Artquiltmaker Blog – Page 299 – Commentary about works in progress, design & creativity

Donation Blocks

This has been a great couple of months for donation blocks. I made a few more the past few days in between sewing for the Renewed Jelly Roll Race. I am unreasonably pleased with these blocks. I find them so fun to make. I am not sure why. The only thing I can think of is that there is an opportunity to play with a bit of color.

Tother thing is that they go together so quickly using Bonnie K. Hunter‘s Leaders and Enders method. My only stumbling block right at the moment is I am out of the kits the Charity Coordinators made, so I am cutting my own patches from scraps and I seem to be constantly short of the right color or background. I used some various black on white prints for the blue block above and hope that will be ok and not ruin the look the Charity Coordinators are going for. I am about to get out my Accuquilt Go! 2.5″ square die and cut a bunch of backgrounds for future use.

This block has a weird background, because I took the photo on my bathroom rug. As hideous as the carpet is in my workroom, it does make a fairly inoffensive background for my photos. We had a fairly dramatic shower of sparks which heralded the demise of the overhead light in my workroom. I have some task lighting, but the floor was just too dark for photos. The bathroom floor is small black and white tile, which, I thought, would have been too busy.

Yes, it is a brown block. The boys need quilts, too, and brown works for them. Green and blue, too, I imagine. This fabric is from the scraps of the back of FOTY 2011. I tried to get some of the words for these squares, because I like words on quilts. Letters (as in the snailmail kind) are even better.

These greens are, mostly, more boyish also, if boys can be pigeon-holed into liking certain colors.The Young Man adores red, not the greyed or browned down reds, but scarlet-type reds.

The blue blocks are definitely the ones I will make the most of, but it is nice to make some other blocks in different colors as well.

The one yellow-green (with the x-es) looks quite out of place in this block. I am glad there is another slightly yellow-green square in it (upper left hand corner) so that it is looks a bit like it goes. I am not ripping it out.

You will see some of the same fabrics in this second blue block as you saw int he first one. I hope that the Charity Coordinators will receive enough blue blocks with different fabrics to mix my blocks into different quilts.

I did fussy cut a bit on this one, in order to get that cherry and whipped cream into the patch rather than in the seam allowance. I thought it would be fun.

I have a small stack of squares waiting to be sorted into color groups. I try not to duplicate a fabric in the same block unless all or most of the fabrics are the same. I also have lots of scraps to be cut. I am trying to decide if I should cut larger scraps into 2.5″ squares so I have more patches to use or if I should continue to cut one or two squares out of scraps and leave the rest of the scrap for another project?

I had an incorrectly cut hexagon from the Flower Sugar Hexagon quilt, so I measured and found it would yield one 2.5″ patch. I needed a green patch, so I cut it. Nice to have fabrics from a variety of projects show up in these blocks.

I think I have made 11 donation blocks so far in the past two months. I have one more close to being finished and I have at least another week before the meeting. I think that could be a whole quilt. If I had a wish, it would be that people did not need to be comforted by the quilts I am helping to make.

Book Review: Diane Fitzgerald’s Favorite Beading Projects

Diane Fitzgerald’s Favorite Beading Projects: Designs from Stringing to Beadweaving by Diane Fitzgerald

As the title says, this book is all about the projects. After a brief introduction by Diane Fitzgerald and a multi-page foreword (AKA lovefest) by Jean Campbell describing Ms. Fitzgerald’s career and many talents, the book starts right in on the projects. There is no ‘Basics’ section, but tips and techniques are woven throughout the book.

This book has a whopping 24 projects. At an MSRP of $27.95, that is about $1.04 per pattern. If you want to try a lot of different techniques, this is a good book to buy.

Throughout the book, the author shows very clearly how to put the beads together into the larger units needed to make the project. In looking at these images, I am sure a clever quiltmaker could apply beads to a quilt project in the same manner and achieve a great, if flatter look. The book is also good for the quiltmaker who wants to know more about beads. This book has wonderful pictures of different beads used.

