ColorPlay: Ruth’s Flower

Ruth's Flower
Ruth’s Flower

DH and I went over to my MIL’s house last night to get the mail and take out the garbage. On my way up the stairs, I saw that one of her flowers had bloomed. Better late than never, I suppose. It was still perfect.

I thought I would use it as my ColorPlay image of the week. Even though I already did a sort of tribute to her, this one seems appropriate as well.

ColorPlay April 13: default
ColorPlay April 13: default

The default palette was actually pretty good this time. I guess the tool couldn’t ignore all of that red-orange.

ColorPlay April 13 n.1
ColorPlay April 13 n.1

My first original palette was all about the various reds, pinks and red-oranges. I couldn’t resist trying to find as many as possible in that photo.

ColorPlay April 13 n.2
ColorPlay April 13 n.2

Can I vary the colors? Yes! Can I create a balanced palette that would make a good set of colors for a quilt? Apparently, only if that quilt palette is monochromatic. This time I went with green. I like green in plants, but not so much in fabric. This palette is not a favorite.

ColorPlay April 13 n.3
ColorPlay April 13 n.3

I decided to create a balanced palette move one circle to each main section of the image. I did come up with a lot of different colors, but am not sure if the palette would make a good group of colors for a quilt. I think not.

ColorPlay April 13 n.4
ColorPlay April 13 n.4

I made a last effort and actually looked for opportunities to add in some neutrals. This one has both Kona Cinnamon and Kona Crimson. They look the same to me and the latter looks nothing like Crimson.

What will you make?

CQFA Unconventional Materials Exercise

Rhonda led us in an exercise using unconventional materials, e.g. not fabric. For me, these materials were unconventional in terms of quiltmaking, but familiar in terms of creativity. I love working with paper and don’t get to do it enough.

Rhonda brought quite a bit of stuff for us to work with, but not enough that we spent the whole time rummaging for materials. I saw a shiny binder clip as she was introducing us to the materials and an idea started to form in my head.

Everyone’s pieces came out so differently. It was exciting to see the creativity at work. I didn’t take photos of all of the pieces. I was too engrossed in my own work, but each of them were different and exciting in their own way.

CQFA Unconventional Materials Exercise
CQFA Unconventional Materials Exercise

I am pleased with the way my piece came out. I am also pleased that I was able to finish. Ever since I saw Nancy’s map piece for the last show and talked with Maureen about her work with maps in her collage group, I have been wanting to work with maps. I am going to check to see if there is a category at the fair that will be suitable for this piece.

ColorPlay: Window Dressing

ColorPlay: Window Dressing - original
ColorPlay: Window Dressing – original

After a brief hiatus, ColorPlay is back. I was inspired by a window display I saw.

At first, I thought the dots were part of the items for sale, but then I realized that they were temporary dots and added a lot of fun color to an, otherwise, uninspiring display. The table has a nice shape and the black isn’t terrible, but the pops of color really made me look again at the display.

ColorPlay: Window Dressing - default
ColorPlay: Window Dressing – default

The default palette was pretty uninspiring. Again, the tool pulled out all of the neutrals and produced a shockingly depressing palette from an image that comes across as, at least, relatively, cheerful. I can only guess that the tool analyzes the relative sizes of the shapes in the image and pulls color from those. In that case, the Gotham Grey and the Gold would be understandable.

ColorPlay: Window Dressing - n.1
ColorPlay: Window Dressing – n.1

Enough of that nonsense, however! I saw lime and pink and other colors and I delved in to see if I could make a palette that I would like.

The first palette I created is much better – much more cheerful, I should say. I deliberately stayed away from the black, brown and other neutrals. I especially love the Bright Pink, the Pickle and the Citrus. The combination work well together. I think the Kona Haze gives the other bright colors space to shine.

ColorPlay: Window Dressing n.2
ColorPlay: Window Dressing n.2

The second palette is my favorite, however. I added in more cool colors and it looks like a palette that I would use.

The turquoise, of course, is a favorite, but the two purples, Kona Lupine and Kona Violet, really add to the turquoise. This does not come across as sweet and kidlike as palette n.1.

