CQFA Meeting – Saturday

Fabric Paper

My Work Area
My Work Area

The CQFA workshop for May was doing the next part of the Fabric Papermaking process that I described last week. We painted our pieces. I tried not to obscure the work I had already done, but it was very clear to me that the first step should just be done as fast as possible so that you can make a lot. The paint can obscure beautiful compositions, so I tried to use light washes. Julie was sitting next to me and we discussed using watercolors, but we weren’t sure if they would adhere.

Above (and perhaps to the left on your screen) is a picture of my workstation. I wasn’t sharing a table with Rhonda, which made me sad, but I was sharing with Friend Julie, which made me very happy.

You can see my high tech palette (the paper plate) filled with aqua, pink and lime. I also found some Sparkle Glaze in my cabinet of wonder in the fabric closet. I brought that along and all of my pieces have a slight glittery look to them, which I like.

The piece next to the palette is one in which I used a blue fabric. I wanted to tone it down a bit and, I think, if you look at the edges, you can see that I succeeded.

The lime paint wasn’t so successful. It made my pieces look yellow, so I added some aqua to it to get rid of the yellow cast.

Julie's piece
Julie's piece

Julie was not able to join us for the Between Meeting Meeting at Sue’s to make paper, so she made some at home on her own. She has an excellent collection of stamps and brought a bunch. I just painted my pieces and didn’t use any textures on them. When I saw this piece I wished I had. She used a Duplo (the big Lego version they make for toddlers) to make the dots. I think it looks fabulous!

Julie's dots - detail
Julie's dots - detail

The reason I only painted my pieces is I wanted to do the simplest steps so I could see how they worked. I don’t know if I will do this again, but I like to have a good foundation. I think to use stamps successfully, I will need to make much simpler foundation paper/fabric.

I may ask Julie if I can print out her fabric paper on TAP or on fabric and use it that way.

Sue's Orange Piece
Sue's Orange Piece
Another Pretty Piece
Another Pretty Piece

The pink/green/netting piece (below) was out in the hallway drying, so I don’t know who made it, but it was another really good one.

This is a technique with so many opportunities for creativity, because of all the layers.

I look forward to making more of it. I think I will try to convince Angela and Rhonda to get together with me at A Work of Heart one day and work on a bunch of new pieces. I suggested to Sue that she should propose a class to Andrea. Once I figure out whether this fabric-paper works for the Remains of the Day type journals, that might be another draw. Sue has a full-time job, so there may not be time in her busy life for such an endeavor.

Show & Tell
There were some ‘Tells’, which was interesting and a lot of Shows. I showed the Food Quilt as it will be firmly ensconced on the Young Man’s bed by the next meeting. 😉 I hope I can drag it away to show at the next BAMQG meeting.

Angela showed her Travel journal, which is similar to my Red Journal, but a new class iteration by Andrea. I took very few photos of show & tell.

ATCs

Bron & Jaye ATCs
Bron & Jaye ATCs

Thanks again to Maureen who organized us to make more ATCs. I haven’t gotten back on my series of inspiration cards, but perhaps I will again?

Mine were more using TAP. I did 8 or 9 last time and finished up the last 4 for this meeting. I should have done something new, but didn’t make the time. I won’t be at the next meeting, which means I have 4 months to come up with some spectacular. Perhaps I’ll use some bits of silk to really make them sparkle?

More ATCs
More ATCs

I really love the different looks that come together when we put our ATCs down on the table. Look how vibrant and bright and crisp Mel’s ATCs look compared to the rest of ours? I think I need to play around with color a bit more on my next ATCs.

Under the Sea Challenge

Mel's Under the Sea Challenge
Mel's Under the Sea Challenge

I didn’t do this challenge even though I took the pieces. My excuse is that I couldn’t find them. Truly, I didn’t have time, though I do appreciate the organization that went into the challenge.

Mel’s piece (above) was inspired by the paintings of dogs playing poker. She has fish playing poker. Not only do I love the humor, but the workmanship looks wonderful, too.

I was so impressed with the quality of work that people showed. I am kind of glad I lost the pieces (they will turn up, I am sure), because I am not sure I could have come up with something to rival what others did. I know I shouldn’t compare my work to others, but it is hard when I am in the company of greatness. You know now why I drive to the back of beyond to hang out with these wonderful women.

Maureen's pouch
Maureen's pouch

Maureen made a zippered pouch. She used some of the vinyl for the front. Remember my clear tote? She said she wanted to see how her new machine handled the vinyl. I didn’t hear the details on that, but will have to ask her.