I was hard pressed to pick a favorite project as I started to look through them. Many of the projects are necklaces in styles that I don’t wear. I liked the Midnight Snowflakes (pg.75) necklace, but it wasn’t a favorite. I also liked the Lacy Bracelet (pg.71). I was also quite partial to the May Basket project (pg.65), but can’t imagine wearing one as a broach or as a pendant. I did like their look and imagined having a “Spring Tree” (as opposed to a Christmas Tree) covered with these baskets. I was getting discouraged, but the end of the book (pg.100) shows the Braided Garland Necklace. Though it is a little bit large, I love the spring feeling of it.

Each project has a page with a variation so the reader can see what the project looks like in slightly different colors or using different beads.

The end of the book has a gallery of projects, presumably by Ms. Fitzgerald. I really like the Tulip Necklace Pouch (pg.125). It reminds me of the beaded bag Hermione uses in the Deathly Hallows.

Enjoy this inspirational book and thanks to Lark Books for sending it to me.

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Book Review: Metal Clay Fusion

Metal Clay Fusion: Diverse Clays, Detailed Techniques, Artful Projects by Gordon K. Uyehara

One of the first things I thought of when I saw this book was that the cover piece looked like some prehistoric animal, but not in a bad way. The shape looks very organic in a prehistoric sense. That was the beginning of realizing that the author, Gordon K. Uyehara uses many, many shapes and designs from nature, or which were informed by nature, in his work. This gives the hard edge of metal smoothness and positivity.

The things I like about this book are:

lots and lots of excellent, detailed photos
index
attention to the details of the works.

I also like these words from the author, which can be found in the introduction, “The near obsessive compulsion to create with silver clay in the face of a dwindling savings account and the feeling of spending way too many hours on something that might just lead to nothing go beyond logic.” I think we have all felt that way about some creative endeavor.

As with many of the Lark Craft books, this one is full of information about metal clays. It goes into detail about the properties of different types (bronze vs. copper, for example) and how to use them. This book also has tips inset on the pages. The detail photos show how to achieve the minute design details shown on some of the finished pieces. Included are sections called, for example, “Paintbrush Skills” and “Carving,” which help the reader with those details.

I liked the few pages on Design (pg.49-50). I don’t think anyone can get enough design training and hearing it from different voices is valuable.

This technique requires firing, so there are many pages included that discuss firing – temperatures, what to do when combining the metal with other materials. The books includes a section called “What happens during firing” and also a section on Mental Theatrics. We all go through some kind of drama when preparing to do something major to a piece. This section talks about ideas. I don’t see this type of writing in many books, so I was glad it was included and hope Lark makes it a regular feature of their quilt books as well.

The photos are predominantly of Mr. Uyehara’s work, but there are also pieces from other artists. Barbara Becker Simon’s Jester Jar is one of my favorites. It combines glass and metal. I also like the Bubbles Belt Buckle by Liz Hall (pg.38).

The projects are interesting. They range from earrings, bangles and beads to Hashi Oki (chopstick rests), condiment spoons and hairpins. I was very glad to see some new and different projects in this book.

As I have mentioned numerous time, I do not make jewelry, so this book will be donated to the Library, but, if nothing else, this books is a wealth of inspiration in shape, detail and design. There are plenty of curves to offset the hard edge of the metal. Spirals, ovals and circles permeate Uyehara’s work. There is a lot of eye candy in this book and would be an excellent book for inspiration, even if you are not a jewelry maker.

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Why Quilt?

The question I constantly ask myself is: why do I make quilts?

Why?

I think about the time I spend, the other chores I ignore, the money I spend, the way I arrange trips so I can stop at a quilt shop or sew with a friend.

This is frequently some kind of existential crisis that I just try and live through so I can come out on the other side still sewing. The answer I often give myself is that I am compelled to do it. I am compelled to cut up these large pieces of cloth into small pieces and sew them back together again into large pieces

I often think that if I don’t engage in this seemingly pointless exercise, something really terrible will happen.

