The top is finished and I am on to putting together the back. I don’t think I will make my deadline of having this ready for Big Stitching, but I have made great progress and see the light at the end of the tunnel.
There is much more space and lightness in the piece and the solid areas will provide some good spaces for stitching.
I worked on a donation food quilt over the weekend. I decided, though it wasn’t a conscious decision, that I would try and use up the rest of my food fabrics and put that chapter behind me. Three food quilts is enough.
I think I also did it because I have been longing to provide another donation top and back to BAMQG.
Thus, I worked on the donation food quilt over the weekend. By Sunday night, I had a top, a back and a Frankenbatting.
I sewed it in kind of an Improv manner, but it is structured improv. I tried to use the pieces that I had and not do too much fiddly piecing.
I may have enough pieces for another version when I get the Food Quilt #3 back. I think the back is large enough to provide at least a base for another donation quilt.
My Improv Round Robin has returned. Ruth had it for a couple of months because I wasn’t at the meeting last month and she wasn’t sure whether to pass it along.
She added the bottom part with the curves. It is an interesting addition.
I am trying to decide whether to try and get more people to work on it or whether I should just do some work of my own and finish it. I have some thoughts:
It needs some space around the edges. The outside top and right side might need some of the turquoise solid to provide some breathing room.
It is definitely not square and I need to figure out what to do about that, if anything.
I want to add more Flying Geese, which I will do myself. Perhaps I will add them on the right.
I am surprised that more people did continue the Flying Geese motif. The time constraints were daunting, however, so I understand.
Along with Flowerburst, I also got back this quilt, which I wish I had called Cityscape. It really does look like a cityscape.
I have sewn on the binding. I worked at sewing one whole side per evening so the binding process only took me about 8 hours. The quilt is 82″ x 84″ so quite a bit of work. I used a Kona solid for the back and the binding and it was a pain. The needle doesn’t slide through that fabric like I think it should. I MUST remember that.
The red is the background and I had Colleen think of it as a sky and put clouds in it. She did four different types of clouds in the four quadrants. I think of it as the four seasons.
The black and grey are more like buildings, so she did more geometric quilting in those areas.
I got two new-to-me round robins last Friday. I didn’t have enough design wall space, so I took them out and looked at them. Different elements caught my attention – the squares in Annemarie’s and the applique’ on Michelle-Nicholle’s.
I started with Annemarie’s after I finished the Cutting Corners donation top. I decided to add the other corner to the top left. My corner has the same look at the corner on the right side. I wanted the elements to be related, but not to be derivative. I wanted to use more of the Alison Glass fabric, but there wasn’t any left in the packet.
I looked at it after I had finished the squares. They looked too square. I had to make up some space (see the bottom strips where the blueberry fabric is?), so I added some strips and kept adding until my addition was large enough to fill the space. The strips look more improv than the squares. I can’t blame my hand for the cutting as it is much better. Habit, I guess.
Michelle-Nicholle’s was harder, mostly because it had the structure of a very traditional round robin. All the pieces in the round robin are getting quite large and Michelle-Nicholle’s is no exception. It is also, I think, the largest piece on which I have worked. There were also only a few motifs I could use as inspiration, none of which were very exciting to me. More applique’ would have been logical, but I just wasn’t in the mood. It was very difficult to think of an addition. I reached back to my early days of quiltmaking when I learned to do improv curved piecing. I added some of that. It is a simple addition, but effective, I think. I may add something else as my addition does seem like much, nor does it help the next person as a jumping off point.
I got a brief glance at my Improv Round Robin piece before Ruth whisked it away to work on.
More of the Philip Jacobs print is showing up and that is creating some interesting results. I do think the piece needs more space, so I will add more solid or, perhaps, someone working on it will add more solid.
I don’t actually have any IRRs right now and I wasn’t at the BAMQG meeting, so I couldn’t take another. I had three in quick succession, with Cheryl’s being the last before my brief hiatus. Ruth‘s and Claire‘s pieces were the other two in the trio.
Michelle and I met at Trader Joe’s again and exchanged IRRs. I took Claire’s to pass along as she wouldn’t be at the meeting either. I headed up to the North Coast again with DH for NSGW/#politicalwifery events and Michelle was headed to Spain. Rhonda was kind enough to take both bags to the meeting for us and I gave them to her at the CQFA meeting.
All of this meant that I had to get Cheryl’s done in time to get it to Rhonda. I had about a day once I figured out all of the timing, so I got down to business.
Cheryl’s piece looked great when I got it and I was loathe to wreck it, but Michelle had added half a row, so that missing section was perfect for me to complete.
Cheryl’s piece is turning out really well. I love it, thus the feelings of avoiding wreckage. I really wanted to use the Paris map fabric, but couldn’t really fit it in once all was said and done.
I walked around with it on my design wall for a few days and decided to add some Flying Geese. Yes, I am still in love with Flying Geese.
I also needed to add my signature fabric, but I didn’t want to add a large patch or strip as I have on other pieces, because I wanted to preserve the mainly white and turquoise color story.