ColorPlay: Window Dressing n.3
ColorPlay: Window Dressing n.3

The final palette was an attempt to blend my color preferences with the default palette. I am not as enamoured with it as I am with Palette n.2, though I do see the benefits of the group of colors. That Kona Magenta (which looks more like dark violet to me) is a star. I am on the fence about the Clover (green). I purposefully chose the Wasabi, because there is so much of it in the tableau. I am just not sure this palette works together as well as the others.

Let me know what you make!

 

ColorPlay: Year of Colour pt.2

I am not being a snob by spelling color as “colour”. That is how it is spelled on the app/website. You can try it out Year of Colour and find out what colors you post most.

I have been actively seeking out brightly colored images so my palettes would be virtually neutral free. The one from last week was too much fun to limit to one week. Also, I was busy and had to get on.

Year of Colour Rainbow Report
Year of Colour Rainbow Report

Last week I started with one of my iterations of my own Year of Colour. I finished with a mostly blue palette last time.

ColorPlay Jan 26 n.5
ColorPlay Jan 26 n.5

The blue led me to try an all pink palette. I threw in some very light purplish colors as well – Haze and Pearl Pink – before I got to all pink, because I thought they were pink circles. They, as I said, turned out to be very light purplish colors.

ColorPlay Jan 26 n.6
ColorPlay Jan 26 n.6

I did make it to an all pink palette. Very cheerful!

ColorPlay Jan 26 n.7
ColorPlay Jan 26 n.7

The pinks made me think of red. The palette above has some more pinky-reds/dusty rose colors – Coral and Melon – thrown in with the reds.

ColorPlay Jan 26 n.8
ColorPlay Jan 26 n.8

I tried an all green palette and couldn’t find/use enough greens. I barely use green in my quilts anymore. I had to add in the yellow so I didn’t have duplicates.

ColorPlay Jan 26 n.9
ColorPlay Jan 26 n.9

The pink and light purple palette from above made me think that there might still be possibilities, so I tried to go very light. Think this would make a lovely baby quilts.

ColorPlay Jan 26 n 10
ColorPlay Jan 26 n 10

As I said, I could have gone on forever, but I made one last orange palette for your quiltmaking pleasure. the oranges aren’t very bright, so the whole palette looks very Autumnal rather than Creamsicle

You might see this image again. I don’t think I even scratched the surface of this image. I think I can make many more palettes.

 

MQG Creative Webinar

Periodically, I am actually able to take advantage of some of the benefits of my MQG membership. Last week, I watched a webinar with Malka Dubrawsky on using prints called Creative Webinar: Printed and Patched: Designing with Patterned Fabric with Malka Dubrawsky.

My overall first impression was that there is an assumption that modern quiltmakers don’t use prints. I see a lot of MQG people buy lots of FQ collections. Wasn’t there some crazy hullabaloo over Heather Ross and some castle/princess collection a few years? Blueberry Park is pretty popular as well.

I tried to take this weird impression and set it off to the side so I could gain some knowledge from the webinar.

Malka said that prints have graphic information. There seemed to be another assumption that we are used to using small scale prints because they read as colors. She talked about using larger scale prints as graphic messaging. Dubrawsky said that using a variety, both large and small scale prints, creates interest.

She divided the presentation up into points:

  • spaces
  • movement
  • color/color contrast
  • common print
  • random

I think that I may have missed one or two points, but I got some good information out of these, so the webinar was worth my time.

When Malka talked about spaces she was talking about dividing up the quilt’s surface into different spaces. She, then, talked about using prints in those spaces. You can also organize blocks as spaces or into spaces to use prints.

Movement went right past me.

She used Color / Color Contrast as a different type of organizing tool, which I thought was interesting. One example was dividing up a quilt into warm/cool.  Again the idea was about organizing fabrics on the surface of the quilt so you can use printed fabrics. I don’t find this to be necessary in my work, but I thought the concept was interesting and it might be worth trying.

She encouraged makers to create rules for ourselves to use prints so they make sense across the surface. I do this with my quilts in general.

