Sisters Retreat – Quilt Show

Sisters Outdoor Quilt Show 2018 -Street Closed
Sisters Outdoor Quilt Show 2018 -Street Closed

Saturday July 16 was the Sisters Outdoor Quilt Show. The show starts early in the morning with teams of volunteers, including the local fire department, hanging quilts from everywhere.

Oregon State Highway 20 is the main road that goes through town and that road, much to my amazement, was closed except for cross traffic in some places.

We packed the car (Julie did most of the work!) and parked near downtown at about 8:30 in the morning. This was a day for a lot of amazement. This time I was shocked and thrilled that we could find a parking place within a block of the first quilts available to look at. After that, we just wandered around looking at quilts, going where our feet took us.

Sisters Outdoor Quilt Show 2018 -Stitchin' Post
Sisters Outdoor Quilt Show 2018 -Stitchin’ Post

The Stitchin’ Post was decked out in all of its glory. The quilts on the front were just a taste of what was inside and on the side.

We couldn’t resist taking photos of ourselves in front of the display on the side of the shop.

When I said the quilts were everywhere, I meant almost everywhere. They were hanging from buildings, awnings, sides of buildings, backs of buildings. There was other art on display as well. I’ve seen a robot like that before somewhere and may have even posted it here. I am a sucker for leaded glass and these were great. I also love public clocks and think there aren’t enough of them.

Sadly I only took pictures of individual quilts not the entire displays on walls. I’ll know better if I go again. People on Instagram posted a lot of photos, so take a look at the hashtag for a better view.

Book Review: Art Quilt Maps

Art Quilt Maps: Capture a Sense of Place with Fiber Collage-A Visual GuideArt Quilt Maps: Capture a Sense of Place with Fiber Collage-A Visual Guide by Valerie S Goodwin

This is a 2013 book. I have had it for awhile, but put it in my bag a couple of weeks ago. I have been carrying it around with the intention of reading it since then, which I finally did, then began writing the review last week. I was inspired to put this book on my list after seeing my friend, Nancy‘s map quilts.

I am often skeptical of books that purport to teach art quiltmaking and improv techniques. While there are certainly things we can learn from books, I feel that the essence of learning these techniques is very hands on.

Thus, I was pleased to see the way the techniques were presented. This is not a pattern book. There are no projects included. Each technique is presented in a way that helps the reader learn a skill that will help them make their own map. From the instructions you can make your own map quilt, but your quilt will not look like Ms. Goodwin’s project. I really like the layout of this book and applaud C&T for thinking outside their normal book template.

The book begins with an introduction (pg.6-7) talking about her grandmother, learning to sew and the spark that started Goodwin on the quilt journey. I always love it when authors tell readers where they came from and how they learned to sew.

The next section, Mapping Out Ways of Working (pg.8-18) is really an extension of the introduction. This part goes into depth about what came after the initial spark. Valerie Goodwin talks about maps, why maps and other imagery captures her attention. One of the things that inspires me is that she has chosen one type of image and is working through possibility after possibility. I think this is a great way to grow as an artist as long as the type of image, in this case the map, chosen is not too limiting in scope.

This book is lush with images. There are drawings, quilts, maps, step-outs and other types of images on every page. Not only does this give the reader an idea of the work Ms. Goodwin has done, but it also shows the variety of maps and elements that can provide scope for inspiration.

This section talks a lot about Ms. Goodwin’s process, which I love. She writes about starting with small sketches (pg.16) and how the sketches play out in the actual work (pg.15). We also get some history of maps, including a brief mention of the Nolli maps (pg.17).

I also found that this section is designed to teach how to look at things and get inspiration. I think inspiration: gathering it, putting pieces together and making something is one of the, if the, most important part of art quiltmaking, but quiltmaking in general.

Yes, there is a section on materials (pg.19-22). Fortunately, the author doesn’t go into detail about basic sewing supplies. She takes up the space with materials and supplies required for art quiltmaking, including transfer and stencil supplies, fabrics and stabilizers, painting and stamping supplies. The fabrics listed are not just the usual quilting cottons. They include crinoline, silk organza, and drapery or kimono scraps.

After the supplies, we get down to business with the background layer. In the introduction to this part, Goodwin reminds us “as you work through the exercises and examples, remember that you are building a framework to create your own unique map art ” (pg.23). Following on to this advice comes a section about different layers – opaque layer (pg.24), painted layer (pg.25) and translucent layer, etc. Each of the projects is a practice piece, which the author emphasizes. As I warned, she tells the reader generally what to do, but not exactly what to do. You will not end up an exact replica of one of the author’s quilts, but you will end up with a satisfactory layer. In each exercise, there is plenty of information to be successful. There are examples of other background layers as well.