There were a few small strips left over from other piecing, so I pieced a few of those together to make another strip large enough to handle my signature fabric. I wanted something that would look like it fit in.
I made some Flying Geese. Since those were the main parts, I started working getting Michelle’s strip completed. I added some white and a strip of the black and white stripe, which came to me after looking at the piece.
After making my piece, I think the white on the edge needs to be corralled, but someone else, or Cheryl, will have to worry about that. I am pleased with how my part came out and I think my signature fabric piece fits in well without overwhelming the whole design.
I also think the piece needs some space at the top. The bottom is getting to be quite breezy while the top is looking a little cramped. Not fatally so, but a little. It will be interesting to see what happens.
Yes, they are coming fast and furious! I got two at the last BAMQG meeting, as I mentioned. I was able to work on Claire’s piece during my last free sewing weekend, but I didn’t get to Ruth’s. While having little time to sew on the weekend, I have had to cram the work into bits of time during the week. Of course, I forgot to take a before picture. 🙁 C’est la vie. If you imagine removing my part, that is the before. 😉
There is something that makes me think of a castle. The ‘mountains’ could be points of a tower and the curved sections could be arches.
Ruth’s piece has a clear color story and large curved center with triangles seem to be a design focus. The piece spoke to me immediately after I put it up on my design wall. I saw the triangles on the top that looked like mountains and decided to add something similar on the bottom.
I had to do some fancy sewing with background around the mountains since I didn’t want to cut off the tips. I think the background looks like Mary Mashuta’s Pushed Neutral concept and I like it.
Next on the IRR list was Claire’s piece. Claire was in my original group so I wanted to make sure I worked on all of those quilts. I received her piece at the January BAMQG meeting.
Claire’s IRR was a challenge. The colors are perfect for Claire, but they are not my colors. Also, many of the fabrics had been used up or smaller pieces were left. This is why the project is called a challenge! I did not let these things discourage me.
I put the piece up on my design wall and tried to see the focal point or the place where Claire started. I couldn’t really tell, so I looked at who had worked on the piece and still couldn’t tell what might have been Claire’s start.
I put the focal point aside and looked at the piece. I saw some good curved lines and thought something like the Grandmother’s Fan block might work. I cut some blades and put them up on the design wall.
I really did try to keep, mostly, to the 20 minute rule. I find that rule to be hard as the pieces get larger. Of course, cutting is still a challenge. Also, the curves on Claire’s were not an easy design element. And, right on cue, life got in the way and the piece sat on my design wall for a week or more.
As I walked in and out of my workroom I decided I did like the curves. At one point, I adjusted the fans so the existing curves would be continued — or give the illusion of being continued.
In the photo, I tried to point out to you, in a very obnoxious color, what I thought of as ‘continuing the curve’. No, the blades aren’t all the same size, but the curve seems to be the most important in terms of design. I hope the curves I added work with the existing curves to create a focal point.
The bad part is that I didn’t square off the fans. I know I should have, but I just didn’t feel like it. I know I can offer to do it later, if push comes to shove. I am hoping that someone else will square them off down the road.
I am happy with what I did. I gave the piece to Michelle on Thursday and will look forward to seeing what she does.
I had two recent opportunities, the IRR post and the BAMQG Meeting post, to talk about my round robin piece, which is still circulating, and missed both of them.
I was able to glimpse the work done on my piece at the meeting last week. I think my piece is looking spectacular. There is a lot of interest because of the improvisational piecing. There is also cohesion because of the limited palette of fabrics.
I am so thrilled that some of that Philip Jacobs (or perhaps Martha Negley??) fabric was added (shells at the top). I love the boldness of it. I would like to take a better look at it as I see some other fabrics tucked into that top section.
As I said before, the pieces are getting quite large and mine is no exception. I think it is probably NICU size right now, or slightly larger. I want it to be larger, but may have to add bits of my own at the end. People from other groups are still working on it, which is great.
At the meeting the other day, everyone doing the IRR challenge got together and we swapped pieces. We changed things up and I now have Angela’s IRR piece. We were not originally in the same group. Her group was small and everyone had worked on all of the pieces at least once. I didn’t have one to work on so I volunteered to work on Angela’s.
The pieces are getting quite large. I quickly put a signature strip on the side and then started thinking about what I could add that would look great. I liked the castle fabric, but wasn’t sure about just putting in a big strip of towers.
The diamond motifs caught my attention and I started working on adding free form diamonds.
I have a hard time being completely free form/improv-y, but I did my best. I tried to make the diamonds not in alignment. I didn’t like the way they looked. I sewed the diamonds to backgrounds and played around with them a bit.
I looked at the piece and saw that dark grey kite fabric. I played around with that fabric and came up with a kind of checkerboard effect.
I like the way it turned out. I think the dark fabric adds a bit of a frame to the piece and sets off the diamonds as well. I also like the visuality of the dark fabric going around the corner.