I had no idea what Dubawsky meant by Common Print. She was referring to using different colorways of the same prints all together. I have always loved this concept. I often like having all the prints in all the colors. Remember my Half Moon Modern drama? Malka says that it allows for easier color and shape focus.

She said that using prints can produce ‘hidden treasures’ that don’t show up when you use solids. Prints create another point of interest, more to look at.

Random: hard to make work, but can work. This was difficult for the presenter to explain and I can understand why. She threw out:

“Simple shapes, colors go together, big spaces. Active background electrify prints rather than toning them down. Focus is on color rather than design.”

Overall message is that makers need to organize your fabrics and design so that they work on the surface. She said that design is really important and I was thrilled.

She encourages people to make their own FQ packs.

Yay! She uses batiks all the time. She calls them modern batiks – modern, bold, graphic designs. Malka also said that she doesn’t really like the older style, watercolor-y batiks. I got the impression that it was the motifs on the surface of the fabric rather than the batik process she didn’t like.

To start: Pick (buy or create) a fabric collection you really love – she buys entire FQ bundle- and then play around with different ways of organizing fabrics. Small/large prints or warm/cool colors. Use a simple geometric design. Challenge yourself. I also got the impression that she was saying to be brave.

Her new designs will be available on Feb 1 on her website as PDFs. Printed patterns will be available Feb 20. She is also doing kits.

A recording of this webinar is on the MQG site for your viewing pleasure, if you are a member.

 

ColorPlay: Year of Colour

Last time I did a ColorPlay it was last year. HA! I was trying, again, to make a colorful palette and was moderately successful. This time I think I have done it!

Year of Colour Rainbow Report
Year of Colour Rainbow Report

I used one of the iterations of my Year of Colour report. I have no idea how so much beige got into the report, though I presume it is from my landscape and neighborhood photos. My neighborhood definitely needs more pink and turquoise houses.

ColorPlay Jan 26 default
ColorPlay Jan 26 default

Even the default is fabulous! I do like the Grellow paired with the Watermelon.

ColorPlay.Jan26 n.1
ColorPlay.Jan26 n.1

My first try was very fun and the result pleased me. I like the Coral, Melon and Bright pink combination. I think those colors would look great with the Grellow from above. I thought the Bright Pink would be more violet, a color I am enamoured with lately. Not so much, but I still like it.

I started from one edge to see what I could make. This image has the potential for a lot of palettes. Don’t worry, I won’t make you suffer through hundreds of iterations. 😉

ColorPlay Jan26 n.2
ColorPlay Jan26 n.2

My second try is even more fun. I would think it would be circusy, but it isn’t. I have to admit hunting around for the Papaya. I was actually looking for Grellow, as from above, but found the Papaya and really liked it with the various pinks.

ColorPlay Jan26 n.3
ColorPlay Jan26 n.3

Not sure what I was going for with n.3, but it is pleasing. It inspired me to try for an all blue palette.

ColorPlay Jan 26 n.4
ColorPlay Jan 26 n.4

I thought the all blue palette was too boring so I kept the Medium Pink. I like the combination, especially the Lagoon and the Medium Pink.

There are tons of opportunities for more from this image. I’ll post more next week.

 

Creative Spark #21: Fear

This is another spark I don’t want to confront or acknowledge. Bloomston, however tackles that exact issue in the first paragraph of the spark by saying “Creativity is my own version of anti-anxiety meds**. It’s a self-made panacea and it is usually effective….You can’t stay stuck in your fear if you are already wandering to your next creative project. Creativity is hope. (pg.89).”

After reading the above, I have to confront what I know about my own creativity related fear:

  • I am not afraid of fabric, piecing, new techniques. Frustrated sometimes: yes; afraid: no.
  • I am not afraid of what my next project will be (have you seen my list?)
  • I might be afraid of finishing all my projects and not knowing what to do next.
  • I am afraid of not having time to finish all of my projects.
  • I am not afraid of fabric combinations or combining fabrics.
  • I am not afraid of running out of fabric (can you say design challenge?).
  • I am afraid of not having enough: enough fabric (stop laughing!), enough thread, the right ruler, enough pins, etc.