The background chapter is followed by the lines and shapes chapter (pg.28-38) – creating elements at the heart of the map. Goodwin gives examples of different kinds of lines and shapes useful for this technique (pg.30). You will be familiar with them if you have ever looked at a paper map. This is the chapter where hand and machine stitching, stamping, applique’, stenciling and other fun techniques enter the picture. I like the gallery at the end of the chapter (pg.36-38). It is a feast for the eyes and full of inspiration.

A chapter on Map haiku/visual poetry starts on page 39. In this chapter Goodwin suggests adding haiku or poetry to the piece (pg. 39). She talks about what haiku is (pg. 40), materials required and the design process (pg. 41).

Throughout the book, Goodwin reiterates lessons and techniques. While working with poetry, she writes “After you have design sketches, it’s time to start the background. Refer back to Background Music. The first or background layer is the base layer or the Earth’s surface. The subsequent layers make up the details of the map, such as roads, paths, landscaped areas, and buildings” (pg. 42). This smart because the process is reiterated over and over in context. Repetition is an excellent strategy for teaching.

The poetry chapter had more step-by-step directions, though not the kind where she tells the maker to use a certain fabric or color. She also follows the directions she gave earlier in Background Music. It is easy to move back and forth between sections to check details. I used some post-it flags to mark pages to which Goodwin often referred.

The haiku chapter also has a gallery (pg.46-48), which is such a great addition to the chapter. The pieces in the gallery illustrate the point of the chapter and provide another feast for the eyes.

Fiber Art Travel Maps starts on page 49 and is described as a reminder of a trip or a wish to visit a certain place. In this chapter, the reader follows along with making a map quilt (pg.52-56). We see many images of steps in the process and get an idea of how the process looks in detail.

The important point of the chapter is the author’s reminder that “It is important to think about what you want to express in a travel map” (pg.50), which I think is true for all art pieces. The artist doesn’t have to send a message to the viewer and can explore, for example, the interplay of colors. Be clear on what you, as an artist, want to express. Being clear about what you want to express makes a better design.

The chapter that begins on page 57 and is about mapping personal memories. The images show Valerie Goodwin’s memories, but also how she relates them to each other. Additionally, she discusses preparing them to be part of her artwork (pg.58-59). The focus of the chapter is design (hooray!) not technique (pg.58).

Valerie starts with words she and her sisters associate with the place. I like this brainstorming technique as I always formulate images in my head as I see words on a page and as I brainstorm the images start to form a cohesive shape.

This is a very personal process and the reader must extrapolate from the author’s process to create his/her own process. The process of collecting is followed by design sketches (pg.60), prep work (pg.62) and creating the background layer (pg.63). The map piece (pg.64) is discussed as is finishing (pg.65-66), but, again, not in a step by step or dogmatic manner.

The book finishes with two extensive galleries, one by the author (pg.67-81) and another by her students (pg.82-93). Both show the extensive possibilities provided by the techniques in this book. The work is extensive, varied and gorgeous. Valerie Goodwin has a definite Autumn color palette preference. While there are many black and white pieces in the student section, the works in color are very vibrant.

Buying this book, Art Quilt Maps, would be a good way to get a start in art quiltmaking.

ColorPlay: Crater Lake

Crater Lake, 2018 (original)
Crater Lake, 2018 (original)

Someone really should try to make dresses out of the blue that is this lake. It is an unbelievable color.

ColorPlay: Crater Lake-default
ColorPlay: Crater Lake-default

Default: look! not all neutrals, though the tool couldn’t avoid neutrals completely.

ColorPlay: Crater Lake- n.1
ColorPlay: Crater Lake- n.1

Palette 1: monochromatic. I worked hard to make sure the blues were different. One good thing about Kona is they have a lot of shades and tones.

ColorPlay: Crater Lake- n.2
ColorPlay: Crater Lake- n.2

Palette 2: also monochromatic. There are so many different blues in this photo.

ColorPlay: Crater Lake- n.4
ColorPlay: Crater Lake- n.4

Palette 4: cools and neutrals. I was going for an all green palette, but couldn’t quite make it.

What will you make?

Sisters Retreat-Class Day Three

Wednesday – Day Three of the Rosalie Dace class

Who Am I? with grid
Who Am I? with grid

I started out the day with the ribbons applied.

Construction again. I drew out some letters and started cutting them out of fabric on fusible.