There was a lot of discussion of creating depth using fabric and I was interested in the different ways that people achieved that look.

Sonja (piece on the left) created depth by using different layers of tulle and adhering the fish and other critters to the different layers. You can see that some look more obscured than the others. I really like this look and it made me think of the undersea piece I did in Pamela Allen’s class and whether tulle would be appropriate.

Ann’s piece is on the right. I noticed that she is attracted to plants (the motifs seem to show up frequently in her work), so I wasn’t surprised to see a lot of plants in her piece. She had a piece in the Olive Hyde Gallery recently.

Rhonda's Pillow
Rhonda's Pillow

I was shocked SHOCKED! to learn that this was the first time Rhonda had used fusible. I have not yet begun to plumb the depths of Rhonda, that is for sure. She really did a nice job on her pillow. A number of the motifs looked painted to me, but I didn’t have a chance to explore further with her. I’ll have to ask her.

Another thing I think worked very well is that people did not feel the urge to use all the pieces they selected. There were a lot of minimalist pieces. I know I felt overwhelmed trying to think of how I could make a cohesive piece out of all of the different styles and colors. Why didn’t I think to select certain ones? I guess it is a good day when I learn something.

Virginia's Two-fer
Virginia's Two-fer

Virginia, always clever, was even more clever this time. The blocks were from a previous challenge that she has stashed away. She remembered them and pulled them out for this challenge. They really make a perfect ocean looking background.

I know Virginia is working on finishing up some of her UFOs. this seems to be to be the perfect confluence of such an endeavor.

 

 

 

FabMo

FabMo Buttons
FabMo Buttons

As I may have mentioned, we meet in FabMo’s classroom space. Bron, is on the FabMo Board and will sometimes open up the fabric space for us to gather supplies.

She said they had received some donations of buttons, so I went to look and picked out a few (left). I have an idea to make a fabric card holder (as opposed to felt like the ones I made in 2010) and I need a few more buttons to replenish my stock. I thought these would work for what I want to do and they are larger than the ones that TFQ bought for me as a gift, so I am not duplicating efforts. We’ll see if I actually do it.

The red buttons just appealed to me. I am sure I can find something to do with them.

I also plan to use them to continue embellishing the Christmas stockings. I started on it last year as a sort of in between project with no real deadline. I think there is a lot I can do to make those stockings look prettier. If I were to do them over, I would definitely use wool felt.

Corner Store Progress

Corner Store - May Progress
Corner Store - May Progress

I know I am trying to finish the Flowering Snowball, but the hand piecing is slowing me down. Since th cut squares and triangles were sitting right by my machine, I just started sewing them together. I just needed to sew. In between sewing the Swoon, I made 20 of the Corner Store blocks.

These blocks are fairly easy to make if you have everything cut. As I have said, I like the variety of different sizes of triangles. I think it creates movement across the design field, but I think the viewer can see it better if the blocks are sewn together.

Lots of red in this group, but really awesome reds. I found another container of triangles with some more variety of color. The blocks will look different when I put them all up on the design wall and move them around.

I am not sure how many blocks I am going to need for a finished product, but I think the height of the piece will be 15 blocks down. If I make a piece that is 15 blocks x 15 blocks, I will need 225 blocks not counting the borders. I don’t have any idea of what type of border to add at this point. We’ll have to see.

 

Sketching #153

Creative Prompt Response #153: Arrangement
Creative Prompt Response #153: Arrangement

A big urn of flowers was the first thing that came to my mind when I went to respond to this prompt.

One of the biggest regrets I have for not being born a princess is that I don’t have anyone whose job it is to make sure the flowers are fresh, have enough water and don’t stink. I don’t have anyone to replace the flowers when they are old or to take care of the cutting garden.

Oh.

I don’t have a cutting garden either.

I guess a drawing of an arrangement is as good as it gets.

Post a link to your own response on the original page for this prompt.

The Creative Prompt Project, also, has a Flickr group, which you can join to post your responses. Are you already a member? I created that spot so those of you without blogs and websites would have a place to post your responses. Please join and look at all of the great artwork that people have posted.

Block-a-Long #54: Rail Fence

Rail Fence #54
Rail Fence #54

This isn’t one of my original block designs. It is a variation of a Rail Fence. I chose it because it is related to 4 Column Squares. You could use 5 or 8 fabrics. If you use 5 fabrics, you might want to use the same fabric in the middle pieces for a pinwheel effect.

Directions for Rail Fence are included.

If you have made blocks or a quilt from these patterns, please post a link in the comments section of the relevant block or on the AQ Block-a-Long Flickr group. I would love to see what you have made.