Yes, I have fears, but I combat them using many methods. “Being creative is the answer right now (pg.90).” I have a goal to sew or draw or do something every day. This is not a 2018 New Year’s Resolution. I have had that goal for a long time and I just keep chipping away. Creating patterns using the Zentangle method is a new way to try and achieve that goal. “Creativity takes courage. It takes courage to be who you are. It takes courage to step into the unknown, to dig around in your soul and see what you find, to follow your passion, to start something new (pg.90).”

Bloomston provides some ways to be brave. I am not sure bravery combats creative fear, but it is worth considering. She suggests cultivating “beginner’s mind or shoshin (pg.90).” I like this idea. When you are a beginner, you don’t know that you can’t do something. I resized some blocks in my first quilt, not knowing that beginners didn’t really do that. I also found a block in an issue of Quilter’s Newsletter than I wanted to include. There were no templates or anything, so I had to redraft the block and make the templates. Nobody told me I couldn’t, so I did it. I finished my quilt and while it is isn’t perfect, I did it and wasn’t afraid. I wholeheartedly agree with beginner’s mind. I have been thinking about that lately and wanting to embrace it, thus the Zentangle class. I don’t know if I can capture that mindset with quiltmaking. It is hard to forget what I already know.

I do know that each quilt presents a new challenge. Putting blocks or units together is always a challenge.

“Fake it ’til You Make it (pg.90)” is a phrase with which I agree. I often do not feel confident in certain situations. I act confident and that projects confidence to others. Bloomston has some examples from a Ted Talk about how posture changes the body, which are interesting and worth thinking about. I like the idea of power posing she discusses.

You can see the last post on this topic from last week.

Nota bene: we are working through Carrie Bloomston’s book, The Little Spark. Buy it. Support the artist. Play along. There is much more to each spark than what I am writing. The original chapters will help you. Go buy Carrie Bloomston’s book, so you get the full benefit of her fabulousness! You can see my book review, which is what started this flight of fancy.

 

 

 

 

 

**This is not making an judgments about the need for any kind of mental health medication. If you are struggling, please contact your doctor or ask a friend to contact your doctor.

Gift Post #5: Zentangle

I took a class at A Work of Heart Studio in San Jose last week. My mom has been talking about learning the Zentangle technique, so I took her as a Christmas gift.

First two Zentangle tiles
First two Zentangle tiles

The class was 2 hours and we drew two tiles (3.5″ x 3.5″ squares of rag paper). In the course of the class we learned several patterns. The technique is a lot simpler than the finished product looks and I don’t think you need special powers to make a tile like I have drawn above. I followed the directions and piece by piece the finished tile evolved.

I went to Dick Blick with my mom and Lil Sissy (they both had gift cards)  and bought some Illustration Board ATCs. I have been drawing some more Zentangle patterns on those. I drew the first sets of patterns over and then started trying a new one.

This method reminds me of the type of drawing and materials I  used when I did the Creative Prompt Project Responses.

Tim ROCKS (and Quilts)

Terrain Donation Quilt
Terrain Donation Quilt

Tim is quickly becoming a quiltmaking rockstar. He got his new longarm and is back in the saddle. He seems to have found his place in quiltmaking. I think he is a quilting savant! If he isn’t at this moment, he is quickly working his way to that level.

Terrain Donation Quilt detail
Terrain Donation Quilt detail

 

 

 

He brought the Terrain donation quilt to Sew Day on Saturday and it really looks great. He quilted the sashing differently than the blocks. The sashing has the feathery swirl-like things and the blocks have a sort of cathedral window design. I commented on that style the last time we talked about quilting and the way Colleen quilts my quilts.

He decided to try it out. I am so impressed with how well he did the first time he tried it. He said that it took much longer than an all over pattern, but was pleased with the results.