I am pretty happy with the letters. I started out with a ‘J’ I found on the web. I wanted all of the letters of my name to be beautiful. I didn’t have an entire alphabet, so I extrapolated out from that one ‘J’. I used the slant and thickness of the letters to make up the other letters. I also used the stem of the ‘J’ to make one stem of the A. I don’t know if they are beautiful, but I think they are beautiful.

I wanted some, not all, of the letters on the overall piece to be beautiful.

I started working on the letters. And also the placement. The last day was much slower than the other two days. I made good progress, but the pieces were smaller and more detailed. I worked on the placement of the Jaye and the Anne. I thought my names would be the first two lines, then I realized that I was my mother’s daughter before I was anyone else’s anything.

I used fusible, ribbon and some zig zaggy trim for the various letters. Each group of letters required at least one ‘rewrite’.

Sisters Retreat-Class Day Two

Tuesday – Day Two of the Rosalie Dace class

Who Am I? background
Who Am I? background

I got the background done pretty sharpish when I got to class Tuesday.

Yes, this is the background. It is the essence of who I am. I guess. I am not exactly sure why this is the background.

The biggest problem with art quilts is construction. To achieve the design goal, the construction can be challenging. the background you see was pretty basic piecing except for the spot where the top of the M comes together at an angle.

For the moment, I am leaving the -v- for later. Rosalie said that she couldn’t see it, so I decided not to worry about it right at the moment.

Who Am I? grid in process
Who Am I? grid in process

The next step was to get the ‘ladder’/grid motif appliqued on. I tried strips of fabric, but eventually landed on some ribbon that I have been saving for …something. This is the something. I laid out the ribbon where I thought they should go and looked. I moved them around and looked some more.

Again construction was an issue. The first piece, a piece of thick ribbon that looked like mosaic tile, went on like a dream. The next piece, which was much thinner would not go on. It bunched up, slid around and was generally a pain. I finally put batting on the back and sewed through the ribbon, the background and the batting. This is not ideal, because I have to worry about when to put a backing on and how to quilt it all again. Still, I was in class and had to make do.

Who Am I? grid
Who Am I? grid

The grid, which is kind of like a second background, came out ok. The ribbons aren’t perfect, but they fit with my design.

I got back to my schedule and finished the ribbons by the end of day two. Next up: letters.

Sisters Retreat-Class

Sisters High School / Quilt Class Retreat Center
Sisters High School / Quilt Class Retreat Center

Monday started in bright and early with class. Julie, Kathleen and I all took the Rosalie Dace class. I signed up when Kathleen and Julie did because I was OBE. I really had no expectations.

This was a three day class with the title “Word for Word.” I brought some text fabrics and threw in some greys and a large piece of a dot print as well as some embellishments, ribbon and some fancy sewing machine feet.

This was one of the best classes I have ever taken.

Rosalie teaching
Rosalie teaching

First, we talked. Rosalie showed us slides of art that included words. There were quilts (think about the Temperance movement), graffiti, one piece that depicted the words escaping a box and many others. She talked about creating and design. The talk went on for awhile, but the most helpful thing to me for my design was when the students introduced themselves. We had to say why we were in the class in one sentence. People talked about their names as well, but I can’t remember if that was part of the question or just evolved. One fellow student talked about how she had many names – nicknames, names she called herself or wanted to be called, names others called her. She has a long and girly name, so the permutations are endless.

Who Am I? piece
Who Am I? piece

This got me to thinking about my name. My name has no nicknames. None. That made me think about my roles. Even if I have no nicknames, I have roles. I decided to use my roles as a basis for my piece.

This idea gelled into place so quickly that it was frightening. Because of the speed, i was really unsure of the whole concept. I talked with Rosalie about it and she loved the idea, so I went for it. Every staged gelled, so I just kept working.

I don’t agonize over my pieces constantly. Yes, I do agonize a bit , but in this case, I kept asking for a bit of feedback from Rosalie and moving forward.

I got the background almost done on Monday. My goal was to get the background done On Monday. I know that if I get a lot done I can continue when the class is over. I needed momentum.

I had only two more seams to go on Tuesday to finish the background.

 

Sisters Retreat

Packing for Sisters
Packing for Sisters

Last Saturday Friend Julie and I packed my car and headed off towards Oregon. We made a quick stop at Colleen’s to drop off three quilts, as mentioned and then settled in for a long drive.

We made stops at Granzella’s in Williams (mob scene with a great taco salad) and Dunsmuir (yummy lemonade), ending up in Klamath Falls for the night. We saw haze, but other than that we weren’t affected by the fires raging throughout California. If we had  left a day earlier, we would have been stopped at the border by a fire that jumped the freeway after a girl with firecrackers started it. DH encouraged me to drive the entire way in one one long day, but that is too much sitting in the car for both of us.