I thought about this a lot when I went to the EBHQ show. I walked around and looked at the quilts and wondered why I was at a quilt show. I enjoy quilts, but why was I there? I was looking at a multitude of quilts, but I had seen multitudes of quilts before. I have hundreds of paper photos of quilts and, what seems like, gazillions of digital files of quilts. If you have been a reader of this blog for very long, you have see some of them.

Why was front and center in my mind at the show.

Then I read a recent blog post by Danny Gregory about Senioritis. Answers come from the strangest places.

His son has been accepted at college, but it is only March, so he still has to sit in a classroom and make some effort at doing homework and keeping his grades up. Senioritis. I was glad I read this essay, because one part of one line really hit home:

“…it is expanding your awareness of the world around you…”

Now I know: expanding my horizons. Thanks, Danny.

The Beginning and The End

This photo shows how this project started.

Well, really it started as a Kate Spain Terrain Jelly Roll, but then I sewed it into a quilt top using the Jelly Roll Race idea and it ended up looking like a bunch of Terrain strips sewn together.

As I mentioned many times, I didn’t like it. There was no design. The fabrics landed where they landed, which wasn’t always a good spot. I didn’t, however, want to waste a whole quilt top, so it languished while I decided what to do about it.

Eventually I decided that cutting it up into diamonds would be a good idea. I did that and sewed and sewed and sewed. The sewing seemed never ending. Diamonds are not hard to sew together, but you do have to pay attention. I ripped out a lot of seams to make lines match up. There are a few that don’t, but I can live with them.

I realized, after looking back on the process, that I go through stages. One is drama and one is where I am over the crest of the hill and on the downslope. I don’t know why I forget this, but I do. Every time.

On Sunday, I finished the top. I like it. I like it better than the Jelly Roll race version. I think it has more style and more of a design sensibility. It doesn’t look like I left the design to chance. It looks like I had a care.

I washed more of the Pure Elements Linen and will add a small border of the same around the whole outside. I also got some of the solid Terrain Iris, which looks like a deep purple and will use that for the binding. I need something to stop the white, but I still want the diamonds to float. Of course, I have the back to make to make. It is in process with the leftover diamonds. I will add some purples to the back. I also need to make the label.

Book Review: The Creative Habit

The Creative Habit: Learn It and Use It for Life by Twyla Tharp

I started this book some time ago after I received it as a gift. I didn’t get very far as it didn’t grab my attention and other books elbowed their way to the front of the line. I, finally, decided to get serious and really start reading it. One of the best things about it so far is that Twyla Tharp describes creativity as a habit. While that sounds much more boring that creativity being a flash of light from God, it is much more comforting for me. I can develop a habit; I can’t really wait around for a flash from God.

I took the first test and had a hard time with some of the questions, but found that I got into it as I went on. I also gained some insight and was able to go back and fill in other answers I had skipped.

Not being a student, I don’t sit with my books at a table and read and write notes or take tests. I like the tests and think they are useful, but the tests came up periodically, usually at times when I didn’t have a writing implement or the time to devote to the test. This was one of the reasons I got stalled.

Eventually, I just started to read the book, not do the tests and underline words and phrases that spoke to me. That was a much better plan and I got a lot out of it.

I plan to take bits I underlined out of the book and write about them here. Look for those snippets or review-lets in the future.

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EBHQ Show

On Saturday (National Quilting Day!), I went to the Voices in Cloth Show, which is put on every 2 years by one of my guilds, the East Bay Heritage Quilters. Friend Julie of High Fiber Content, Mom of Mary’s Art Musings and TFQ of No Scrap too Small made up my carpool.

It was a great show! I would say that the overarching theme that I saw was color: GLORIOUS color and not just in the Kaffe Fassett way. The colors of the show were colors that I use and I realized that it must be the light in our area. The bright colors can stand up to the bright light we get.

The location was new and I was reluctant to go, but I couldn’t back out after promising to drive 3 other people I would drive them. I am glad I went. I wasn’t able to take the train, which was a big downside, but aside from the quilts being gorgeous, the space was wonderful! There were huge windows and lots of natural light that made for a pleasant viewing experience and showed off the quilts to their best advantage.