Terrain Donation Quilt back
Terrain Donation Quilt back

He trimmed and applied the binding to the quilt at Sew Day, using the leftover backing to make the binding. It is really great to collaborate with him! I just have to piece donation quilts faster. 😉

ColorPlay: Tea Canisters

ColorPlay: Tea Canister -original
ColorPlay: Tea Canister -original

I went shopping with a friend the other day. Mostly I did not buy, but I did take a load of pictures.

This photo was taken in a small grocery store and I loved the different colors of the team canisters. Aren’t they cheerful?

ColorPlay: Tea Canister -default
ColorPlay: Tea Canister -default

As we would all predict, the default palette came out quite neutral based. The program placed the dots almost as far away from the colored canisters as was computerly possible.

I was pleased to see that Kona Mocha again, which is a lovely color…for brown. The Kona Sand looks more like oyster to me.

ColorPlay: Tea Canister -n.1
ColorPlay: Tea Canister -n.1

For my first image – the one I controlled – I went straight for the colors. this is definitely a circus type palette, which, I think, is kept from being too kid-like with that green. The green looks a little like the green in Jadeite housewares and dishes. It is definitely not sweet. The Grellow helps as well. Looking at the colors, I would say that they are all a little off. The Peridot and the Grellow stand out the most.

ColorPlay: Tea Canister -n.2
ColorPlay: Tea Canister -n.2

On my second palette, I still wanted color, but not the same colors. The Grellow turned into Butterscotch, which is not an appealing color. The green, now called Leprechaun, still looks good, but the blue, now Kona Coal, does not look cheerful at all. Still, somewhat better than neutrals.

ColorPlay: Tea Canister -n.3
ColorPlay: Tea Canister -n.3

Unintentionally, I made a warm palette. Almost all of the colors were Fallish or Thankgiving-ish. The names of the colors are comforting names.

I especially like the name Roasted Pecan, though the color looks more like Baby Poop Brown. I don’t suppose the name Baby Poop Brown would be a good marketing choice. How about those red-oranges? Aren’t they great?

ColorPlay: Tea Canister -n.4
ColorPlay: Tea Canister -n.4

In an effort to embrace neutrals, I sought out neutrals for palette n.4. This is actually a nice palette, if you like neutrals. Kona Cinnamon is a great color, but I know that Chestnuts are definitely NOT that color.

I couldn’t resist adding some color, thus the purple, though it is called Crimson. I always thought of Crimson as more of a red, but who am I to argue with Robert Kaufman?

ColorPlay: Tea Canister n.5
ColorPlay: Tea Canister n.5

Finally, I wanted to get back to the bright colors. These look very similar to the colors in Palette n.1, but are not the same. I particularly like Noble Purple. Very nice color. I really Kona would be dyed on better greige goods.

Have fun with these palettes!

 

ColorPlay: Pumpkin Pie

ColorPlay: Pumpkin Pie
ColorPlay: Pumpkin Pie

In honor of Thanksgiving, I chose a picture of my pumpkin pie filling in process. I make a maple pumpkin pie. I found the recipe in a Bon Appetit magazine when I first contributed to Thanksgiving about a zillion years ago. Nobody has complained so I keep making it that way.

We remodeled our kitchen in about 2007 and it has red accents. We are very strict about what color appliances and accessories come into the kitchen. As a result, I received this food processor as a gift one year. I use it for all holiday food prep and it works really well.

ColorPlay: Pumpkin, default
ColorPlay: Pumpkin, default

I found out very quickly that the tight composition of the shot made for a very limited palette. The default palette, as we have found over the year, has a lot of neutrals. However, I found this to be a very warm palette.

ColorPlay: Pumpkin, n.1
ColorPlay: Pumpkin, n.1

I wanted to try and get more reds, more different reds, so I tried again.

ColorPlay: Pumpkin, n.2
ColorPlay: Pumpkin, n.2

n.2 has more reds, so I succeeded in that way. I am not that fond of Kona Caramel on its own, but with the reds, it does add something – perhaps a place for the eyes to rest?

ColorPlay: Pumpkin, n.3
ColorPlay: Pumpkin, n.3

I was able to get even more red tones in.3.  I also changed the Caramel to Kona Latte for a slightly different look. I might like Latte less than Caramel, but I haven’t decided. As with Caramel, it does add something to the heavy red palette.