We had a good night’s sleep and set off again. After a few errands, including having to wash the car (tons of ash), we got on the road. The car wash was hilarious. It was one of those U-Wash-It type places and we wash and rinsed the car with giants wands. We decided to make a detour to Crater Lake. It was on the way and we had plenty of time.

Julie had been there before, but I hadn’t as an adult. I might have been there as a kid. I don’t remember. Being summer, the place was pretty busy. We were still able to enjoy the amazing view. AMAZING.

We spent a good hour or more as t Crater Lake then stopped at a small diner in Chemult for lunch. No amazing taco salads and kind of a flare when I asked about gluten free buns.

Stitchin' Post
Stitchin’ Post

We wanted to stop at some quilt shops on Bend, but time was short so went straight to the Stitchin’ Post to checkin for classes and get our packets. We did look around the shop, which is gorgeous!

Yes, I bought some yarn, needles and some yardage of a Philip Jacob’s print. It was getting late and we were tired. Our housemates were waiting and we still had a stop to make at the grocery store, so we left with our few purchase. We plan to go back and really inspect everything later.

Kathleen had dinner ready for the whole gang when we arrived, which was fabulous. The house is great-comfy and plenty of space. It isn’t too far from town or too far from the classes. We can walk to both. I looked forward to the week.

Three Quilts to Quilt

The Octagon 9 Patch, the Stepping Stones n.2 and the BAMaQG Color Round Robin are all at the quilter. I took them on my way to Sisters. It was kind of a ridiculous stop, but I had to take the time when I had it. We did the speediest dropoff ever and then got on the road to Sisters.

ColorPlay: Birdhouse

ColorPlay: Birdhouse - original
ColorPlay: Birdhouse – original

This is a photo from the Alden Lane Quilt show from last September. I picked it because it is so cheerful looking.

ColorPlay: Birdhouse-n.1
ColorPlay: Birdhouse-n.1

First, I had to pick out the candy colors. You know I love the brights.

ColorPlay: Birdhouse-n.2
ColorPlay: Birdhouse-n.2

I did another palette of brights, because I thought I could. I think this palette is a little brighter. There are a lot of greens in this image, so it is a challenge.

ColorPlay: Birdhouse-n.3
ColorPlay: Birdhouse-n.3

This is sort of an ode to a more traditional palette. Perhaps 4th of July palette?

ColorPlay: Birdhouse-n.4
ColorPlay: Birdhouse-n.4

And I seem to have to do a monochromatic palette. This week’s is green.

What’s your favorite palette?

 

 

Setting Blocks on Point

Spiky 16 Patch n.2 Top
Spiky 16 Patch n.2 Top

After seeing my Spiky 16 Patch quilt, Mrs. K asked that i give the math on putting blocks on point. This post is an addition or adjunct to the Sampler Class tutorials. Different quilt, but you can use this information to put your sampler blocks on point as well.

Setting blocks on point tutorial
Setting blocks on point tutorial

There are two aspects to putting blocks on point: the setting triangles and the corner triangles. The setting triangles are on the inside of the quilt. The corner triangles are on, shockingly, on the corners.

In the photo, right, the corner triangles are indicated by the orange half circle. The setting triangles are shown with a purple circle.

Setting Triangles

Setting Triangles, also called side triangles, are giant quarter square triangles. You want to use this method, because the bias will end up on the outside of the block.

1. Measure the block.

Spiky 16 Patch n.7
Spiky 16 Patch n.7

In the quilt above you want it to end up looking like it is shown. The Spiky 16 patches.

The Spiky 16 patch measures 16.5 inches.

2. Take the finished block size and divide by 1.414.

Note: the finished block size is different than what we measured. You need to remove .5 inches for seam allowance, which gives you a finished block size of 16 inches.

16 x 1.414 = 22.624

3.  Round up

I rounded up to 22.75, but you can round up to an eighth of an inch, if you want.

4. Add 1-1/4″ to the resulting number for the correct size to cut squares for side triangles.

22.75 + 1.25 = 24

5. Cut this square in half diagonally twice in the shape of an X to produce four side triangles.

Nota bene: Cut one square for every four side triangles needed for the quilt setting.

6. Lay setting triangles next to your blocks to make the quilt square.

YAY! You did it!

Corner Triangles

1. Measure the block.

Spiky 16 Patch n.7
Spiky 16 Patch n.7

In the quilt above you want it to end up looking like it is shown. The Spiky 16 patches.