Nota bene: The AQ Block-a-Long is ending. I am starting to repeat myself and run out of ideas and since this has not been very popular, I don’t feel bad about ending it. I am going to try and make it to #60 so you have an even number with which to work, but we will see.

Swoon #6

Swoon #6
Swoon #6

I told you I was going to finish the Swoon block. 😉 Here it is.

This is more of the look I was going for when I made Swoon #5. I love this block. It is one of my favorites. I love the combination of that bubble gum pink and that certain tint of turquoise/aqua. It is so cheerful.

I am thinking I will make 3 more and call it good, but we will see.

I thought I should cut out the next one so I could start sewing right away, but I didn’t have it in me.

BAMQG May Meeting

A-B-C Challenge: O & P Blocks
A-B-C Challenge: O & P Blocks

I went to the CQFA meeting today, but not BAMQG. 🙁 , I know. Too much family stuff going on and I needed at least a few hours off. We have more tomorrow, so choices had to be made. I miss the BAMQG people. I really thank Angela for bringing a bunch of stuff to the meeting for me.

A-B-C Challenge

I made the O and the P blocks for the A-B-C Challenge.

Ocean Wave
Ocean Wave
A-B-C Challenge: Peace & Plenty
A-B-C Challenge: Peace & Plenty

I am pretty pleased with the way these blocks turned out. They are the first blocks I chose based on what type of blocks I need to finish the quilt. The Peace & Plenty block goes well with the Electric Fan while the Ocean Wave goes well with the King’s Crown in terms of shape and style.

Q and R are next month. I hope there is something good for Q!

Donations

Blue Donation Quilt
Blue Donation Quilt

Angela agreed to drop off the Blue Donation quilt I made so somebody can quilt it.

I also finished the back yesterday. I made the back from the cut off edges of the Stars for San Bruno quilts. I could only find enough of those large strips to finish about half of a back, but decided to just bite the bullet, pull from my stash and finish it. I had pulled out some fabrics last weekend, but didn’t think there was enough. There was one big piece that started the finishing process off and that piece made the back nearly large enough. All I had to do was put a couple more inches on two sides and, unless someone plans to longarm the quilt, I was good to go.

The back is one of my usual pieced backs, but not very ‘modern.’ I hope they don’t mind. It is what it is.

Blue donation quilt back
Blue donation quilt back

I also had a few donation blocks, but not very many. I felt bad about that until I realized I had put a whole quilt AND Frankenbatting AND back together! Now I don’t feel bad and I am moving forward on the next donation piece!

I decided I wanted to work with pink. I actually have been cutting pieces for a pink quilt for awhile, but I want to work with pink for a donation quilt. I am sure there are some girly girls out there who will appreciate it. I am prepping pinks to cut into 2.5″ squares to combine with the black on white fabrics. I am interested to see how those blocks will look. Hope the Charity girls don’t mind my experimentation. 😉

Kona quilts

BAMQG RK Kona Challenge
BAMQG RK Kona Challenge

The group is entering Kona challenge quilts into the Fair as a group, so Angela took my Kona challenge quilt to the meeting as well. Amanda kindly agreed to drop it off for me. I have to do the paperwork, though. AND I need to do the paperwork NOW!

I wanted to enter something into the Fair and this is as good a thing as any. Perhaps I will still get the parking passes.

I am off to sew. I am determined to finish the latest Swoon block today and perhaps get started on those pink donation blocks. Have a great rest of your day!

 

Creative Prompt #155: Present

I am reinvigorated now that Landscape Lady (@quiltscapes on Twitter) has joined the project.

The Creative Prompt Project has a Flickr group, which you can join to post your responses. Are you already a member? I created that spot so those of you without blogs or websites would have a place to post your responses. Please join and look at all of the great artwork that people have posted.

A good person is a gift to the whole world. – Heidi Wills

perfect gift for the person who has everything

Gift Tax

 

Fred Rogers

present

creative gift

Definition: A gift or a present is the transfer of something without the expectation of payment. Although gift-giving might involve an expectation of reciprocity, a gift is meant to be free. In many human societies, the act of mutually exchanging money, goods, etc. may contribute to social cohesion. Economists have elaborated the economics of gift-giving into the notion of a gift economy. By extension the term gift can refer to anything that makes the other happier or less sad, especially as a favor, including forgiveness and kindness. (Just so you know my blog is a gift to you!)

gift giving

unusual gift ideas

gift registry

gift the gift of….

gift baskets

gift card

handmade gift

 

Book Review: Art Quilt Portfolio The Natural World

Art Quilt Portfolio: The Natural World: Profiles of Major Artists, Galleries of Inspiring WorksArt Quilt Portfolio: The Natural World: Profiles of Major Artists, Galleries of Inspiring Works by Martha Sielman

I have been so remiss in reviewing this eye candy book by Lark Crafts! They sent it to me at least a month ago and I waited to have enough to write a review that would do the book justice. HAH! That will never happen, so here I am writing the review, finally. Hopefully, it is a good one.