ColorPlay: Pumpkin, n.4
ColorPlay: Pumpkin, n.4

I kept a red, but tried out a dark neutral palette. The buttons of the food processor are grey, so I was able to add in Kona Mocha, which I think might be off in terms of names, but it is a nice addition to the palette. Kona Ruby comes from my spoon rest (made by the YM) and I kept it in to keep the palette from becoming too neutral.

ColorPlay: Pumpkin, n.5
ColorPlay: Pumpkin, n.5

I tried an even more neutral palette for n.5, building on n.4. I, again, kept some red, but changed the specific red from Ruby to Kona Cotton Wine. I wouldn’t make a quilt from this palette, but can see it being used for a very chic house sale.

ColorPlay: Pumpkin, n.6
ColorPlay: Pumpkin, n.6

Finally, for the last palette, I went for broke with the reds. I was pleased to see a Kona Lipstick show up! I love the name of that fabric. In this palette, the grey (Kona Mushroom) is the only neutral, though the Kona Mahogany could go either way in terms of it being one of the reds or a neutral

I know the differences are subtle between the palettes above, but it is interesting to see the changes one can make by moving the circles around a picture. As I have said before this is a good exercise.

What palettes have you made?

 

ColorPlay: Pier

A few weeks ago, I went to a conference in Monterey. For many reasons, Monterey is one of my favorite places and October is a great time to visit. I was fortunate that the weather was fantastic and I took some beautiful photos. You might see more from this trip later.

Monterey Bay Fisherman's Wharf
Monterey Bay Fisherman’s Wharf

I walk a lot and a path I was on gave me a great view of the pier and the Bay. I decided to use this for my next ColorPlay. What I expected was bright colorful palette.

ColorPlay:Pier default palette
ColorPlay:Pier default palette

As usual, the default palette was neutral. Might be a nice palette for a new house.

ColorPlay:Pier default palette
ColorPlay:Pier default palette

This one got a little better with the addition of the Cobblestone. I tried to doctor the palette with the addition of a more turquoise-y. Couldn’t do it. My photo just didn’t have the turquoise.

ColorPlay: Pier n.2
ColorPlay: Pier n.2

I decided to embrace the neutrals. This one is almost all grey with a blue-grey thrown in to liven things up.

ColorPlay: Pier n.3
ColorPlay: Pier n.3

The next neutral palette is a darker one. The Kona Spruce and Kona Stone is a really nice combination in the palette above.

ColorPlay: Pier n.4
ColorPlay: Pier n.4

The Kona Teal and Kona Everglade look similar, but are just a little bit different. Everglade is a tiny bit lighter. The gold adds a slightly different look. More like the day right after sunset.

I felt like I exhausted the options of this picture despite the promise, so I left the number of palettes at five.

Creative Spark #20: Mission Statement

This feels just like a vision board. Bloomston says “your mission statement is one way to water your grass” (pg.85). I’ll have to believe her and try.

“In this chapter we’ll write a so-called non-business ‘business’ plan — a creative mission statement” (pg.85). In the course of this exercise, she asks us to toss out the “Photoshopped perfectionism” (pg.85) of our creative life. We all know what that is, sometimes called Instagram. 😉 Creative life is not “all tied up in a pretty bow and stylized like a cool magazine lifestyle shot” (pg.85). We “have to start with” our “feet on the earth, even as” we “reach for the stars” (pg.85).

Carrie has a worksheet that will help us envision a creative life. She suggestions that we “look back in our family history” for a “passionate person,” a grandma who loved “to can peaches,” an “uncle who tinkered away in the garage making wooden benches” (pg.86) for inspiration. She wants us to “close your eyes and picture yourself in your creative life. See as many details as you can. Be specific” (pg.86).  The worksheet has good and specific directions for filling it out. Photocopy it so you can use it over and over.

You can see the last post on this topic from last week.