The Spiky 16 patch measures 16.5 inches.

2. Take the finished block size and divide by 1.414.

Note: the finished block size is different than what we measured. You need to remove .5 inches for seam allowance, which gives you a finished block size of 16 inches.

16 / 1.414 = 11.315417256

3. Round the size up

Take the number you got and round it to the nearest quarter or eighth of an inch. I rounded up to 11.5.

4. Add 7/8 inch

11.5 + 7/8 = 12 3/8

5. Cut two squares the size determined above.

6. Cut both squares in half diagonally.

Now you have four triangles.

7. Place on each corner.

YAY! You did it! You cut corner square triangles. Sew them on. You may need a quick trim and you are done with corners.

Lay all of the setting triangles and corner triangles out with the blocks on your design wall. When you are ready to sew, sew. I fold the blocks and the setting and corner triangles in half so I can line them up properly.

Trim once the whole piece is complete, if necessary.

 

If you don’t believe me, you can find Bonnie Hunter’s tutorial on Quiltville.

Dream Projects #9

I have been thinking more about dream projects again lately. I have been working on so many UFOs that my mind is straying to fresh, new, unstarted projects.

Art Institute of Chicago Fusible Applique’ (Ticker Tape Style) Quilt

  • Status: Dream state
  • Pattern: Original, I do have a version of the pattern I used for the Whole Cloth quilt and I will use it as starting point.
  • Fabric: Turquoise and red, mainly, but other colors for the leaves and flowers, perhaps
  • Steps: need to fuse a bunch of turquoise to some piece of fabric in the ‘ticker tape’ style so i can cut it up into small pieces. I am thinking of making it similar to the Whole Cloth Quilt and using red, again, for the background.
  • Thoughts: I might make another one with turquoise on top of red with just two pieces of fabric.

Art Institute of Chicago Fusible Applique’ (one sheet of fabric) Quilt

  • Status: Dream state
  • Pattern: Original, I do have a version of the pattern I used for the Whole Cloth quilt and I will use it as starting point.
  • Fabric: Turquoise and red, mainly
  • Steps: need to fuse a big piece of turquoise to SoftFuse or similar, then cut out the image and fuse it to the background. I would satin stitch all around the image. I don’t know that I can make one continuous piece, but will try. The image would be similar to the Whole Cloth Quilt and using red, again, for the background.
  • Thoughts: I might make it with turquoise on top of red with just two pieces of fabric.
  • Added: 9/14/2017

Basketweave Baby

  • Status: Dream state
  • Fabric: Scrappy
  • Pattern: Fons & Porter, series 1000, episode 1005
  • Thoughts: I like the challenge of piecing this quilt and using a lot of partial seams for the piecing

Blue Rectangles Gradation Quilt

  • Status: Hunting and Gathering
  • Fabric: blue 2.5×4.5 rectangles
  • Pattern: similar to FOTY 2008
  • Thoughts: I can’t decide if this is still a dream or if it is already started and I just need to arrange it and start piecing. I have done a lot of cutting, so I think I have started it, thus it may not be a dream anymore. The original idea stemmed from the FOTY quilts. I just decided to do a monochromatic version – using just blues, in this case. I probably have enough patches now and just need to slot the time to work on it into my schedule.

Blue Lemonade

  • Status: Hunting and Gathering
  • Fabric: blue, purple and green scrappy
  • Pattern: inspiration from TFQ’s Pink Lemonade quilt
  • Thoughts: I probably had enough squares to make this quilt, but then I used a bunch of them to make En Provence. Now I am working on cutting more. I hope to slot the time into my schedule int he not too distant future.

Easy Street

  • Status: have pattern/ dream state
  • Fabric: pinks
  • Pattern: Easy Street by Bonnie Hunter
  • Thoughts: I really liked Daisy‘s version of Easy Street, which she calls Cherry Bomb (she thinks of the best names for her quilts) in terms of color and feel. I don’t want to copy her, but if I do this quilt, I’d like to have the same pinky-red feel to it. One challenge about a mostly monochromatic quilt is getting enough contrast. I look forward to that challenge. Not sure this will become a reality.

En Provence #2

  • Status: Dream state
  • Pattern: En Provence by Bonnie Hunter
  • Thoughts: I loved the one I made before and can’t stop thinking about it. I have to make another one, but I can’t figure out what colors to use next. The ones I used before were almost perfect.

Feathered Star Block (or quilt?)