This is a lush and lavish book. The photos are wonderful and there are plenty of them. The styles of the quilts are all different as well. Anxiety Won, 2006 by Ginny Smith has a folk art feel with the birds and improvisational cutting while I can’t even tell that Martha Cole’s piece, First Turning, 2007, is a quilt because it looks so much like a photograph.

This book is full of texture, paint, quilting, non-quiltmaking fabrics such as taffeta, embroidery, stenciling, which all flows together very well for a united whole. The color is rich and many of the quiltmakers nod at classic techniques and fabrics. There are regular quiltmaking fabrics that you and I probably have in our fabric closets. Piecing and quilting are used frequently by a variety of different artists to convey their message.

I have a love-hate relationship with representational works in the quiltmaking genre. I don’t like the quilts where an image is just printed on a piece of fabric and called a quilt. I believe in piecing and the symbology of some quilt blocks. I want some mystery. If someone wants to take a photo, go take a photo. I know that sounds harsh. Now you know one of my failings. Some of the quilts in this book are like that and I just had to ignore them. In spite of my own fault, there were so many other quilts with excellent designs and amazing imagery.

Unlike the Masters Quilts series, Masters: Art Quilts: Major Works by Leading Artists and book:Masters: Art Quilts Vol. 2: Major Works by Leading Artists, both of which I adored, this book goes into a bit more about the quilt artists, their process and some of the pieces. Judith Trager writes “I had been an avid gardener until about 2004 or 2005, when I discovered that I could no longer do the physical work. So I started making garden quilts” (pg.15). This is one example of a peek into the process. The other artists explain their work in different ways, sometimes talking about inspiration or process or how they got from there to here.

All of the artists’ sections are well illustrated and show a variety of work. I don’t know how any quiltmaker could fail to find something attractive. Cassandra Williams uses pieced diamonds and equilateral triangles as backgrounds in her quilt Dance of the Deep (pg. 81). Elsbeth Nusser-Lampe’s Struggle 2010 has the feel of Marie Webster’s Poppy quilt. The shimmer of some of the background fabrics is one of the elements that the artist uses to bring the feel into 2010.  Aside from piecing, I also see the influence of other quilts in some of the pieces.

Threadpainting, which was mentioned in the Texture podcast from last week, and quilting are both very evident in this book. The photos are so good that they made feel I could reach out and many of the quilts. The reader is able to see the amazing quilting in many of the quilts. Vagabond Song by Elaine Quehl is one example.

This is an excellent book. I love the photos, the imagery and the accompanying text. Run, don’t walk to get this book. I am adding it to my collection!

View all my reviews

Click the image to buy this book

Flowering Snowball – Chunked

Flowering Snowball - Chunked
Flowering Snowball - Chunked

I thought I would work on the Corner Store as my next project. It was calling to me during the dark time while I pieced the Renewed Jelly Roll Race. As soon as I turned my attention to it, it held no interest for me.

I worked a bit on the Garden, as I mentioned, but  floundered a bit on Saturday. I made a couple of QuiltCon blocks, did a bit of piecing on the Swoon #6, but finally took myself in hand on Saturday night and planned out my Sunday.

On Sunday, I worked pretty steadily on the Flowering Snowball. Aside from some math issues, e.g. not being able to count, the process went pretty well. I had little to no trouble putting the hand pieced blocks together by machine. I do need a few more blocks, so I can’t finish the chunking until those are pieced. If all goes well, and I have counted properly, I should have them done by the end of next week. We’ll see. Don’t hold your breath.

I feel like doing another version of this pattern by machine with pink or aqua background. It has to wait, though, until many other projects are completed.

My camera seems to be taking fuzzy photos. I wonder what that is about?

Garden Progress

Garden in process
Garden in process

This piece was started in a Pamela Allen class in 2009. I dreamed about it this week which encouraged me to pull it out of the closet (it usually hangs on the wall of my fabric closet, so I see it frequently) and I spent some time working on it over the weekend.

