I had nothing to do with this project, but went to visit my friend from High Fiber Content and found out that she has been holding out on us on her blog. I took pictures of these blocks she got through a swap. I thought they were really a good group.
In a effort to update the Catholic Church and make it more appealing to a younger audience, I think that requirements for sainthood should be eased. Sending virtually unsolicited fabric to people really should count towards the sainthood list of requirements.
A nice box arrived on my doorstep on Thursday (accompanied by my taxes, which was not so nice) literally stuffed ot the gils with fabric and little prezzies. St. JCN had gathered together my post-Birthday box and it finally arrived. The fabrics above were in it.
I needed a little infusion of new dots for the Pineapple and St. JCN supplied that for me. I am also ready to do the Chocolate Box with the addition of the Denyse Schmidt pinks.
I washed them yesterday (along with some stragglers that had been laying around) This morning I am pressing them and cutting pieces for the Cross Block quilt. Since I am there, why not?
I think I found the batik swirl I was looking for at Batiks Plus. If you search on the site for swirl you can see it on page 3 of the search results. Or just look below. The colors range quite a bit, so I will have to see when I actually get it. The design looks similar, though.
Being in the dark ages has its drawbacks, especially when quiltmaking shows come along on cable. I am lucky enough to be friends with people who are willing to tape shows and send them to me. That was the case with the Art of Quilting, a special on PBS.
The show starts out being a slideshow of many art quilts with a voiceover by Hilary Fletcher. The introduction is followed by videos of the work of various artists including Jane Burch Cochran, Bob Adams, Pam RuBert, the Chicago School of Fusing, Carol Krueger, Kristin Hoelscher-Schacker, as well as descriptions of their work. The show also watches the artists working and listens as they talk about their work. I was surprised that there weren’t any California art quiltmakers. In between segments the slide shows continue.
I have never seen the detail of Jane Burch Cochran’s quilts and really enjoyed seeing the hidden messages she incorporates into some of her quilts. She said that she is playing with the idea that you are not supposed to touch quilts, but you have to touch her quilts to find the hidden messages. She had one about peace that grabbed my attention. She also gave some hints about being inspired as you work and how to work to facilitate inspiration.
Pam RuBert has a fabulous studio that I covet. I will think of a way to incorporate her lovely large walls in my workroom. Seeing the details of PaMdora’s world is so fantastic. The pieces of PaMdora’s world were on full display during RuBert’s segment, which was fun. I also liked the humble way in which she described her work.
Laura Wasilowski sings along with Frieda Anderson, Melody Johnson and Emily Parson in the segment on the Chicago School of Fusing. The School is fully described and each of the members of the School have a bit. I do like the clear colors that Melody Johnson uses, though she has moved on to more nature colors: fawn, stone, beige, etc. Frieda Anderson gets inspiration from nature. She also said that until recently she carried her Featherweight around in her car. Emily Parson likes the impact of large flowers and their effect on viewers. Some of the designs I liked were their machine quilting designs and the leaves as well as the smaller flowers. I also the simpler designs rather than the really detailed designs. They disparage piecing a bit, but I looked at it as of their progression.
Philadelphia Quilt Art is discussed as the next up and coming venue for art quilts. I want to say that the quilts they discuss are not quilts. I mean paper clips and candy wrappers…really? BUT, I am not going to say that, because the next thing I know, I will be making quilts out of candy wrappers and paper clips. WE must keep an open mind. Still I want quilts to have three layers and be made out of fabric. I can’t have everything. 😉
I like the way the show introduced me to lots of different artists. This is definitely a show that you have running without the sound and just have a great show running. The nice thing, aside from showing lots and lots of fabulous art quilts is that they touch on a lot of different techniques including beading, discharging, machine embroidery, fusing, painting, etc. There is a lot more to quiltmaking than just piecing. But can’t they all coexist without paper clips and candy wrappers?
It is a show worth watching and by which you can be inspired.
P.S. I struggle all the time with the whole art thing. Am I an artist? Am I not an artist? I don’t know and after hearing Wayne Thiebaud, a long time ago, on City Arts and Lectures saying that he is a painter and history can judge wheather he is an artist, I have decided to adopt this as well. I just want to do my work and grow and change my work as I progress.
I think that at heart I am an art quiltmaker, but at the moment I am in an art quilt fallow period where I am sewing with colors and patterns that I enjoy, but that are not necesarily Quilt National quality. What Comes Next and Blood and Oil are both art quilts. They will have companion pieces to follow them at some point. Just not today.
Quilting Arts and Cloth Paper Scissors have merged with or been bought by Interweave Press. Apparently, I am the last to know. I read a brief blurb in QNM of all places, then Nina directed me to the blog entry over at the Quilting Arts Blog. I hope Interweave Press doesn’t ruin QA and CPS like they did to Piecework.
In the meantime, Pamelala is busy creating some gorgeous stuff. She posted a ton of pictures of postcards to her website. It is great to see a bunch of her work all together. Then, as an added bonus, she has put together a little online demo showing how her postcards (and, I assume, her quilts) evolve. You can actually see them come to life.
You may remember the post from February 18 where I talked about the perils of strip piecing. My librarian side took over this weekend and I created a new system for organizing and using my strips for the pineapple project.
The above shows my neatly organized strips. I have divided them into color piles, as you can see. The idea is that I will start from the left and select one strip/fabric for each color I need in the pineapple block. When I am done with that color, I will put the strip on the bottom. I will move across the range of piles selecting one from each pile until I need to start from the left again. For the backgrounds, I will just take 4 at a time and put them on the bottom when I am done. We’ll see how it works.
My other challenge today was in the fabric closet.
I came home after a meeting to a fabric avalanche. It is not quite all picked up, but will be soon. I wonder if the fabric goddess is telling me something.