We had a respite from the rain, which poured down in buckets yesterday. I was glad, because although I could have taken our heavier car, I didn’t really want to. I don’t drive it much so am not as comfortable driving it in heavy traffic. I am glad I had the option.

The clouds were still dark and looking like they would let loose anytime. The clouds made for beautiful views out the windows. I could see at least two bridges and some of the islands.

One of the first things I did was drop the Food Quilt off to my quilter. She had a booth at the show and I was so glad to see her. She is down until at least April 18, so I have time to bring two more quilts over. I have FOTY 2011 and the Stepping Stones in the queue. Also, perhaps, with any luck, I can finish The Renewed Jelly Roll Race and bring that one to her, too. That is a lot of quilting in a month!

I am not sure if this quilt by Carolyn Brien is my favorite of the whole show, but it does epitomize the color and vibrancy of the show.

This is a great, classic pattern. Carolyn said that she was inspired by the cover of Kaffe Fassett’s book, Quilt Romance.

The food situation was a little dicey. For me, I always bring something, because I never know if there will be food I can eat. In this case there was a restaurant next door to the venue. They supplied the box lunches, but we went into the restaurant to sit down for awhile. It was over an hour from the time we walked in the door until the time we had food set in front of us. Some of my companions were about to start gnawing on their own limbs by the time the food arrived. I wasn’t really very hungry and there was very little on the menu I could eat, so I wasn’t terribly enthusiastic about the meal anyway. The restaurant near the venue is a great idea, but they just did not have enough tables and waitstaff to accommodate the crush of quiltmakers. I think next time they should arrange for the gourmet food trucks to come. That would be awesome!

One thing I was asked to do was a beading/embellishment demo.I am not sure why they pegged me for beading (perhaps someone saw Kissy Fish?), but it was fun. It lasted about half an hour. I showed them what I do, which is VERY basic, answered questions and then was done. I am embarrassed to say that I did very little preparation. I got out the Garden quilt and decided to use that as an example. I meant to quilt it, but just didn’t take the time, so I went ahead with the demo without the quilting. I did tell them to machine quilt it before beading is usually the best route. It was fun and I was glad to have recently completed Kissy Fish, so the process was fresh in my mind.

I also did a bit of fabric damage and bought some beads. I actually have some ideas for some of the pieces. I seem to be falling into the grey fad. I bought a large piece of a background grey on spec (lower left corner). TFQ bought some as well. She will test the pattern I am writing with it and some Bali Pops Tonga treats.

All in all it was a good day. I am glad I went.

Sonja Journal Cover

I found myself needing a journal cover last Sunday when I finished the last page of my previous journal and was facing the naked cover of a new one. Since I was wrecked from the Daylight Savings Time change, I thought a journal cover would be an easy project. It turned out great and it warmed me up for working on some of the diamonds.

I wanted to use as much of the fabric intact as possible (this is one of the big problems I have with hand dyes. I find them too luscious to cut up!) so as to preserve the dots. The dots didn’t land exactly where I would have liked them to land, but they are good.

I call this my Sonja Journal Cover, because my friend Sonja made the fabric-well, dyed it or waxed or somehow made the pretty color and applied the pretty dots.

CREATE…Again

Some time ago, I posted a photo of the letters Lil Sissy bought for me. I have been feeling bad that I hadn’t put them up on the wall, so I finally did it. The Young Man came upstairs and helped me and now they are up and inspiring me. Lil Sissy thinks the C is too small, so I am expecting a new ‘C’ sometime. I’d love to get similar letters and spell out other words all around the wall, but one thing at a time. I think that these letters stand out much more than the temporary paper letters.

Various & Sundry 2012 #4

You might have noticed that I am changing settings to disallow comments on some posts, but mostly pages. Sorry about that, but some of my tutorial pages are getting hammered with spam. You can always comment in other ways (see below), if you have questions and I will be sure to answer.