Garden detail
Garden detail

Basically, what I did was start machine quilting the background. I have a very straightforward style for quilting the piece: I start outside of the piece and go straight up and down until I am done with the section, then I move on to the next section.

I have the perfect green Aurifil for the green grass section, so I worked on that and got quite a bit done.

I also decided to use a variegated King Tut thread that I have had for awhile for the orange hand dyed sections around the turquoise flower. Really nice thread! I know I have used it before, because the wrapper was off the spool and I had a partial bobbin. I can’t remember which project, though. It gave me no problems and I really liked the look.

I want the piece to look like it was built in layers. At the moment, I am trying to figure out whether to also closely quilt the foreground (flowers, stems, leaves, etc) or if I will just use the Perl Cotton to quilt it. I have quilted the stems separately and at a slightly different angle to see if it looks different from the background.

Garden detail
Garden detail

Another layer of the piece is the different fabrics I used. Some of them are part of the same area, so I need to try to minimize the impact of the change of fabrics.

I should have quilted the foreground before I added the flowers, but in the course of a workshop, that sensible method just isn’t possible.

Book Review: Showcase 500 Rings

Showcase 500 Rings: New Directions in Art JewelryShowcase 500 Rings: New Directions in Art Jewelry by Marthe Le Van

This is another book I received from Lark Crafts. Thanks, Lark! This particular book is another gem from the Lark 500 series. I love this series, because it is pure eye candy – no patterns, no basics, just fabulous photos of amazing pieces.

As I have mentioned many times, I am not a jeweler, however, I always love the opportunity to review shapes and motifs in a different format. I think it can inform my quiltmaking.

As the title advertises there are photos of 500 rings. I should say ‘rings’ because some of these pieces are more sculpture than the conventional idea of a wearable ring. I believe that artists in this medium are not making wearable art; they are making sculpture just as quilt artists are not making bed quilts. As I paged through the book, I was immediately struck by different shapes and motifs on the pieces: circles, drops, leaves, shells, confections and many others.

I also noticed the variety of materials. I see felted wool (??), knitted fibers, broderie perse type fabric pieces, paper, photographs, glass, silk, a clothespin, along with the normal metals and stones.

The contents page sports a photo of a ring that looks like a series of cross sections of colored pencils (also on pg.268), which drew me in right away. It is called 11 Ring 4 and is by Maria Cristina Bellucci. There is a piece that is morphing from ring into a glove (pg.80), which I think is an interesting evolution of this medium.

One of my favorites is Links Ring by Uranit Bar-Nes (pg.220). Of course the color (a sea blue) is one of my favorites, but I also like the color’s combination with silver and blue zircons. I also like Garden Pond Ring by Aurelio Castano (pg.216), which is a purely beaded piece with a huge stone in the middle. Another duo was Tangle Rings by Bridget Catchpole (pg.212). They are my aqua (tending towards turquoise), light green and white pieces where the shapes look like something that would be on top of a cake. The circles squished next to each other in Vina Rust’s Ring #1: Stained Cell Series (pg.171) is also a very appealing design.

If you need some inspiration, regardless of your primary medium, this book will provide you with some shapes, motifs and textures that will reinvigorate your artwork.

View all my reviews

Block-a-Long #53: Four Columns with Squares

4 Columns with Squares
4 Columns with Squares

This block is related to last week’s block, #52 as well as Corner Squares in that I am working with squares and tall rectangles. I can really see this one going well with 2.5″ squares in the center. If anyone is interested I will post a pattern for that size (about 8″) as well.

Directions for 4 Columns with Squares are included.

If you have made blocks or a quilt from these patterns, please post a link in the comments section of the relevant block or on the AQ Block-a-Long Flickr group. I would love to see what you have made.

Fabric Papermaking

Last Saturday, CQFAers met at Sue’s house where she tried to teach us the secrets from Stitch Alchemy, a book by Kelli Perkins. The idea is to make fabric paper – a combination of fabric and paper. I hope to use mine for journal pages for journals like the Red Journal.

Rhonda's Raffia
Rhonda's Raffia

I don’t share well, but space was limited and Rhonda (of BAMQG fame – she plays with both teams 😉 )and I ended up next to each other. She is a great tablemate! We shared well and she is extremely creative. I felt like an idea-less boob next to her. She is like me in that we just got down to it. We also had fun.

During the time I thought of texture, because of the podcast I had just recorded with Sandy. I have a lot of schnibbles from pressing fabric so I brought that with me and adhered them to the paper. Sue wasn’t sure if it would work but it was worth a try.

The next step is to paint the fabric. We will do that at the next CQFA meeting.