Good Night Irene Quilt

  • Status: dream state
  • Pattern: Good Night Irene from the Missouri Star Quilt Company’s Block magazine, Spring issue v.2, issue 2, pg. 54
  • Fabric: I decided not to use a layer cake and will use the scrap 2.5 inch squares I have been cutting. I love the cheerfulness of Scrapitude Carnivale, as I say over and over, and am not done with that combination yet.
  • Thoughts: I thought about using dots on a white background, as I did with the Scrapitude Carnivale quilt as the background. It makes the Scrapitude quilt look so cheerful. I probably wouldn’t call it Good Night Irene.

Interlocking Triangles Quilt(s)

  • Status: dream state
  • Pattern: This is an idea that I designed myself. I made two quilts and have variations on the pattern to make more.
  • Fabric: I have a few different collections of fabric I want to use. Most are rainbow colored; I also have a lot of stripes to use
  • Thoughts: This is a quilt from which I get a lot of bang for my buck. The visual impact is tremendous. The easiest way to do the spiky triangles is with paper piecing. I am not that big of a fan of paper piecing (read my laments about the Spiderweb‘s paper piecing). I made Spiky Stars using templates and that was meditative and won a prize, so it is doable.

Jack’s Chain Quilt

  • Status: dream state
  • Pattern: Jack’s Chain, a continuous pattern
  • Fabric: bright scrappy, consistent centers
  • Thoughts: This is one of the first quilts I saw hanging in a quilt store and thought of making, after I learned to quilt. I have seen a number of variations lately using different hexagons in the center. Making the nine patches would be a good leaders and enders endeavor. As if I don’t have about a zillion leaders and enders opportunities.

Music Quilt

  • Status: dream state, but not very inspired
  • Pattern: Top will have a piece of music the Young Man can actually play. That will probably be applique’
  • Fabric/Colors: music prints and tone-on-tones with a little red
  • Thoughts: The Young Man has requested this quilt as his high school graduation quilt. I missed that deadline. He has sent me a piece of music, which I printed out. Now I need to make into an applique’

Pineapple (Hunting and Gathering)

  • Status: I have strips cut.
  • Fabric: dots. Have most of the strips cut. Will be much more selective about which strips I use.
  • Pattern: Pineapple log cabin
  • Thoughts: I haven’t given up on a Pineapple quilt despite my frustration with the previous attempt. I bought a different ruler: a Creative Grids Pineapple ruler in hopes that it will work better for me

Quick Curve Ruler Quilt

  • No exact plans yet
  • Pattern: I have a couple of patterns I received as gifts and I will use one.
  • Thoughts: I just want to make something with this ruler!

Silk Colorblock quilt

  • Status: I have the fabrics and the plan
  • Fabrics: silk dupioni and cotton in brights (of course)
  • Pattern: Similar to Colorblocks 2
  • Thoughts: I have made a couple of, what I call, Colorblock quilts over the years. One was the Kona Challenge in 2011, another was my 1990 Colorblocks 2 and the first one, Colorblocks, also made in about 1990. I bought the silk fabrics at the Marin Needlearts show about a zillion years ago and they have languished waiting for me to learn to back them so I can use them. I think I have that covered now and there is nothing stopping me except time and will.

Spin Wheel

  • Status: Hunting and Gathering
  • Pattern: Fons & Porter Spin Wheel, 1200 series, episode 1201
  • Fabric: Scrappy with controlled scrappy background
  • Thoughts: I like the construction of this quilt and am convinced that I will make it. Another one just waiting for time and will.

Stepping Stones #3

  • Status: waiting.
  • Fabric: Macaron pre-cuts from Hoffman. It isn’t started, but I have lots of pre-cuts and think they would make a really fun version of this quilt.
  • Pattern: Stepping Stones by the Lintott girls
  • Thoughts: Hmmm. This is less exciting to me now. I think I need to finish #2 and then decide. It is just as likely as not that I will make this.

Windmill (Hunting and Gathering)

  • Status: half cut; need more greys for the background
  • Fabric: Scrappy. I will use a grey for the background, because if I use more of the cut fabric patches, the pattern will be lost. The pieces are too oddly shaped and I don’t want to lose the pattern in a mass of scraps.
  • Pattern: Come Quilt with Me Rotary templates
  • Thoughts: I think I will buy the Sizzix template and cut grey windmill pieces with that instead of by hand

Out of the Dream State: Below is a list of projects that were on this list at some point that I actually made or am working on:

Interesting Half Hexie Progress

I’d love to say this piece was in the finishing process, but it is so far from the finishing process that lying wouldn’t even cover what I was doing. I am, however, working on this piece. It is slow going, which is fine when I don’t have other handwork that I must do.