Nota bene: we are working through Carrie Bloomston’s book, The Little Spark. Buy it. Support the artist. Play along. There is much more to each spark than what I am writing. The original chapters will help you. Go buy Carrie Bloomston’s book, so you get the full benefit of her fabulousness! You can see my book review, which is what started this flight of fancy.

Creative Spark #19: Vision Board

Go and get your Little Spark book. We are back to fostering “a beginning, a seed, a whisper” (pg.6). Today  is all about vision boards and this is not my thing. Perhaps I don’t believe they will work, so they don’t work, though everyone who has used one says they do work. Perhaps I am just scared of making one and getting what I think I want?

Bloomstad says “A vision board is simply a collage of images you pull from magazines and other places and paste to a board. This exercise puts you directly in touch with your desires. It leaves you with a visual inventory of all the stuff that bubles up from your unconscious mind and hear to illuminate your path and remind you of what you want” (pg.81).

This is the spark that I wish I had a direct line to the author. I think it is my fear talking, but I have questions. Do I really want what I think I want?

The directions for making a vision board are pretty clear. “To make a vision board, tune into your heart and soul. Sidestep your mind by banishing your inner critic, judge, and editor. Those parts of yourself are not welcome for this exercise. Ask them to leave the building. Why? because you are only going to be listening to your desire. Not your desire for your partner, your children, your friends, or your family. Just your desire, for you” (pg.81).

Carrie gives a list of materials to the reader (pg.83) and directions:

  • “…don’t ‘should’ on yourself — no ‘I should pick this image’ or ‘I should want this one” (pg.83)
  • “When you see something you like rip it out” (pg.83)
  • “…for an hour, rip or cut out images. Then for the next hour paste them down” (pg.83)
  • ” Remove your notions of how pretty your board will look, how perfect, and let it just be…” (pg.83)
  • “Put your board in a spot where you can see it every day. After you look at your board and assimilate its wisdom, you may notice some themes” (pg.83)

She also gives some explanations, such as “sometimes we aren’t always aware of our own greatness  or even what awaits us. Using pleasure and desire as a guide keeps you in your heart and soul and out of your editor and judge” (pg.83)

Finally, Bloomston says something that doesn’t scare me. “New Year’s is a great time to make a new board for setting your intentions for the new year” (pg.83). I watch everyone else set intentions, pick a word, make New Years resolutions and I do nothing. Not because I don’t want to, but because I want to do something meaningful and sustainable. I can probably spend two hours making a vision board for my year. We’ll see.

 

Nota bene: we are working through Carrie Bloomston’s book, The Little Spark. Buy it. Support the artist. Play along. There is much more to each spark than what I am writing. The original chapters will help you. Go buy Carrie Bloomston’s book, so you get the full benefit of her fabulousness! You can see my book review, which is what started this flight of fancy.

You can find the last spark on the blog from a few weeks ago.

ColorPlay: Shirt

ColorPlay: Shirt
ColorPlay: Shirt

I went to the Retreat last weekend. While there, SIL suggested I do a ColorPlay post on G’s shirt. I thought it would be great because there were a lot of bright-ish colors.

ColorPlay shirt default
ColorPlay shirt default

The default was …neutral, as usual. The Earth looks a little purple.

ColorPlay Shirt n.1
ColorPlay Shirt n.1

The first non-default palette is my favorite. I went to towards the turquoise. Ok, it isn’t really turquoise, it is Candy Green. I have never heard of Candy Green and that name kind of scares me.

ColorPlay Shirt n.2
ColorPlay Shirt n.2

Palette n.2 is an extension of palette n.1. I added a couple of neutrals. I am a fan of the gold, but it works well with the Ultramarine and the Deep Rose.

ColorPlay Shirt n.3
ColorPlay Shirt n.3

Palette n.3 is a combination of the neutral palette and my favorite, palette n.1. The Ultramarine stands out in this crowd. I also like the name of the Spice color.

ColorPlay Shirt n.4
ColorPlay Shirt n.4

Palette n.4 has colors that show up in other palettes. Although I see this as a more colorful image, I also realized that the embroidery was all of the same colors.

Have you made any interesting palettes lately? Please share.