Tale of Two Cities – Early June 2014

Tale of Two Cities, No.9 (top) & No.8 (bottom)
Tale of Two Cities, No.9 (top) & No.8 (bottom)

I had these two blocks mostly cut out before I went to Grand Parlor, but didn’t get around to sewing them until last weekend when, after finally getting my sewing mojo back, I worked hard at avoiding the Petrillo Bag.

These are the next two in the crosses section (Blocks 1-15 of the City Sampler Project). No.9 doesn’t much look like a cross, but No.9 makes me think of a Maltese Cross.

I, unintentionally, used pretty subtle fabrics in No.9. It will be one of the blocks that gives the viewer a reward if s/he comes closer.

I like the way No.8 looks on point and wonder what kind of secondary design the block would make if I made a lot of them and set them right next to each other? Of course, it depends on the fabric. I imagine NOT putting background fabrics in the corner would be key, but I really can imagine how it would look.

Tale of Two Cities, No.10
Tale of Two Cities, No.10

I usually cut out the fabrics in sets of two, but my design wall was crammed with Russian Rubix blocks, so I did No.10 as a single.

It is also subtle and I had to take the photo a couple of times to make sure I got the piecing. the center is Art Gallery fabric and I just love the feel and the color.

Tale of Two Cities Blocks – Finally

City Sampler by Tula Pink
City Sampler by Tula Pink

City Sampler by Tula Pink is block book that was written/designed in 2013. The project has been all over Twitter, Instagram, Flickr and other social media outlets as quiltmakers make the blocks, the quilts and share them. BAMQG has just started a project using this book in one of the small groups. So far, I have only seen a few blocks and some members seemed to imply Instagram would be better for sharing than Flickr. I am not a huge user of Instagram and don’t find the way the app crops photos to be appealing, but whatever. My view is probably the old fart quiltmaker view.

Julie got the book for me, as I mentioned, and we agreed to do the project as a way of doing something together while she is in China. One of us thought of the name Tale of Two Cities and I decided to be inspired by the colors of winter here. I haven’t selected all of the fabrics, but there are a lot of blues and greens and they are very clear.

I have been feeling bad that I haven’t done the blocks until now. I finally got busy and I knew that once I started, I wouldn’t be able to stop.

City Sampler block No.1
City Sampler block No.1

The first group of blocks shown in the book are crosses. These are, or feel like, log cabin blocks. I admire log cabin quilts and the variety of layouts possible with the log cabin block style. That being said, I don’t like making log cabin blocks. The strips make me crazy. I don’t know why. Strips are fine, but somehow sewing these types of blocks makes me crazy.

City Sampler block No.2
City Sampler block No.2

The group of cross blocks are part of the City Sampler, which is a group of 100 blocks. I said I was going to participate in the project, so I am making the cross blocks. There are 15 of them and not all have a log cabin-y feel when I sew them, so I can suck up the ones I don’t like making. After making 5 of the blocks, I found that they go together quickly.

No.2 (all the blocks are numbered and there is a spot where you can fill in the name) looks the most like a log cabin. I took the opportunity to fussy cut some motifs from one of the prints. This will provide a surprise for those who decide to look closer at the quilt. This is the one that set my nerves on edge, because of the small pieces. The others, so far, have had larger pieces.

All of the blocks are 6″, which contributes to the small size of the pieces. When I say “larger pieces” I mean that the pieces are relatively larger.

City Sampler block No.5
City Sampler block No.5

I don’t know if these are all original blocks. I haven’t taken the time to look through The Quilter’s Album of Patchwork Patterns (have you bought yours yet??) or the Encyclopedia of Pieced Quilt Patterns (or the BlockBase equivalent). I might at some point.

I know I added 3 browns to my original group of fabrics. I used the brown dot in No.5 and the corners might be too much brown. It is hard to tell with only a few blocks, but I can always make this block over if the corners look like big holes in the middle of the quilt. After making this block, I decided I would use the brown in less prominent areas of the quilt and for smaller pieces.

City Sampler block No.4
City Sampler block No.4

I used this idea for block No.4.

I cut very small brown pieces to see how the idea would work. This block has all new fabrics except for the brown. I used the brown in small pieces, as I said. I want to use it as an anchor to relate No.4 to the other blocks. The blues are subtle.

A word about the octopus. Tula Pink put out that octopus print as part of the Salt Water line. I thought the print was amusing, so I bought a fat quarter. I am going to sprinkle it into the quilt, but I am not planning on making this a Tula Pink quilt. If I had to assign this quilt a theme it would be either blue or calm.

City Sampler block No.3
City Sampler block No.3

Block No.3 is another one where I could use fussy cutting. I skipped it initially as I was waiting for the Thomas Knauer Asbury fabrics to arrive and be washed. Instead of going through with that plan, I pulled some fabrics out of my scrap bin and used those.

I am not sure I like this block with the others, but I am reserving judgment until I get more blocks and see if they fit my theme and how they look with the other blocks.

I think I will use a lot of fabrics in this quilt, so I am trying to use as many fabrics as I want, but also trying to use them in multiple blocks so that there is some continuity.

City Sampler/Tale of Two Cities Posts

Tale of Two Cities Start

Tale of Two Cities Fabrics
Tale of Two Cities Fabrics

This project has been on my mind since December when Friend Julie suggested it. I am finally making a wobbly start. The start is that I have started to choose the colors.

Julie bought me the book as a gift and after some discussions with her, I decided I would be inspired by the city around me. This, in my mind, fits into the ‘City Sampler” theme that Tula Pink encourages also.

In the winter, the sky is very blue here and, though cold, I enjoy the strong light and clear colors. It should be no surprise that turquoise factors into my choices. I just can’t help myself.

Another appeal of this project is the block element. I miss making blocks on a regular basis like I did for the A-B-C Challenge and the Star Sampler. This project will help me satisfy that craving and, hopefully, will not annoy me.

Finally, shortly after Julie and I talked about the project, Kelly brought it up as a BAMQG small group project. This means I can have fun with Julie and participate more in BAMQG.

I was having trouble getting started. I have been distracted by life and picking a few fabrics (I am sure I will need more) really helps me to get the process out of my head and started.