Half Hexie First Borders
Half Hexie First Borders

Recently, I bought papers to fill in the border of the half hexie piece. I needed some triangles and some diamonds. I want to create a full stop at least on one side, so I picked out a dark grey (charcoal) with small white dots and basted some pieces. The fabric is not a pin dot.

It is a little bit of a shift to insert these extra shapes, but I got into it. It is kind of funny to see the edge done. I wonder if the grey is too dark considering the overall cheerful look of the piece.

I plan to put another straight border on the sides, once I get all the diamonds and triangles attached.

More 26 Projects

I am making progress. It’s slow, but I am making progress.

Finished 2018 Quilt Projects

The list is finally getting to the point where I feel like it matches what I am feeling. Five quilts is not shabby for 5 months.

Finished 2018 Non-Quilt Projects

Doing Good

In Process
The ‘In Process’ is used to denote projects on which I am actively working or pretending to stitch. I try not to put away projects, because that will ensure I never work on them

  • Aqua-Red Sampler –This is on the design wall and I am contemplating the last block.
  • Pies and Points from 2016 Victoria Findlay Wolfe class. Julie and I had a playdate towards the beginning of April. I brought this piece with me so I could cut more elements (Julie has a Sizzix). I am more excited about this piece now. I thought I had done more, but I couldn’t find more than 2.5 sewn together pieces.
  • English Paper Piecing Project– half hexies – I have added about five stars. I also found some grey (did I buy it for this project or on spec?) that will be perfect for the border. Remember last time when I said I couldn’t find the diamond papers? I gave up and bought more. I haven’t actuallly made a border yet, but I have all of the supplies. I bought a template to go with the diamond papers. Joann at Paper Pieces was very helpful.
  • Tool Tote – In process!

Still WIPs
I still have WIPs. Who doesn’t, after all? A project in the ‘UFO’ category means I am stalled. A nicer way of saying UFO is a WIP. The list is a lot shorter and the projects are newer, for the most part.

  1. City Samplerblocks all made. The long term goal is to sash the blocks and put the top together. In the meantime, due to some seam allowance issues, some of the blocks are smaller than others, so I will have to adjust them in some way – either ripping and resewing, adding a piece or two to the block, or with sashing. This is my sticking point. I need to finish measuring all of the blocks before I can move on that is just a tedious task. Once I know what I am facing for each block, I can probably move forward. I am not looking forward to it, thus no new progress.
  2. FOTY 2017 – pieces cut. Need to layout and start piecing. No new progress.
  3. Handbag Sampler – this is a project about which I had forgotten. The blocks were teaching samples when I taught a sampler class the time before I started writing the quilt class sampler tutorials. I found one block recently, but otherwise I actually don’t know exactly where the blocks are hiding. I have an idea and will crawl up in the far reaches of my fabric closet soon and see if I can find them. I haven’t even found a picture of all the blocks.
  4. Lobster – I still have more stitching to do and then I need to quilt it.
  5. Pointillist Palette #4: Fourth is a series of 6 quilts; needs tiny square patches sewn together. No progress.
  6. Self Portrait: started in 2006 at a class at Quilting Adventures in Richmond, Virginia. I am still stalled on this again. As my oldest (I am pretty sure) UFO, I put it on my blog and out into the Twitterverse and Diane suggested that I not consider this as a self portrait. I think that strategy is a great idea. I am now trying to think of a new persona for her.
  7. Serendipity Lady Quilt: no new progress.
  8. Under the Sea: class project; like the design and am happier with the colors. I have a new idea for it, which is to make a pillow and gift it to a friend.
  9. Black and Red quilt – This came about because of two other projects. I made a whole bunch of bias tape as part of my failed attempt at doing the Mighty Lucky Club a few years ago. Another part of the inspiration came from my class with Tina of Little Blue Cottage fame. This was going to be for a nephew, but I think it will be for one of my SILs and BILs. I have rectangles cut and some bias tape ready. My next step is to sew the bias tape to the rectangles like pickup sticks. I don’t have any photos of this, so you’ll have to trust me.

Small Projects in Process

Most of my progress involves thinking or just cutting.

  • All Rolled Up Tote – part of Crafty Gemini Organizer Club, so on my list, but I haven’t actually started
  • White on black dots cell phone wallet
  • Solid black cell phone wallet
  • Chubby Charmer with Good Fortune charm pack – gift
  • 4-Zip Organizer – part of Crafty Gemini Organizer Club, so on my list, but I haven’t actually started
  • Ultimate Project Organizer – another project from the Crafty Gemini Organizer Club, also on my list, but not yet started

Ready for Quilting

  • BAMaQG Color Round Robin– I didn’t think I would do anything with this project soon. I am on a mission to clear off this UFO list. One weekend, I just blew through the back and binding. This will go to Colleen soon.
  • Octagon 9 Patch: I finished the top on May 5, the back and binding on May 6. This piece is finally ready to be quilted.
  • Stepping Stones #2 – This is ready to be quilted and I am happy. Finally!