Google/Blogger notified me that I am using 65 MB of my 1024 MB. I guess I will have to include fewer photos, make them smaller or find somewhere else to store photos. The latter is ideal as I think all 7 of my faithful readers enjoy the photos.
The title was inspired, for no particular reason, except that it struck my fancy, by a poster at the Castro Theatre advertising Pretty in Pink, the 1980s movie. Molly Ringwold’s hair was precious.
I finished two more Pineapple blocks for a total of 8 now. I feel like I should have more, but I don’t. As I keep reminding myself this is an ongoing project with no deadline. I am enjoying seeing the evolution of the piece.
We were discussing design books on a list in which I participate. I reviewed, sort of, Johannes Itten’s book, Elements of Color, some time ago. I wanted to mention Sarah Ann Smith’s posts about Steven Aimone’s book Design!: A Lively Guide to Design Basics for Artists & Craftspeople.
After writing the post about the Coffee quilt, it occurred to me that a row quilt might be the way to go.
This one is done with 4Patches, which wouldn’t really work, but I could fussy cut the squares with motifs in them instead of making a four patch. I could also make the squares different sizes to accomodate the motifs. Sue Nickels has a row quilt that I liked. I am pretty sure I took a picture of it when I was in her class and will have to dig that out.
I am not starting this quilt, just mulling.
Luana has some new coffee fabrics, which got me to thinking about the coffee fabrics I have been collecting.
I have quite a lot of coffee fabrics, which I was collecting about 4 years ago for some unnamed/undesigned/unstarted project. At some point I realized that many of them were brown and I didn’t like brown. Now that turquoise and brown are popular and look good together, I think I can use turquoise with them to make the brown more cheerful.
Still, I do like the fabrics and would like to think of something nice to do with them. St. JCN and I did “She Had to Have Her Latte.” The Tarts Come to Tea is supposed to be a coffee quilt. However, the name is much better than the Crabs Come to Coffee or something, so I guess it will secretly be about coffee.
I don’t want to do something like attic windows just to showcase the fabrics. I want to do something creative and original. Perhaps a “She Had to Have Her Second Latte”?
I also have some great Dutch coffee fabrics that I bought at Black Cat Quilts. They are pretty special and I would like to do something special with them. Some kind of breakfast quilt? I am not sure. I suppose they have to go to the cogitation pile.
Finally, I feel some relief. I have finished the top and back to Sharon’s quilt and it is ready to go to the quilter. As I mentioned, I didn’t feel a sense of euphoria or relief after finishing the Nosegay, but I do feel some of that relief now.
I looked at my UFO list and it looks like most of the large outstanding projects are out of the way, except the Spiderweb, which is probably next on the list. There are a number of smaller projects, which are more arty that I will have to get back to eventually.
At the moment, the design wall is blessedly empty. Now I feel like I have some brain space and can work on something I don’t feel is hanging over my head. I guess I need to try to finish projects before they get so old that they start shouting at me. I will put the pineapple blocks and the Cross Blocks back up and see what happens with a new project.
I spent the day at my friend’s, Single Scrapbooker*, house working on my photo albums. I have been reading scrapbook magazines to get ideas for color schemes for my quilts. Most of the layouts are too complicated for me. I need to get the photos in the albums fast. However, I have been inspired by the layering and detail work. You can replicate some of the ideas in quiltimaking by getting inspiration from the colors, using beads and machine applique’ (or any kind of applique’, I suppose).
I tried creating a page yesterday based on some of the ideas I was seeing. It doesn’t have flair that layouts in the articles have. Still, I like the layout and am pleased with the way it turned out.
*SS has not updated her blog in awhile, but said she got a lot of great ideas yesterday, so I hope she does. She is a good writer and very thorough in her analysis .
I thought I would feel some kind of high and float around for a few days afer finishing the back of the Nosegay, but it is not to be. All I can think about is Sharon’s quilt, so I got the blocks out and put them up on the design wall. I had made a design while I was out and about yesterday, which I used to lay the blocks out.
P=plain block (printed fabric cut out) D=block with a drawing on it.
Sigh! There are just too many blocks to make it work. I, then, put them all up so I could see what I was dealing with.
There are three blocks that aren’t up on the wall and with those I have my entire design wall filled.
I am tempted to be artistic, but the practical side of me is telling me just to sew the piece together and be done with it.
When I got to my workroom this morning the back of the Nosegay was glaring at me and I could only sigh. I didn’t want to work on it. I had, somewhere in the back of my mind, wished that it would just be done. I thought about taking out Sharon’s quilt blocks and just ignoring the back of the Nosegay. It seemed too big, too much, too old, too depressing. I felt like I just couldn’t do it. Still, I knew that if I didn’t just do it, it would glare at me forever. Since the thing has been hanging around since 1998 and I wanted it done in my lifetime, I decided to just do a couple of rows. After all, if I did a couple of rows every week, it would eventually get done.
I arranged some 1930s scraps that were laying on my cutting table into a largish block and sewed them together. That kind of warmed me up and I sewed on a row of the blue and a row of the 1930s fabric and laid it out. I found that I had sewed more than half! Halfway done! I couldn’t believe it. How did that happen? That spurred me on.
I sewed entire FQ pieces into long rows and sewed them to the back. Each strip took about 2.75 yards of fabric. It took me about 3-4 hours, but I finished the entire back. The back is done. Whew!
I had been wondering if I shouldn’t just take Thoughts on Dots and Serendipity Puzzle to the quilter and bring the Nosegay later. Now I don’t have to. I will call the quilter and see if I can bring the quilts over, then I will be free of them for a time.
I am so thrilled!
I have to say that the colors depress me a little bit with their muted tones and sweet little designs and I am tempted to just send them off to someone.