow the same basic structure:

  • how to draft the shape
  • how to baste the shape
  • how templates are sized for the shape
  • projects using the shape

There are also a variety of shapes covered:

  • hexagons
  • hexagon variations such as the half hexie
  • diamonds and jewels
  • triangles and tumblers
  • octagons and pentagons
  • curved shapes (pg.6-7)

Hexies are probably the most basic EPP shape. I think it is one that most people start with in some way or another. I include a tutorial on machine sewing hexagons in my basic quilting class.

The drafting chapters for the various shapes are right up my alley. I don’t memorize the steps for each shape, but I do note where to find the instructions for when I need them. Many quiltmakers today only use patterns and don’t even think of putting blocks together in their own way. Drafting gives me options in creating designs. I like options.

The page (pg.92) on drafting hexagons has good images that show the steps and the tools required. The tools required for drafting are not included in the tools and materials chapter, which starts on page 15. Take a look at the section on Hand Drawing EPP Patterns (pg.81), which shows drafting tools. Subsequent pages (pg.82-89) show how to use the tools.

As mentioned, this is not a project book, though there are some small projects in the book, which don’t have the huge time commitment my half hexie project requires. I like the layout of the hexie journal cover (pg.95).

The chapter includes a couple of pages 9pg.96-97) on laying out hexagons. We all know the Grandmother’s Flower Garden, but playing around will net you many others and the layouts shown will help to inspire you.

Hexagons can be cut in half to make a completely new shape. The new shape gets the same, if slightly abbreviated, treatment as the hexagons. I really like the idea of surrounding a hexagon with half hexies as a border (pg.102).

The hexagon chapter also includes ‘stretched hexies,’ which end up as lozenges and coffin shapes (pg.104-105). These shapes have great designs. I used one layout in my BAM pillow swap without knowing it was included in this book. Of course, I machine pieced rather than using EPP. You have to decide the best technique within your skills and time constraints.

I have made a number of 8-pointed stars and LeMoyne Star blocks. My
In many cases, both sides of the patch are shown after basting (example pg.121). It gives the maker a good idea of what the goal is.

Many of the inspirational layouts included multiple shapes (pg.123). combining different shapes expands what designs are possible and provides additional inspiration. Sassafraslane has a great example of one way of putting triangles and hexagons together.

By the time the reader tries drafting all of the different shapes s/he will feel like a math genius. I am not a math genius and I feel powerful with this knowledge.

There are 3 different types of triangles discussed in the triangle and tumbler chapter (pg.132). The triangle pincushion project is awesome (pg.140). I like the look. This project could be made using a Split Rects ruler and partial piecing, but if you are on bedrest or ill, then having an EPP option is wonderful.

It didn’t occur to me until I read this book that tumblers are just triangles with the top cut off. Big DUH moment for me, but also a reminder of why I like to read. This makes drafting easy. If you have mastered drafting the isosceles triangle (pg.147), you are most of the way towards drafting a tumbler.

I am not much of a fan of the resulting flower shapes that pentagons and octagons turn into if the maker is including than in applique’. The author thinks “of pentagons and octagons as good mixers, eager to join forces with triangles, squares and diamonds” (pg.155). They do make great floor tile patterns mixed with other shapes. Octagons and pentagons are also good for fussy cutting (pg.158).

This section also includes methods of transforming octagons and pentagons (pg.166). I am a huge fan of using these shapes to make balls (pg.167, 169). These might make great officer gifts. The author suggests small ones could be used as pattern weights (pg.167). I’d like to make some for my niece who is learning to juggle.

I never thought about using EPP for curves, but chapter 8 (pg.171-203) goes into amazing detail about the subject. The chapter covers five ‘common’ curved shapes: apple core, Dresden petals, clamshell, clamshell point and clamshell petal. The clamshell point is similar to the center of the block in my MetroScape quilt. EPP was not used in the MetroScape blocks, but thinking about the two designs and their techniques provides some crossover inspiration.

The curved section starts with some special tips including “stick with premade templates” and covers the bias inherent in curves. Curves require special techniques and this chapter does not skimp or disappoint. This is a long and detailed chapter. Tips for achieving smooth outward (convex) facing curves (pg.176-177), basting an inward facing (concave) curve (pg.179), basting Dresden petals (pg.180-181), basting apple cores (pg.182-183), basting clamshells (pg.185-188) as well as clamshell points (pg.189-190) and petals (pg.191-192) are all covered. I really like the motif included in the Circle Blanket Border project (pg.178). It is made up of a clamshell point and four petals. I can see using this on the EPP Sewing Kit instead of a hexie flower. The circle motif would make a nice change.

Throughout the chapter are tips and tricks specific to each shape. One thing I didn’t realize was that some shapes, such as convex curves, require gathering (pg.182). Good to know if I made the circle motif.

As with the other chapters, the chapter on curves has a few pages entitled “Making Patterns with Curved Shapes” (pg.194-195). It is fun to see and be inspired by the possibilities.

I use a ladder stitch to sew my half hexie stars together. This book calls a similar stitch (or technique??) a skimming whipstitch (pg.200), which is part of the section on joining curved shapes (pg.196-203). The last instruction is about drawing center lines on patches (pg.203), which I was wondering about as I read through, and though about the section on joining curved patches.

There is a lot to like about this book. One of the qualities is that the author anticipates what the reader will want to know and answers the question rather than leaving the technique to chance and the reader unsatisfied.

You might think this is an expensive book. I found it to be cheap when the amount of information included is considered. Even if you have only a slight interest in EPP, I recommend buying this book. No matter what EPP project you attempt, the support this book provides will make your project a success.

Go buy All Points Patchwork: A Complete Guide to English Paper Piecing Quilting Techniques for Making Perfect Hexagons, Diamonds, Octagons, and Other Shapes right now.

View all my reviews

Now What?

The worst part of the process is deciding what to do next. I have a Christmas gift to finish, but I don’t have a quilt on my design wall since I took MetroScape to the quilter. I am glad it is off, but I don’t know which project I should work on next. Or if I should start a new project.

I have my WIP list, of course. I also have my dream projects list. It isn’t like there is a shortage of projects waiting to be worked on.

My two big contenders are the Good Fortune Mystery Quilt from Bonnie Hunter and the Crafty Gemini All Rolled Up bag. I have pulled a few fabrics for the mystery quilt, but not enough. I have cut out the All Rolled Up bag, but haven’t watched the videos or done any sewing.

Any opinions?

MetroScape Back

MetroScape Back
MetroScape Back

Sewing the back is my least favorite part of the quiltmaking process. Quilting doesn’t count since I usually don’t do it. This particular back took longer than expected, because I prepared all the fabric twice.

I decided to use the stripes for the back because I hadn’t used much of them on the front.  I proceeded to cut up the dot fabrics for the back.

Huh?

Nope, not a typo. I did the exact opposite of what I intended. I don’t know what I was thinking.

It didn’t really matter, so I took down all the dots and started again. I had made the binding in advance so I could use all of the stripes I wanted as long as I could deal with the diagonal cut out of the yardage for the binding.

As you can see from the photo, I was able to make a back. It seems a little darker than I intended, but it could just be the contrast of the white from the front.