In Quilting Process

  • BAMaQG IRR –The sandwich has been basted. I machine quilted a couple of lines to stabilize it. I am making slow progress on hand quilting it using Big Stitch. I
  • Thanksgiving tablemat – I have the correct feet and just need to get busy.
  • Theoretically, the Tarts Come to Tea is in the quilting process, though I haven’t worked on it in a while. See above.

Binding

  • nothing at the moment

Hunting and Gathering

  • 30 Something: I continue to cutting 1.5 inch squares. I am pretty sure I have the 800 I need, but I am not ready to sew them together yet, so whenever I have a chance to cut more I cut more. It will give me choice when the time comes. I’ll have to think up a new name for this quilt, too. My next step is to figure out if I need to cut other sizes of squares and switch from cutting 1.5 inch squares to cutting the new size.
  • Blue Gradation Quilt: cutting 2.5 inch x 4.5 inch blue rectangles. It has to end sometime. I wasn’t sure I was ready to put this together, but I think I am. I might do a couple of gradation quilts in a row just to get the practice.
  • Blue Lemonade: cutting blue, green, purple 2 inch squares. I used a lot of these squares for En Provence, so I am slowly cutting more.
  • FOTY 2018: I have started cutting 2.5 inch squares for the 2018 version.
  • Pink Gradation Quilt: cutting 2.5 inch x 4.5 inch pink rectangles
  • Spin Wheel: really not started, but supplies gathered. I might have to cut some more background fabrics. I probably have enough fabrics and just need to decide to start.
  • Windmill quilt: Still hunting and gathering. I am supposed to be cutting a variety of greys for the background, which required the purchase of a new template. I should be able to get going again

Other

  • Stepping Stones #3 using the Macaron pre-cuts from Hoffman. I have all the fabric in pre-cuts and am just waiting for space (and desire) in my schedule.

I bought some fabric, so I am down on net usage. Still gross usage is just over 113 yards. My net calculation isn’t working, though I think I must be at 50 yards net now. I am pleased, but I want to confirm my guess. If I could make it to 100 yards NET used by the end of the year, I would be ecstatic. It is good to have goals!

What’s on your list?

Revisiting the Past

The other day, I was thinking about the Snowball Wreath block. In the process of linking to that post and looking at the post photos, I found that a number of my older photos were still on Blogger. What I mean by that is that photos displaying here on WordPress actually live on Blogger.

Yes, Artquiltmaker started out on Blogger. When I migrated, I migrated all the posts and links and, I thought, the photos. No such luck.

So, I have embarked on a project to move the photos over. Fortunately, I only have to move 3 years worth of photos and not 13 years worth of photos. Yes, AQ is 13 years old!

No normal person would do this but the incongruity of the photos being in two places nags at the librarian in me. I have been thinking of deleting the Blogger site as it is redundant and the photos are taking up space on my Google account. I am also afraid somehow the photos will get deleted or become unavailable, making 3 years worth of posts worthless.

It has taken me awhile to find a reasonable process for the project. I have tried a few different methods of getting the photos where they need to be. I have uploaded a lot of photos from Google something, but apparently not all lived there. Some, from the first days of the blog are living on a webspace associated with my personal email! I didn’t even know I still had access to that space! Access is a misnomer. I don’t remember how to get to it or what the password is. I was also linking to some photos from Flickr, which had to be moved. Finally, I had to find photos on my hard drive and backup drive as well.

Basically, the photos were a mess.

As you can see, this is a big project, but it is also fun to look back at what I was thinking about in 2006 (the year I am working on now).

I was thinking a lot and posting a lot about Thoughts on Dots, which I am fixing now. You must have been bored stiff with those posts!  I moved one patch and wrote about it. They are serious process posts.

I had forgotten about Kay Khan’s work. I love the 3D teapot.

I also was interested to see the recap posts I did. In one post, I picked out the best quilts I saw at all of the shows I visited that year. That post had a lot of photos, which was a pain. I was interested to see that my fabric choices have stayed consistent as have my design sensibilities. That post also had some quilts that look like they could have been made by MQG members, though it was made LONG before the MQG came on the scene.

This project will take me awhile, but the good part is that I get to revisit my quilt past.