Quilt World News

Quilter’s Newsletter Magazine is coming out with an Internet TV show. They finally sent me a promised issue after they cancelled Quilter’s Home and the notice was in that issue.

The headline of this article grabbed me. Women are Fabric, Quilts Reflect their Strength. There is a lot in those few words. I think of the current firestorm surrounding THAT talk show host (whose name shall not appear in this blog; please do not write it in a comment. I will edit your comment!). I think about whether we are strong and what that strength means. I think about how we hold our communities together. I think about what we could do if we banded together. What comes to mind for you? BTW, the article talks about an exhibit at the United Nations. “The exhibition, which will be on display from 5 March through 30 April, is presented by UNFPA, the UN agency that delivers a world in which every pregnancy is wanted, every childbirth is safe and every young person’s potential is fulfilled. The Fund is on the ground improving lives in more than 140 countries.”

And from the Knitting Department: Did you see the Yarnbomber’s London 2012 Olympic installation on a Saltburn-by-the-Sea pier overnight. Apparently, nobody knows who did it, but it is pleasing the locals. There are gymnasts, rowers, synchronized swimmers (my fave!), weight-lifters, skiers, and many more. The detail is amazing!

WOW!

Check out these patchwork couches and chairs! Quite Bright. I like the shape of the couches.

Resources

Quilting Arts (Quilting Daily) has some free eBooks on quilting including something on Jelly Rolls. I haven’t checked them out, but will consider doing a review. What the heck? They are free.

In two days, Fran Gonzalez will start teaching an EQ7 class. The first of Fran Gonzalez’ wonderful online EQ7 classes, EQ7 Sampler, starts on March 23. Fran guides you beginners as you explore the libraries, draw and color blocks, and design quilts. This 4-lesson class is the first class in Fran’s 4-class series, and the pre-req for taking the more advanced classes. Sign up now.

Other Artists

Friend Julie of High Fiber Content fame has her quilt, The Word for the World is Water, on display at the Atkinson Public Library and in a news article. Her name is even mentioned! That means she is now searchable on databases to which I subscribe at work!

Julie also posted some great photos of the Purple Journal. The photos are so clear!

Patsy Thompson has had some quilts, parts of quilts, her sewing machine and other quilt and teaching related items stolen from her car in Corbin, Kentucky. Sigh. Really? She writes about it on her blog. Other artists such as Bonnie K. Hunter are helping to let people know. Spread the word and look for the quilts.

I really like what Danny Gregory says about his own work in this essay on the Altered Page blog. he writes, partially:

“My art is an opportunity to reflect on the everyday, from the clutter on my desk to my neighbor’s fruit stand, from what I ate for lunch to my unfolded laundry. In recording and meditating on it, I find beauty and significance in the things I do.”

The everyday is what we do. Every day we walk to work, get a coffee, drive children to school, fold laundry, take dogs for walks, cook. I think I need to notice the beauty in the every day things. I need to find their value, create joy in doing those things and use them in my creativity. What do you think?

Find out about Mark Lipinski’s fetish with Pink in the interview with him over at Bumble Beans Inc..

Commitment to Creativity

I am constantly haranguing you to do the creative prompt. People like QuiltRat and SherriD and XXX create responses. I do responses, but have become inconsistent lately. Reading Danny Gregory’s blog, I found this great quote:

“First of all, he insists that they consistently make pages: they work on them at home and in school and their grades are based on their consistent commitment not on any evaluation of the work itself. Nonetheless, the quality was really high and it was clear that they had spent a lot of time and thought day after day.” (Quotes and highlights are mine)

I need to be consistently committed to my sketchbook and drawings. I wonder, though, how that fits in with my quiltmaking. I normally don’t sew during the week. With work and everything it would just be too hard, but lately I have been snatching every second I can to sew. I am consistently committed to my quilts, but do I have the time to expand that commitment to drawing as well? I wish I had a teacher like the one described. I think I would be in a different place right now. There is a list of resources at the end of the post.

You can email me at jlapac[at]gmail[dot]com, but please continue to place relevant comments on the related post. It helps to keep me organized! Thanks.