I made major progress on this piece during the weekend before Thanksgiving. I have had a lot to talk about, so posts are getting backed up. For someone who hasn’t had much of a chance to sew recently, I seem to have a lot of content!
I walked around my workroom trying to get comfortable with the blue and green backing. I really tried hard to like it. I tried to convince myself that another color scheme would provide a different look and make a good addition to the piece.
I had already cut one piece into two and I still couldn’t like what I saw. The blues just didn’t work with the red and black and I couldn’t do it. I admitted to myself that I wanted to save the large piece of red solid for another project and that cleared the way for progress. I found a piece of American Made Brands red solid on sale and bought it. That kind of freed me up to use the large piece of Kona red for the back, which is what I did.
I spent a whole Sunday piecing the back. I wanted to finish and it took me a long time. I did. I just need to make the binding and then I can take it to Colleen’s to be quilted. I like the way the whole piece came out, but I am glad to get it off my design wall.
The thing is huge and I need to take a photo of both sides outside, but that will have to wait for one of my quilt hangers to return from college.
I was kind of shocked to realize that the last time I devoted a post to this project was back in September. I did mention it last week and meant to write a full post. I was out of town for most of the week for work and it never happened.
On Saturday, I got back to the machine. I worked on this top, in between other projects. For the Improv top, I seem to be able to make progress on this project, but only while working simultaneously with other projects. For some reason this project does not inspire me to buckle down and work on it by itself.
I tried Improv again and it still doesn’t inspire me. I guess I like the technical precision of regular blocks. Does that make me boring? Perhaps.
Three blocks was the sum total of what I needed to finish to put this top together. The end was in sight! (Let’s not talk about back or binding at the moment). I finished one block completely on Saturday and made major progress on two more.
Sunday, I finished the blocks and then put all the blocks together into the top.
I started on the back, for which I am making different color choices just to give it a different feel. I am choosing some blues so that the back will have a different feel.
I spent almost the whole day last Saturday working on the Carpenter’s Wheel blocks and the Red and Black Improv quilt.
I was really struggling with the Improv quilt and it was taking up space on my design wall so I wanted to get it done and off. Done and off the wall meant making more blocks. Somehow making more blocks has lost their appeal.
I decided as I worked on the Carpenter’s Wheel blocks that I would intersperse pieces and parts for the Improv quilt and make some progress at least. I am so pleased with the progress I made! And I had fun.
The Carpenter’s Wheels are very cheerful and that makes them fun to make. I sewed the second block together (top left) on Saturday and am enjoying looking at the two blocks together while the third block is in process.
I had started out on these blocks, but the Improv quilt was nagging at the back of my mind, so, as I said, I pulled out some black and red strips and started to work on an Improv block in between working on the second Carpenter’s Wheel block. When I finally pulled my nose away from the needle and assessed my day’s work, I found that I had completed a whole side of the quilt! I only have three blocks more to make to finish the top!
This quilt is a monster, which should surprise nobody, which makes it hard to photograph, but you should be able to see some of the work and the progress. There will be no border and sewing the blocks together should be a challenge, but not so much of a challenge that I can’t do it. The seams will be long, but over quickly, I think.
I was doing such good work that I was angry that I had to leave on Sunday for a work trip. I was looking forward to the work trip, but it just came at an inconvenient time and I was hoping I wouldn’t lose my momentum, especially with the Improv quilt.
Saturday and Sunday, when I wasn’t working on Michelle’s IRR piece, I was working on the Improv Quilt. I know both are Improv projects.
The last time I made any progress on this piece was over a month ago. That progress felt forced and unsatisfying even though I didn’t know it at the time. I had the piece up on my design, which meant I had to look at it and that frustrated me. Frustrated me, because I wasn’t happy with the work as well as frustrated because it was taking up my design wall. I need to learn to make smaller quilts.
This weekend’s progress felt good. It was fast and intuitive and right. The piece is starting to look like something I won’t hate looking at.
I am not sure the blocks will end up where they are placed now, but there is a good bet some will stay where they are.
One thing that happened to jolt me ahead in the process was that I laid in bed one night, trying to get to sleep. I spent the time thinking about this piece and made a plan. I decided I would cut a big piece of red to use as a start to make some corner blocks.
I wasn’t completely on board with making ‘B’ blocks for the corners, so I made corner blocks, which are similar to the ‘A’ blocks. I did what I thought would look good. I can always make something different, right?
I like the corner block shown at left, but I wish I had varied the length of the neutral strips more. I did a bit, but not enough. It will be fine once the rest of the quilt is done and I am not going to worry about it right now. I do reserve the right to change it if the design needs it later.
I did sort of learn from this block and the first two ‘B’ blocks. I didn’t want all the ‘B’ blocks to be heavy, so I varied the length of the strips to give them less weight — or less perceived weight. I also made the centers a bit more interesting. I want people to be interested in looking at the piece.
I have about 7 more blocks to make on this monster. I have some slim hope I can finish it by next week and take it to be quilted. I am laughing, but you can stop. 😉 I know it is a pipe dream, but I would like to move this project along.